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The role of women in the merchants of Venice
The role of women in the merchants of Venice
The role of women in the merchants of Venice
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Bassanio and Portia in William Shakespeare's The Merchant of Venice
In this essay I will be writing about Bassanio and if I think he
deserves the beautiful, intelligent and skilled Portia.
Portia is obviously by far the most capable and intelligent person in
the whole play and she always out does the men in the play by a long
way. This is made very clear when she pretends to be the judge in act
5 and she gets Antonio out of a very big mess that he made for himself
when he was being stupid, like most of the other men are in this play
at some point.
I think Bassanio is the most obvious pair that you could make in the
play for Portia so in a way it is the best Portia could have asked for
but she might be brought down because of all men's incompetence in the
play. When Portia gets the chance to show her brilliant intelligence
in the last quarter of the play in the court scene she loves it and
you can tell that whatever else she does in her life does not compare
to the happiness she feels in that scene. Nobody knows that she is so
clever and in that scene she shows her true intelligence, but all of
the other men in the play do not know it is her even her own husband
is not told. She has to dress up as a man because of the prejudice
towards women at the time.
Portia should be working her brain but because of the prejudice
towards women at the time she cannot do this. Women of Portia's
capability are not meant to be at home, they should be working and
helping the world.
In some ways I think that the burden that was placed on Portia was
huge when her father gave her this really wacky will in which she is
obliged to keep to otherwise she is disrespecting her fathers last
wish, and that is a huge thing to do to someone you love even if your
After spending more than half of the play looking down on her employee, the madam decides that she wants to switch places with her maid as part of a game. It is rather ironic how much the play follows the story line of the princes and the pauper. Where two women of different social standing switches places with each other, in order to experiences how their other side lives. It is arguable comedic that the women are able to assume their roles without much effort. The madam really acts the role of the maid, she acts how she believes the stereotypical maid should be, she sits behind her employer and begins to pay more attention to her son. Whereas the maid, clearly states to her employer that it’s not her job to pay attention because she is a “lady”. She puts her the tanning lotion, sunglasses and begins to
In Act 1, scene7 she really excel’s herself in how far she will go to manipulate Macbeth, to get her way. He not prepared for her rage when he announces his change of heart.
the women are more observant than the men. The women in the play discover Mrs.
...n he tried to intimidate her earlier and that she would be so bold to his face. The criticism faced by the characters in the plays demonstrate the idea that women are inferior to men and should not speak out for themselves.
...portant than anything and she did not let anyone or anything stop her from her main goal. This plays themes were based on love, passion, rage and vengeance.
Dash, Irene. Wooing, Wedding, and Power: Women in Shakespeare’s Plays. New York: Columbia University Press, 1981.
This play is also a story about the coming of age of young women (Blo...
and almost goes so far as to rally against love as she says in act 2
...ters. Yet, this is not all that she does. She also refuses to listen to the opinion of the men of the house. She is a very strong woman and argues with them to make sure her opinion is heard. She may play a fool, but she also plays a fool that is opinionated and is not afraid to argue with the men. This is not something that was common in the 17th century. During this time, men were believed to know all. Women were meant to listen and follow. Marianne plays the subservient daughter. She is willing to marry a man that she does not want to marry simply because her father demands it. Yet, she plots with her maid Dorine to help her get out of the situation. This is something that does not follow gender norms. A good daughter of the time would listen to her father religiously. Every woman in this play defies gender norms, even if some of they do it in a very minor way.
suspicious of John. By the end of the play, she is a lot more open
“Frailty thy name is woman,” is the summary of the feelings towards women for the entire play. Gertrude cannot spare any time to grieve over her late husband; she must find another man to rule the kingdom. That man turns out to be her late husband's bro...
It develops the character of Portia as being someone madly in love with another person. It is clear to me that she is in love with Bassiano. She talks about how she could teach Bassiano how to choose right, but she can’t because of her father’s will. To me, she is really sick. It advances the plot so that the love Portia has for Bassiano, and the love that Bassiano has for Portia, can be more looked at.
early on in the play. The play proves that a noble woman has equal or more power than a man in
Everyone is deceived and believes Portia is truly a man therefore showing that she has the capabilities to exert the traits of a man. Portia is described as the “wise young judge” (IV, I, 228) and an “excellent young man” (IV, I, 252) by Shylock showing that he believes in the gender identity of Balthazar. Bassanio, Portia’s husband, is also fooled as he states that Antonio’s life is more valuable to him than Portia. Her credibility in turn gives her power over the men in the scene. She is able to use the balances of justice along with her knowledge in order to save Antonio. The turn in this scene is when she repeats, “A pound of flesh” (IV, I, 315) and states the specific words used in the document as no blood can be dropped from Antonio or else Shylock will be punished and strikes fear into Shylock. This shows that it is possible for a woman to obtain the masculine qualities of being powerful and intellectual. If Portia were to have not dressed as a man, but merely a woman, due to the social constructs of the time she would not have had any power in this situation. Portia tells Bassanio “I pray you, know me when we meet again” (IV, I, 432) which shows her feelings towards Bassanio not knowing her true identity, even through her disguise. Her actions were that of her individual, but due to her altering her appearance of gender it changed the way others viewed her
The first time that this is evident is in Act I, Scene IV, where Cesario, really Viola is