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Literature is full of tragic heroes. A tragic hero is a character who makes a mistake that leads to his/her destruction. In the play Antigone, translated by Dudley Fitts and Robert Fitzgerald, Creon is a tragic hero because of the three main characteristics he has during the play. He was born into nobility, endowed with a tragic flaw, and at the end realizes he has made an irreversible mistake that he will regret for the rest of his life. As the play goes on, Creon gets more and more arrogant until he realizes the danger he has gotten himself and his family into. His situation gets worse when Creon tries to improve it. With these characteristics Creon has made decisions that caused some negative consequences. Creon is a tragic hero because …show more content…
. In the next quote Haemon is speaking with Creon and it gives details of having a tragic flaw. “ You are not in a position to know everything that people say or do, or what they feel: your temper terrifies them. Everyone will tell you only what you like to hear”. Haemon tells him that he doesn’t know everything there is to know. Also, Creon has a temper and gets angry easily if he doesn’t get the answer he wants. Then Haemon says that people are scared of him so they tell Creon what he wants to hear and that all the decisions he has are correct. For example at the beginning the Choragos follows Creon's decisions and says he is doing the right thing to Antigone. They told him this because the people didn't want Creon to get angry because they might be put to death. Creon did not want to show himself weak and he doesn’t want to admit that the decisions he makes are wrong. “ Do you want me to show myself weak before the people? Or to break my sworn word? No, and I will not. The woman dies.” Before this quote is said Haemon tries to change Creon’s mind about stoning Antigone. Creon then replies and says that he will not change his mind because the people will think he is gullible and will do what anyone tells him to do. This gives us the idea that he is very stubborn. Also, that Creon will rather be right than admitting he is wrong after he has made his decision already. In other …show more content…
Creon explains to the choragos that it is hard for him to admit the truth and to say that his decisions were inappropriate. “It troubles me, oh it is so hard to give in! But it is worse to risk everything for stubborn pride.” Creon realizes that he has made a mistake because of the stubborn pride he has. Creon says it is hard for him to give in to the fact that he is wrong but at the same time doesn’t want to risk everything. He is going to go release Antigone, even though it troubles him to think he was wrong, from the cave and finally sees that his decisions were too harsh. In this quote creon is is looking at Haemon, who killed himself, and has mixed emotions of what just happened and blames himself. “Here you see the father murdering, the murdered son, and all my civic wisdom: Haemon my son, so young, so young to die, I was the fool, not you; and you died for me. He states that his actions caused his Haemon to kill himself. Creon called himself a fool and because of his stubbornness Haemon and Antigone are now dead. Creon then receives news that the queen has killed herself too with a sword. His whole family is gone because of his irreversible mistake. Creon blames himself for not making the right decisions from the beginning and not listening to the people’s opinions. If he would have did that and not think everything he did was right maybe
Haemon’s words, actions, and ideas contrast with Creon’s character of differing greatly and leading him to the death of his son at fault. “They say all women here, she least deserves the worst deaths for her most glorious act. When in the slaughter her own brother died, she did not just leave him there unburied, to be ripped apart by carrion dogs or birds.”(Lines 788-791) Haemon starts to reveal that he believes that Antigone, his fiance, deserves to not be killed over an act that she has not committed whether or not Creon think is was right. However, Antigone was following the law of the Gods, while Creon was abiding by the law of man. “A man who thinks that only he is wise, that he can speak and think like no one else, when such men are exposed, then we can all see their emptiness inside.”(Lines 803-806) However, when Haemon started to attempt to inform his father, Creon, whose refusal was so high to even consider not killing Antigone that he was only thinking of himself and that one death would lead to another. “Then she’ll die and in her death kill someone else.”(Lines 859) Creon then, only thought of his son as a woman slave. “You woman’s slave, don’t try and win over me.”(Lines 845-855) At first, Haemon looked up to his father, but now after his unsuitable behavior he has chosen not to follow his stubborn
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
The fact that Creon persists in his actions despite the warnings of others (Tiresias, Antigone, Haemon, etc.) is part of what makes the tragedy so tragic -- he had chance after chance to back out. Antigone tries her best to persuade him, saying, "Surely, to think yours the only wisdom, / And yours the only word, the only will, / Betrays a shallow spirit, an empty heart," but Creon dismisses this because she is a woman. Haemon tries to tell his father that the people are not in agreement with him, but his father accuses him of being a weakling and arguing only to protect his fiancee. Finally, Tiresias the seer tries to warn Creon that what he is doing is not in accordance with the will of the gods, but Creon accuses him of lying for profit, saying, "Money! Money's the curse of man, none greater.
A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of noble stature. Tragic heroes are great, but not perfect. If they were perfect the audience would not be able to identify with the tragic hero. And lastly the hero's downfall is the fault of their own, the result of free choice, not of accident.
A tragic hero is supposed to either have a character flaw or an error of judgment. In the play, Creon has two flaws. He has the character flaw of willful arrogance and his unyielding behavior and he has the flaw of making and error of judgment when he passes the proclamation. Along with a character flaw, a tragic hero must realize the fall. Creon truly realizes his fall when he states “Alas, how miserable I feel to look upon this second horror.” (line 1430-1440) The mistakes that he made are exemplified when Creon states, “Alas, my son, you died so young a death before your time.”(line 1410) He is feeling so much regret and disappointment in himself. This is the first part in the play where he realizes his mistake in passing an unjust proclamation and accepts responsibility for all that has happened. It is the first time that he has woken up to the realities of what he has done to his family. He had already taken the first step towards repentance of his wrong doing when he personally sees to it that the body of Polynices received a proper burial. However, he was too late to rescue Haemon, Antigone, or his wife. Creon is truly paying the consequences of being inflexible and
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
In one of the three plays of Sophocles, “The Antigone” we come across a character who is trying to change the mind of a king who is his own father. In the middle of the play the character Haemon comes and tells Creon, “ I beg you, do not be unchangeable: Do not believe that you alone can be right. The man who thinks that, The man who maintains that only he has the power to reason correctly, the gifts to speak, the soul – a man like that, when you know him, turns out empty. It is not reason never to yield to reason!” Haemon tells his father this because he realizes that Creon is not going to change his mind on executing Antigone. Haemon realizes that the approach his father has taken towards this situation was wrong and that he is also wrong with his final decision. Antigone is the women who Haemon is suppose to marry and she is sent to die by Creon because she broke the rules that Creon set. The rule of the state that Antigone broke was that she gave her brother Polynices a proper burial knowing that Creon declared him as an enemy of the state and did not deserve the burial.
Thebian play of Antigone has excited many debates over the years. The most prevalent being who exactly could be characterized as the tragic hero in the story. The argument that Antigone is the hero is deffinatly a strong one. There are many critics who believe that Creon, however, is the true protagonist of the play. In order to determine whether or not Creon is the tragic hero one must first examine what a tragic hero is. Aristotle states that a hero is neither purely innocent nor purely malevolent. A hero is usually born into high rank of society, and this person must possess a tragic flaw. This flaw normally stems from either poor judgment or extreme arrogance. This flaw will inevitably contribute to the character's downfall.
A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero, but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end. In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
Antigone, which was written by Sophocles, is possibly the first written play that still exists today (www.imagi... 1). There is much controversy between who the 'tragic hero' is in the play. Some people say Antigone, some say Creon, others even say Heamon. I believe Creon displays all of the characteristics of a 'tragic hero'. He receives compassion through the audience, yet recognizes his weaknesses, and his downfalls from his own self-pride, stubbornness, and controlling demands. He is the true protagonist.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
A definition of a “tragic hero” is, “a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering,or defeat.“tragic hero” (Dictionary.com). Another definition of a “tragic hero” and one that Creon fits best is “ a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces brings on a tragedy” (Dictionary.com).
Antigone really brings out the stubbornness in Creon throughout the play which gives the play more meaning.Creon is stubborn when he says “Take her and shut her up as I have ordered, in her tomb’s embrace.”(line 990). This Quote develops Creon as a tragic hero because it shows that he doesn't care what other people think and that he is going to do whatever he wants to do. Creon is does not worry about the hearts of his people what he thinks is right is always right in his eyes. Again Creon is being stubborn in line 600 when he says “No woman’s going to govern me-no, no-not while I’m still