Throughout history, humankind relied on mythical tales for moral, spiritual, and psychological support in daily life. It is agreed among scholars that all myths must poses certain common aspects to appeal to the listener, as Cyril Myrong points out the essence of Joseph Campbell’s theory: “the role of the hero in myth is universal and that myths help to instruct individuals in charting a course for their own lives.” (Myrong 363.). It also known that the Archetype theory of Carl Jung is reflected in our daily lives. Carl Jung’s theory applies to ancient and modern myths reflecting our need for justification of our needs, desires, and deeds. Among many myths in history two works stand out the most for their complexity in topics, multitude …show more content…
It reflects how a person wants to portray themselves to those around. The Mask differs depending on what circumstances the person find himself in. It serves to protect from the outside and to assert self-worth. It can also address fears. Additionally, the Masks are shed according to particular needs when the circumstances change. This transformation of a Mask is vividly shown when Grima Wormtongue throws down the palantir from the Orthanc tower: “. Another instance of powerful transformation of Personae is the journey of Eowyn from a nurse to an old, broken and perhaps mad king, to an anonymous warrior, and lastly to a true shield maiden as is her right in defeating Nazgul: “no man can kill me… ‘I am no man!’”(find citation from the battle and her saying these …show more content…
It is represented in the ancient and contemporary myths in several ways. One of these is the existence of pantheon of Olympus and the Grey Havens, and what these represent, aside for Animus/Anima as stated above. Both of the perfected worlds exhibit all of the positive attributes people wish to achieve, are striving for, and see in themselves. Each person feels connected to the perfect abode, or the perfected being, because it addresses how people perceive their own positive characteristics. These pantheons are also closely connected to what people want to project to the world around. Projection of Self reflects the yearning for quality of life, the perfect home, perfect community, and better world (a subjective idea to each person’s desires). The positive attributes the gods and elves represent are the various self-projecting masks people wear even to view themselves. This is where the deities’ and the elves’ anthropomorphic essence is appealing – this similarity brings connectedness to people. This subconscious self-projection affects which choices people make in daily life, and what ideologies people associate with. Each person wants to be portrayed and accepted in the most favorable light. Regardless of what paths person takes, the end goal is to advance, to have a better chance of surviving, and to make a mark on the world
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.
What is a hero? The book Mythology by Edith Hamilton has a lot of heroes and most of them have 2 things in common. The heroes are in their own ways superior whether it be strength, intelligence, and/or courage. The second thing they have in common is a quest that establishes their greatness and proving that they are good enough to be called heroes. The catch is that even though they may have the characteristics of a hero, not all of them are epic heroes.
Masks are a way an individual expresses themselves with various types of people. We are given different occasions and have to act a certain way to do so. Gergen states that the cause of having a mask is “When an individual seeks approval from this diverse range of personalities,he or she adopts a wholly different mask or public identities.” (197) Each person has a different personality when they are with certain people, based on actions and reactions. For instance, when having a guest visiting for the first time, we tend to look our best and choose the best way to make them feel welcome. We tend to hide things that don 't seem “appropriate” and take out things that seem new. We probably don’t notice, but we create a mask based on appearance since we are hiding the reality based on their first
As Beowulf possessed incredible the strength of 30 men, Luke Skywalker the force, and Harry Potter magic, epic heroes continue in every form of today’s entertainment and storytelling. Every culture from the beginning has had their own tales of heroes accomplishing great feats that no one else could. An epic hero is an icon for everyone to relate to, they symbolize different lessons to learn. The epic hero archetype exists as a source of entertainment but also as a demonstrative tool. Their morals and actions are there to help shape our own actions in life. The archetype of an epic hero is unchanging; it stands against the test of time to give us reassurance in the good moral values of human life.
2) The mask represents values that the Chokwe people attach to the rite of passage and womanhood. Such values are introspection and wisdom. The mask conveys introspection and wisdom because the eyes and mouth are closed meaning the female is looking inward, thinking and reflecting. The woman that the mask represents is constructed this way because the women that it celebrates have already obtained wisdom and have no need to look outward for it.
From before the dawn of civilization as we know it, humanity has formed myths and legends to explain the natural world around them. Whether it is of Zeus and Hera or Izanami-no-Mikoto and Izanagi-no-mikoto, every civilization and culture upon this world has its own mythos. However, the age of myth is waning as it is overshadowed in this modern era by fundamental religion and empirical science. The word myth has come to connote blatant falsehood; however, it was not always so. Our myths have reflected both the society and values of the culture they are from. We have also reflected our inner psyche, conscious and unconscious, unto the fabric of our myths. This reflection allows us to understand ourselves and other cultures better. Throughout the eons of humanity’s existence, the myths explain natural phenomena and the cultural legends of the epic hero have reflected the foundations and the inner turmoil of the human psyche.
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master’s detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.
The title itself directs readers towards a sense of assimilation by wearing a mask. Wearing a mask indicates hiding an original identity in order to please the mainstream one. This is exactly the case in “We Wear the Mask”. In this case, blacks had to hide their humiliation and suffering from their white counterparts by wearing a mask that lies. When Dunbar wrote, “With torn and bleeding hearts we smile” (646), it is evident that African Americans were forced to hide their pain by showing a fake smile. They suffered emotionally on the inside but could not express it. In addition to showing a fake smile, African Americans did not care about their heritage. The third stanza reads, “But let the world dream otherwise, / We wear the mask!” (14-15). The lines do not celebrate cultural heritage because the slaves had to show pleasure while they are being tortured. Letting the world dream otherwise shows the slaves’ carelessness when it comes to expressing their identity.They are concealing their true self by hiding their pain. Hiding their pain also means hiding their cultural
Myths relate to events, conditions, and deeds of gods or superhuman beings that are outside ordinary human life and yet basics to it” ("Myth," 2012). Mythology is said to have two particular meanings, “the corpus of myths, and the study of the myths, of a particular area: Amerindian mythology, Egyptian mythology, and so on as well as the study of myth itself” ("Mythology," 1993). In contrast, while the term myth can be used in a variety of academic settings, its main purpose is to analyze different cultures and their ways of thinking. Within the academic setting, a myth is known as a fact and over time has been changed through the many different views within a society as an effort to answer the questions of human existence. The word myth in an academic context is used as “ancient narratives that attempt to answer the enduring and fundamental human questions: How did the universe and the world come to be? How did we come to be here? Who are we? What are our proper, necessary, or inescapable roles as we relate to one another and to the world at large? What should our values be? How should we behave? How should we not behave? What are the consequences of behaving and not behaving in such ways” (Leonard, 2004 p.1)? My definition of a myth is a collection of false ideas put together to create
In William Golding’s “Lord Of The Flies”, a group of boys is stranded on an island that completely changes them. The boys turn totally different from how they act from society as if they were putting on masks. It’s not just the boys that wear masks, but a lot of people try to hide from other people. What a mask does is that it hides a person’s trait and shows something completely different. I have made a mask like one of the boys, Ralph, that tries to show that he’s a leader, but hides a different personality. Here are some of the qualities of my mask.
A mask makes one unknown, unrecognized, and mysterious. When the first mask was put on, Jack "looked no longer at himself but at an awesome stranger" (Golding page #). At the formation of Jack's tribe, all who join wear a mask from that time on and become a part of the savages. As three savages return to steal fire, they are driven because they are "demoniac figures with faces of white and red" (Golding page #) not individual boys. The mask becomes such an anonymous symbol that, towards the end of the story, Ralph "gazed at the green and black mask before him trying to remember what Jack looked like" (Golding page #). Whether stealing, fighting, or hunting, the savages found their courage because they "looked like something else" "hidden behind the mask of paint" (Golding page #).
Though a mask may just be a paper cut out, a molded piece of plastic, or in the Lord of the Flies, a painted face, they all have the same ability to create a feeling of freedom from responsibility. They may make they wearer feel more important or powerful and too good for work, leading to a lack of fulfillment of their responsibility. This belief in freedom from responsibility is best exemplified by Jack, the first one on the island to begin wearing a mask. He used a mask because he felt it gave him power and skill, giving him reason to take up hunting as a prime responsibility, opposed to keeping the fire going. In their...
I say Tartuffe wears a mask because that masks are personas that individuals engage in certain roles in society in such a way that one situation may be approached with one type of persona while another situation may be approached with a different type of persona. The objective--whether it be conscious or unconscious--is to protect the authentic
“A myth is a way of making sense in a senseless world. Myths are narrative patterns that give significance to our existence.” ― Rollo May
Thury, Eva and Margaret K. Devinney. “Theory: Man and His Symbols.” Introduction to Mythology: Contemporary Approaches to Classical and World Myths. New York: Oxford University Press, 2013. 519-537. Print.