Antoni Gaudi considered himself to be directly connected to Gothic styles through his art and architecture, deemed Neo-Gothic. A Spanish Architect known mostly for his dabbling in Art Nouveau. Gaudi is the best known example of these types of structures. Bordering on the fantastical and fluctuating between real and imaginary, his works make you think twice and leave you awestruck, much like the impressions of the original Gothic structures. La Sagrada Familia in Barcelona is one of the best known buildings in the world. A UNESCO World Heritage site since 2005, it's construction began more than 120 years ago. Starting in 1882 with a man named Joseph Bocabella, the basilica as we know it today would not have been possible without the changes of Antoni Gaudi starting in 1883. Prior to his involvement, Bocabella, a …show more content…
Work would continue until the 1936 Spanish Civil War, where anarchists destroyed and set fire to nearly all of Gaudi's original plans. Construction on La Sagrada Familia continued in 1952 up until today, still unfinished and very controversial even though many of the ideas are based upon what could be found of or restored from Gaudi's three-dimensional plans. Over the years, several Architects have contributed to the project of Antoni Gaudi's final vision. When completed, the Basilica will boast eighteen massive towers, the tallest of which is no more than one hundred seventy meters, only eight of which are currently complete. The twelve smaller spires symbolize the Twelve Disciples, four represent the Gospels, and the two largest embody the Virgin Mary and Jesus Christ. The most iconic and first four towers completed, part of the Nativity Facade, were the only parts completed in Gaudi's time. Work is hoped to be completed by 2026, 144 years from it's inception and marking the 100th year anniversary of Gaudi's tragic
September 16, 1968, a famous songwriter, actor, and singer was born in New York City (Biography.com). This famous person is one known around the world, whether you know him from his ex-wife Jennifer Lopez or listened to his music. This person is the infamous Puerto Rican Marco Antonio Muñiz, otherwise known as Marc Anthony. Although not born in Puerto Rico, Marc Anthony’s music influences many people around the world including South America and the United States.
Yes, the building was built with religious intent, but the Duomo was built to be enjoyed, not to be worshipped like previous religious art. The inside of the Duomo contained many religious pieces of art, however the religious art was made with correct human anatomy, and beautiful colors to really make the observer enjoy it. This human anatomy and beautification of art was part of what the Renaissance was all about. The Duomo was also built beautiful, standing tall with a large dome a the top. The peak at the top the dome was built to look amazing while sitting above the city, but was not made to be worshipped. The great Duomo was made to show how perfect and powerful Florence was. Florence was symbolized by the beautiful, made to make people want to come and see this building that so greatly represented the Renaissance. People want to see it for the art and beauty, not to worship.
Michelangelo Buonarroti was a man who desired to create. His art is impactful, reflects the time of the renaissance, and his growth as an artist. Michelangelo Buonarroti was born March 6,1475 in Caprese, Italy. His father was a government agent in Caprese and his mother died when he was six years old ("Michelangelo Buonarroti"). When Michelangelo was 13 he was an apprentice to a painter named Domenico Ghirlandaio. In addition to being an apprentice, he also studied sculpture with Bertoldodi Giovanni ("Michelangelo Buonarroti"); at 17 he created his earliest sculpture. Michelangelo was an ambitious artist who took on big projects. He was interested in human anatomy, engineering, painting, sculpture, architecture, and poetry (Bleiberg et al. 386-398). “Michelangelo was intensely religious and received inspiration from a deep sense of his own personal unworthiness and of his sinful nature”
Antoni Gaudi was born June 25th 1852 and lived until 1926. His name is Catalan with Gaudi being the family name and Cornet being the second. Gaudi was best known for being a practitioner of Catalan Modernism. The style of Gaudi was individualism and distinctive. Architecture, nature, and religion were Gaudi’s passion in life, which influenced a lot of his work. Gaudi liked to interpret his creations into his architecture for many to see the unique ceramics, stained glass, wrought ironwork and carpentry. What’s interesting about Gaudi is that he did not like to plan his work out but liked to make three-dimensional scale models. Many people liked his architecture because of the organic and natural styles conceived. Gaudi’s work became interesting around 1984 because he interpret religious imagines into his work and earned himself the name “God’s Architect”. His work deserves to be globally popular and
The Italian Renaissance was full of brilliant and gifted artists, scientists and inventors but Leonardo da Vinci was the most omniscient of them all. For someone who was able to obtain the amount of knowledge that he knew and to associate all of his works with each other is beyond extraordinary and he is considered one of the smartest people of all time.
The start of the word Gothic and the architectural style that has this word in it comes from the Goths. The Goths were a barbaric tribe who held power in various regions of Europe. Between the collapse of the Roman Empire and the establishment of the Holy Roman Empire and therefore around the 5th to the 8th century. They had two branches, the Ostrogoths and the Visigoths. On the contrary, even though the style is called “Gothic architecture”, the Goths were not known for great achievements in architecture.
In the University Of Arizona Museum Of Art, the Pfeiffer Gallery is displaying many art pieces of oil on canvas paintings. These paintings are mostly portraits of people, both famous and not. They are painted by a variety of artists of European decent and American decent between the mid 1700’s and the early 1900’s. The painting by Elizabeth Louise Vigee-Lebrun caught my eye and drew me in to look closely at its composition.
audi's style could be described as a mix of Art Nouveau and his own unique organic style, which was influenced by shapes and structures from the natural world. One of Gaudi's most impressive and beautiful buildings is Casa Batlló. Gaudí designed the building for Josep Batlló, a wealthy aristocrat, as an upmarket home. He had asked Gaudi to tear down the old one to reconstruct a new one. Gaudí managed to convince Battló to remodel the existing building instead of tearing it down, and between 1904 and 1906 he redesigned the facade and roof, added an extra floor and completely remodeled the interior. This building clearly illustrated Gaudi’s work. His use of flowing organic lines are evident and can be seen in my details in the structure. There are no sharp edges or straight lines but the walls feel as a membrane composed of ceramics, or rather waves on the ocean. Much of the façade is decorated with mosaics made of tiles that start in shades of golden orange moving into greenish blues. Not only that but it also seems that it is made form bones and stones. The "Skulls" are in fact balconies and the "bones" are supporting pillars. As you enter the building, the viewers greeted with a wide and curving stairway, which leads to the second floor of the building and the main rooms of the Batlló apartment. Where as the roof is made as though it is a spine of a huge reptile. In the center of the building, Gaudí expanded the existing patio and installed a large skylight. He placed the elevator shaft and stairwell inside here, while incorporating a way to distribute light evenly through the building. The long gallery of the main suite, the Noble Floor, overlooking Passeig de Gràcia, is composed of wooden-framed windows which are opened and clo...
DeJour Jackson Mr. Felt November 9, 2014 Arthur Symons once wrote, "Possessed, in union with a profoundly emotional nature, a power of artistic self-restraints which no other woman who has written in verse, except the supremesapprio, has ever shown" (Harris). Christina Rossetti emerged as one of the most influential poets of her time. During a stage in history when genders had an evident gap in equality, Rossetti did not let it discourage her from continuing on writing her literary pieces of work. As she was excluded from The Brotherhood's magazine, The Form's, meetings, she didn't stop on her journey on finding her self and the meaning of her poetry. She faced the same struggles as all women faced writing in the Victorian age.
The style of Baroque architecture is say to be overwhelm, in other word, heavy and powerful. In order to bring out the sense of solemn, holiness, it is presented in the form of massiveness and movement. The St. Peter’s Basilica, completed in 1626, designed by Donato Brama...
The Gothic era is widely known for its contributions in both architecture and art. The most monumental of creations is the production of cathedrals during this time. The largest cathedral in France, built toward the end of the high gothic period, due to fires burning down several sanctuaries before, led to the construction of Amiens Cathedral. Bishop Evrard de Fouilloy contracted Robert de Luzarches a master masonry to develop the original plan in building such a cathedral with a design prevalent at the time, Gothic style. The idea behind the build was to encompass the Bibles stories into the stone with teachings for the Christian people.
In the Florence Cathedral, Florence, Italy, there is a cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance. Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral. Created by many great Early Modern artists, this piece of architecture is a perfect example the Renaissance style. We can come to a better understanding of why this is so by exploring what the characteristics of the Renaissance “style”. To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows are the work of the Italian architect and artist Lorenzo Ghiberti, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters. Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 278 ft high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters. Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni, noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti. With that background information about the cathedral, one question comes to mind: what is it that makes the Renaissance style distinct? Renaissa...
The utilisation of gargoyles in Gothic architecture was for two reasons. On a practical level, they were spouts that moved drain water off the roof. On a spiritual level, they scared people into going to church. Finally, the height of Gothic cathedrals was meant to symbolise reaching up to the heavens and strengthening the inhabitants relationships with God. [Swaan, Wim. 1969. The Gothic Cathedral. Garden City, NY:
To understand the uniqueness of the Sagrada Família and the reason it has become noted as a building designed like no other it is important to learn about the background of the architect who led the journey of the monumental task of designing and building the Sagrada Família. Antoni Gaudi, a Spanish architect, was ahead of his time with the innovation of architectural design and space of commercial and residential buildings and was considered a pioneer in his field during the last part of the 19th century and beginning of the 20th century as recorded in history. Gaudi was influenced as a student by a Romantic and Symbolist concept of the Middle Ages as a golden age, which for him and for other Spanish artists became a symbol for the rising nationalism of Catalonia (Arnason and Mansfield 99). Mo...
The Baroque era was the age of magic. Flat surfaces became three-dimensional and paint on plaster became alive. It was the age of masterful illusion. Nothing exhibits this mastery better than Baroque ceiling paintings.