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Have you heard of the expression ‘don’t grab the bull by the horns’? How about ‘don’t grab the bull by the beard.’? Wait, what? Yes, you read that correctly. In the Early Dynastic Period, about 4,500 years ago, bulls were an animal that symbolized protection and beards were a symbol of certain gods. So, to say that maybe this combination was something that inspired artists back in this time period. Therefore, sculpting the famous Bearded Bull’s Head. The Bearded Bull’s Head is a sculpture made from copper with lapis lazuli and shell inlays. The artist of this interesting piece remains unknown. It was made nine and a half inches long by nine and a sixteenth inches wide, or 23.5 centimeters by 23 centimeters. The sculpture itself is classified …show more content…
When a piece of artwork is created, whether it be a painting, sculpture, etc., the material(s) the piece is made out of is called a ‘medium.’ The Bearded Bull’s Head specifically, was made from copper with lapis lazuli and shell inlays. By taking a look at the figure, it is noticed that it is only a head, hence the name as well. The head is accentuated by a stocky muzzle with a curly and wide beard. Thinking about it, putting a beard on a bull would seem very strange. However, the St. Louis Art Museum states that the beard “looks curiously natural,” (Handbook of the Collection). The craftsmanship brought the object to life by the use of the lapis lazuli and shell inlays on the eyes of the bull. Lapis lazuli is a type of bright blue metamorphic rock that are usually used in jewelry. The head of the bull is hollow in the back which gives us proof that this was once part of a copper relief or a larger three-dimensional figure, (Handbook of the Collection, 23). “The eyes strike a bright note, recalling the gaze of an animal that is steadily observing the scene before attacking a victim,” (Favorites from the Museum: Bearded Bull’s Head). This quote proves that the Bearded Bull’s Head is important and a fascinating object in the St. Louis Art Museum because the eyes are obviously something was important to people back then. Usually, all kinds of animals are predators and have their own way of …show more content…
The ancient culture of Sumeria lasted about three thousand years before Christ came into the picture. There were diggings by the British Museum and University of Pennsylvania that uncovered these great artworks from this time period, (Rathbone, 35). In the Early Dynastic period, the art is based off of worshippers, war, and court life, (Frankfort, 55). This animal sculpture with man features was found at Larsa on the Euphrates River. The Euphrates River is located in lower Mesopotamia, very close in distance to the Tigris River as well. Mesopotamia was of great importance during ancient times, (A New Sumerian Bull’s Head in St. Louis, 2). The place in which this artwork was found was also seemingly interesting. “Found within the city walls was a central mound some 70 feet high: the remains were in a ziggurat or artificial mountain,” (Goldstein, 8). This quote proves that the sculpture is fascinating for the museum because it explains what interesting wonders the piece has traveled to before it came to the current one. The piece also has evidence to be found with artifacts of the royal cemetery at Ur or within a similar range, (Rathbone, 2). Although it is pretty neat knowing the history behind it, it is also important to know how it got to the
The work I chose to analyze was from a wall fragment from the tomb of Ameneemhet and wife Hemet called Mummy Case of Paankhenamun, found in the Art Institute of Chicago. The case of the Mummy Paankhenamun is one of the most exquisite pieces of art produced by the Egyptian people during the time before Christ. This coffin belonged to a man named Paankhenamun, which translates to “He Lives for Amun” (Hornblower & Spawforth 74). Paankhenamun was the doorkeeper of the temple of the god Amun, a position he inherited from his father.
"Human-headed Winged Lion (lamassu) [Excavated at Nimrud (ancient Kalhu), Northern Mesopotamia] (32.143.2) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art, New York: Metmuseum.org. Web. 04 Mar. 2010. .
The Lamassu is a mythological winged human-headed bull that guards the Assyrian palace of Sargon II in Khorsabad, Iraq around 721 to 705 BCE. There are theories that they were sculpted at the palace gates to ward off evil and fend off invasions. Archaeologists theorized that the Lamassu had influenced other winged animal and human hybrids throughout the ages from Ancient Mesopotamia to Ancient Greece and to the Romanesque and Asia Minor. One, for example, is the Chimera of Arezzo, Italy from the Etruscans Late Classical period of the 4th century BCE. There were some debates about the origins of the Lamassu - where and what period the statuette was made and how much influence did it impacted other mythological winged hybrids.
Ti watching a hippopotamus hunt was discovered in the tomb of a Fifth Dynasty official under the name of Ti. The piece roughly dates back to 2540-2350 BCE, during the Old Kingdom of Egypt; such date can be inferred due to the composition of the work, as works of the deceased in a narrative or singular picture were often created as relief sculpture in tombs during the Old Kingdom period. The painted relief sculpture was carved into limestone and found on the mastaba- rectangular brick or stone structure with sloping sides built over a tomb- at Ti’s tomb in Saqqara, Egypt.
This sculpture is quite spectacular. According to the display plaque, the sculpture shows four events happening all at once. On the far left is St. Peter who has just cut off the ear of Malchus (the servant of the high priest and seated in front of St. Peter) is "sheathing" his sword. He seems to be very content with what he has just done, but then if you look closely at the right side of Malchus' head, you can see a hand holding his ear. That seems to be Ch...
Also, the sculpture named Kroisos (Kouros from Anavysos). ca. 540-525 BCE. Compare with the Kouros, both of them are freestanding, painted sculpture. Kroisos has a greater body than Kouros, and I can image that the flesh, sinew and bones inside the stone. And as for Kroisos’s facial expression is more naturalistic than Kouros. His lips are drawn up that becomes an artificial smile, I mean the archaic smile, but not reflect in his
as well as the needs and urges of a bull. This is why in the painting
...with similar characteristics to the bearded man in the other images. This distinct bearding is seen on two sculptures (61, 63) one of which was scaled up to be bigger than real men, this also indicates that the man held some special status, either king or priest.
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
This figure was made between 1374-1521 CE by the Mixteca/Tlaxcala at Puebla, Mexico. This figure is made up of basalt rock. The description card that was provided by the museum tells me about this piece is that it represents an Aztec rain god from Central Mexico. The eyes symbolized water and the fangs, jaguar-like, represents thunder and lightning. Therefore, the characteristic represents life, sometimes wrathful deity. This figure suggests that it could represent Tlaloque, one of the rain gods that served Tlaloc. This god is said to have the power to control the weather. Therefore, it is important for Aztec’s agriculture. These sculptures are placed all over the fields or in a spring for the Tlaloc’s blessing to rain to harvest goods. Just looking at it, I cannot tell what the purpose it served. The sculpture does not seem to be telling a story. There are still unanswered questions and mysteries about it. Why did they create a rain god? Why did they believe that the rain god affects the weather? Is it a
Soon after, many visitors began coming to the cave. What was it these people were so excited to see? When visitors first entered the cave they had to go down a twenty-meter slope, which led to the first hall, The Great Hall Of Bulls. The first thing they saw in the Great Hall of Bulls were the black bulls. Attention is quickly focused on them because of their great size compared to the other paintings. Also found in the Great Hall of Bulls are pictures of horses, deer, a small bear, and a primitive unicorn. “The strange so-called Unicorn appears to be walking towards the interior of the cave.
The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it. Something that particularly struck me about ancient Egyptian art was their proneness to use animals in their art. Not only do they use the animal’s full figure, but they also put individual parts on human bodies. This intrigued me because not many cultures have art that embrace animals to this extent. I will be exploring why the ancient Egyptians depict animals in their art repeatedly, and considering what they meant to them.
The use of iconographic symbols in art began as early as 3000 BC, when the Neolithic civilizations of the Middle East used nonhuman or animal figures to represent their gods. Thus, the Egyptian mother goddess Hathor was associated with the cow and usually appeared in relief sculpture and wall paintings as a cow-headed woman. The sun god Ra had a hawk's head, and the creator Ptah appeared as a bull.
The Victory Stele of Naram-Sin is a vertical stone marker, referred to as a stele, that depicts the military triumph of Naram-Sin and his army over the Lullubi people from the city-state of Sumer in eastern Mesopotamia. This stele, an artifact I find most intriguing due to its dynamic symbolism and compelling story-telling, elaborately details not only one of Naram-Sin 's greatest military victories but displays, what I believe to be, Naram-Sin as a divine-like being, suggesting a change in the religious ideas of the Ancient Near East era. As the text in Art and Culture: An Introduction to the Humanities explains, rulers of this time period we not viewed as gods, but as an “intermediary between the god and the people,” yet this artifact gives the impression of quite the opposite. The symbolism suggesting the alteration in religious ideas is profoundly depicted throughout every detail of this artifact, not only through its focal point, Naram-Sin, but among the minute details of the accompanying figures and the overall composition of this artwork.
Centuries before Julius Cesar, Galileo, Aristotle, Socrates, and albert Einstein; There was an ancient civilization that arose out of nowhere. They Settled upon the Tigris, and Euphrates Rivers, known as the fertile crest of Mesopotamia. These settlers are known as the Sumerians. The Sumerians were an agricultural society, who lived off their crops and the Tigris and Euphrates Rivers to trade goods. So when presented the terrible question “Why they existed?” The Sumerians believed that they existed to serve their gods by worship and dedicated work. Through the Sumerian Literature, architecture, and artwork the Sumerians let their purpose be known.