Arvay's Epiphany In Seraph On The Suwanee

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Arvay’s Epiphany in Hurston’s Seraph on the Suwanee

In the middle of Chapter four, we find Jim and Arvay in the middle of a journey to the courthouse; the reader, halfway through the journey from the top of the page encounters an interior journey as Arvay travels within herself. This four-line passage serves as a milestone marking the beginning of the narrative, which is a journey across the landscape of the life of Jim and Arvay’s relationship. The passage begins with “The elements opened above Avery and she arose inside of herself”(57). The first clause of this sentence has a poetic eye focusing on an atmosphere, or an aura rising and expanding around Arvay’s form, perhaps circular, like the break in clouds whereby a ray of sunshine …show more content…

The coordinating conjunction “and” begins the second clause, implying the synchronous relation between the outer sky change, and the inner event of rising “inside of herself.” In this sense her experiences, her conversation with Jim, her anxieties about her “secret sin,” her religious drive converge and for a brief space are unifying, interlocking, affirming and redeeming. The mystical language employed reveals a kind of “interpenetration.” That this epiphany comes at the moment when she is discussing her own rape with the man that raped her shows the way in which she thinks about her experiences. Also, this passage shows how Jim speaks to her in ways that produce thoughts and feelings that she cannot seem to find words for annunciation. Her mystical language contrasts sharply with Jim’s straightforward sentences, recalling the title of the novel, Seraph on the Sewanee. After reading …show more content…

Hurston represents Arvay’s psyche as experiencing powerful sensations and complicated ideas that cannot be clearly articulate, especially to Jim. The inability to communicate forms the dynamo that drives the story and creates the drama within the novel. Hurston underscores this by allowing the reader to see the lack existing in both Jim and Arvay. They are strangers to each other’s worlds. Arvay is a stranger to Jim’s material world, and she does not know quite what to make of his actions, particularly in this section of the novel where she has been raped and is now about to be wed, and seems confused about what is happening. Jim, conversely, has no access to her spiritual longings, fulfillments, and rationalizations. This utter lack is best represented on the page by the lack of quotation marks. Contrasting with Jim’s quotation marks, Arvay has none—he acts and she reacts; he talks and she thinks. The ghosts that torment the couple might be manifest in something quite banal happening on the page—the punctuation. For example, after the elation of feeling that “[h]er secret was forgiven and her soul set free,” she says to Jim, “You talking about me and you, ain’t you, Jim?” Here her words in quotation marks match nothing of the poetry that Hurston composes as Avray’s

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