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Racism in the african american community
Eurocentric-beauty-ideals-for-males
Racism in the african american community
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Eurocentric beauty ideas have the perspective of what society tends to accept. In 2016 SOLANGE embodied the struggles and triumphs in celebration of being black with her album, Cranes in the Sky. Her ninth track on the album, “Don’t Touch My Hair,” did not shy away from the standard and theme previous tracks on the album set. The hit song express a journey of self-acceptance and love that many black girls and women experience starting at the roots of their hair. In the song SOLANGE also covers how people who don’t have black hair often don’t understand all of the controversy that comes along with it. Learning to love and accept oneself for who they truly are can be an onerous task; once knowledge is learned about different cultures and races we as a society should be able to see what holds us back and remove the burdensome stereotypes that affect us daily. In this late 2010’s era where more black women are wearing their natural hair and expressing themselves more freely without the worry of how others may perceive them, SOLANGE hits the media with her song “Don’t Touch My Hair,” an ode to black girls some say. Despite the songs title it’s deeper that just hair; it goes all the way down to the roots. In the 1800’s Madame CJ Walker, an African-American woman, invented the world’s first straightening
After years of being burdened by unattainable beauty standards SOLANGE embodies and uplifts black beauty in “Don’t Touch My Hair”. Even in the songs music video SOLANGE creates images of black people in unorthodox hairstyles and they’re able to embrace the culture and beauty without the fear of exploitation. The song teaches through metaphors, idioms, and hyperboles that who we are is nothing to be ashamed of and just as the title says one must protect not only their hair but their being, soul, spirit, mind, intellect, feelings and all of the factors that make them who they
Alice Walker’s short creative nonfiction, Dreads uses imagery to convey her narrative about a hairstyle that was inspired by singer, Bob Marley. Dreads are defined as a “hairstyle in which the hair is washed, but not combed, and twisted while wet into braids or ringlets hanging down on all sides”, according to howtogetdreads.com. Imagery was chosen for this paper by the depth of Walker’s illustration of beauty that natural hair has that might seem to be abonnement or not professional by society standards. This reading sparks interests just by the title a lone. That people have mixed feeling about dreads, some might see it as being spiritual; or as a political statement. However, Walker loves the way her natural hair is supposed to form without
Somehow, everything about the whites appear to elicit a reigning beauty that raises hatred and envy the black girls have against the white girls. Packer argues that even small thing like hair contributes to hostility. The fourth grade says; “their long, shampoo-commercial hair, straight as spaghetti from the box” (Packer, 16). These reinforcements are ingredients of prejudice that brings about racial discrimination. The black girls get jealous of the white girls’ hair, and this leads to discrimination against them. It is worth noting that the prejudices are handed down by the environment and society that people are brought up in. Arnetta, remembers a mall experience when she and her mother were being seen as if they were from China. They were being discriminated because of their race. The various treatments given to black people has played a vital role in intensifying the issue of prejudice, magnifying people’s sense of inferiority, and shaping the views of the black people on the white people. Arnetta says; “Even though I didn’t fight to fight, was afraid of fight, I felt I was part of the rest of the troop; like I was defending something” (Packer, 12). This is a clear indication that society has the power to influence youths. It depicts how society joins hands to fight for what they think is their right. Owed to the fact that this is a society. Everything and everyone is interlinked in a given way, making racism and prejudice hard to do away
She states, “Individual preferences (whether rooted in self hate or not) cannot negate the reality that our collective obsession with straightening black hair reflects the psychology of oppression and the impact of racist colonization” (Hooks 540).
In African American culture we take pride in our hair, especially African American women. Due to the fact that the quality of your hair and your hair style pretty much represents you as a person, hair is taken very seriously. For example, in the song “Don’t touch my hair” Solange says “Don’t touch what’s there when it’s the feelings I wear.” What she means is don’t play or mess with her hair because in doing that you are playing around with or messing with her feelings. I believe she is implying hair is an imperative part of her culture which is black culture. Solange also says “Don 't touch my soul when it 's the rhythm I know. Don 't touch my crown they say the vision I 've found don 't touch what 's there when it 's the feelings I wear.” Solange subtly but heavily implies that a black woman’s hair is a form of an extension her being and also a declaration of her Black pride. Her hair is not for the judging, sideshow or entertaining of white people. When Solange says
In this paper I’m going to show how African Americans have used hip hop and black hair are two ways in which African Americans embrace their culture and fight oppression. However, as we have reviewed in many classes, oppression is not easily escaped. So in this paper, I’m going to show how cultural appropriation is used as a way of oppressing black culture. So this paper is an expansion of what we have learned in the class.
Byrd, A. & Tharps, L. (2001). Hair Story: Untangling the Roots of Black Hair in America. New York: St. Martin’s Press.
It is one of the first things people see. It can make or break you. “If your hair is relaxed, white people are relaxed. If your hair is nappy, they are not happy.” This was said by one of the people being interviewed in the documentary, and the meaning basically means that relaxed hair equals happiness and un-relaxed hair equals the opposite. Yet, the nature of "relaxing" is not very relaxing. It is a long, tricky and expensive business whose purpose is to get black women's hair to resemble European hair – the idea is to "relax" the white people who come into contact with black women. Furthermore, black hair products are largely controlled and manufactured by white people. Rock shows that black women have made this style their own – it is no cultural cringe to white
As it opens with imagery reminiscent of the aftermath of Hurricane Katrina in New Orleans, an event that devastated the black communities in the areas affected. The delayed assistance in New Orleans by the U.S. government stirred some controversy that led many to question how much America really cares about its black communities. Nonetheless, Beyoncé’s video is full of imagery that is associated with black culture, including historical references to black communities in the south. But what is really important about “Formation” are the lyrics. With lyrics like “My daddy Alabama, Momma Louisiana, You mix that negro with that Creole make a Texas Bama” and “I like my baby hair with baby hair and afros, I like my negro nose with Jackson Five nostrils,” Beyoncé is undoubtedly declaring her pride for her blackness as well as defending her child Blue Ivy who has always been scrutinized for the way her hair looked. Thus, this song is obviously geared toward the Black community which is obvious due to the lyrics and the imagery in the music video. To put it plainly, this song is a proclamation of Black pride and shouldn’t be thought of in any other way. However, after performing it at the Super Bowl people of other ethnicities became aware of the song and became offended by her performance as well as the lyrics. Controversy arose as people pointed out her backup dancers were dressed similarly to the Black Panther
By the twentieth century, slavery had damaged black pride, and made it known that black features were inferior. When it came to black women and their hair, black women desperately wanted to match the standard of “white” beauty. Walker’s solution to this was to create a look that was Afro-American without trying to imitate whites. Walker spoke about beauty emphasizing that to be beautiful does not refer to the complexion of your skin, or the texture of your hair, but having a beautiful mind, soul, and character.
“Hollywood is an industry that gravitates toward trends, but the natural hair movement has gone unnoticed and unaddressed on small screens all across the country” (Gordon, 2015, para. 4). Recently, the shows that are rated high, black women are wearing weaves and wigs instead of their natural, unprocessed hair. When analyzing Olivia Pope from scandal or Gabrielle Union from Being Mary Jane we all see that they obviously wear weaves and wigs. Even though natural hair is missing from hit TV shows, some stars, such as Lupita Nyong’o, the 12 Years a Slave star has strutted the red carpet with their natural hair on display. Only time will tell when more roles will feature women like Tracee Ellis Ross; starring in ABC’s new comedy Black–ish, sporting the big natural hairstyles that more and more Black women have been embracing. I believe actresses have fear of being limited by their natural hairstyles and that’s why weaves and wigs continue to dominate the
This paper will argue that to be a Black woman with natural hair, is deviant in the eyes of white culture. Natural hair is regarded as unkempt, unclean, and unprofessional (Thompson 2009). American society seeks to demonize the hair of Black women because natural hair disregards Eurocentric beauty standards (Robinson 2011). To rebel and wear one’s hair naturally comes with a price - especially in the workplace and school environment - because there are discriminatory dress-codes that prevent Black women from meeting institutional requirements (Klein 2013). Black women face discrimination for their natural hair due to the power imbalance of white men in work and educational structures.
Don’t touch my hair: this should be a sentiment simple enough to understand. However, for many black women this establishment of boundaries can be broken repeatedly and without any regard for personal space. Solange Knowles’ song “Don’t Touch My Hair” and accompanying music video takes this declaration of self and creates an anthem for the empowerment of black women and dismissal of microagressions, white beauty standards, jealousy and appropriation. Her lyrics emphasize the emotional connection that black women have to their hair. But, beyond this pride is an act of self-love militant and radical against white standards of beauty; or is this self-love subscribing to the notion that black women’s hair is an object detached from their personhood- objectifying themselves to other’s gazes and not subverting them? In order to answer this question, theories from Helen
...na exhorts, not only to Irie, but to all women whose ideas of who and what they should be are based on men’s concepts, and not their own. “The Afro was cool,” Neena continues. “It was wicked, it was yours” (237). She encourages Irie to determine her own ideas of who she is and how she should look.
“Beauty is in the eye of the beholder,” a phrase that everyone has heard of at one point in his or her life. Walk by a cashier aisle in a supermarket and a there will be magazines shouting “How to lose 30 pounds in one month!” “Buff up with this weird new workout routine!”. “Fashion that’ll slim you down!” and the like. Is the concept of beauty and ugly really homogeneous, or does it vary? Is it just weight that’s considered? Exploring different ethnic groups prove that what one person thinks is beautiful may or may not be the same as the next person. (The article will mainly be focused on the women though, since their “worth” is judged more on their appearances than men. It will also be rather general on each ethnicity.)
The concept of beauty can be hard to define, as it is an ever-evolving notion. What people perceive as beauty has varied through time, across cultures (Fallon 1990) and can also vary based on individuals. To a culture, beauty can be its customs and traditions, and to an individual it can include physical appearance (outer beauty) or personality (inner beauty). However the word beauty can also defer according to gender, Ambrose Bierce (1958) once wrote, “To men, a man is but a mind. Who cares what face he carries or what he wears? But a woman’s body is the woman.” Despite the societal changes achieved since Bierce’s time, this statement still holds true. Attractiveness is a prerequisite for femininity but not for masculinity (Freedman, 1986).