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Aristotle contributions in greek civilization
Aristotle's influence on
Analysis of aristotle
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Greek tragedies, written in ancient times, are still a standard for tragedies written today. Contrary to diminishing in value over time, these tragedies have become cherished pieces of work in the sophisticated literate culture of today. However, one can not delve into these precious works of beautiful literary verse without first having background knowledge of the context they were written, and of the structure they follow. There are several terms, as well as an analysis of tragedies by Aristotle, a philosopher who experienced them firsthand. By knowing the structural basis of tragic works before reading them, one is able to better understand them and appreciate them more fully for the prized trophies of classic literature they are.
First of all, one must realize that tragedies were first written for the stage. Although the exact atmosphere of an ancient performance is rarely recreated, by realizing the context of the play, one can already better understand the reason as well as meaning for such a performance. Aristotle clearly defines what makes a good tragedy, as well as other performing pieces in his volume, The Poetics. He specifies the magnitude of a work can be generally judged by its length-the longer the poet can keep the audience captivated without losing sight of the primary focus of the play, the greater the tragedy is. It cannot be so long, however, as that the memory can not take in the entire performance. Aristotle also gives a history of plays and of the innovations and developments they have undergone. Aeschylus was responsible for the first innovation in classic tragedies, reducing the number in the chorus to 12-15, which previously was around fifty, and introducing a second actor on stage. Sophocl...
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...Michael. "Aristotle: Some Key concepts." John Hopkins Guide to Literary Theory & Criticism (1994): 2 pars. 30 May 2006. http://www.sou.edu/English/Hedges/Sodashop/RCenter/Theory/People/aristotl.htm
"Nemesis." Wikipedia. May 2006: 10 pars. 30 May 2006. http://en.wikipedia.org/wiki/Nemesis_%28mythology%29
"Butcher, S.H." "Aristotle's Poetics." Jan. 1998: pages 1-28. 30 May 2006. http://www.leeds.ac.uk/classics/resources/poetics/poettran.htm
"Introduction to Greek Tragedy." 2000: Pages 1-12. 30 May 2006 http://ablemedia.com/ctcweb/netshots/tragedy.htm
...ods come for the free drugs that he offers. Johnny is a man for whom we feel pride, shame and pity all at once but such a contradictory character would be unstable and unpredictable. Aristotle defines tragedy according to seven characteristics. These are that it is characterized by mimicry, it is serious, it expresses a full story of a relevant length, it contains rhythm and harmony, the rhythm and harmony occur in different combinations in different parts of the tragedy, it is performed not narrated and that it provokes feelings of pity and fear then purges these feelings through catharsis the purging of the emotions and emotional tensions. The composition of a tragedy consists of six segments. In order of relevance, these are plot, character, thought, diction, melody, and performance. For a comedy the ending must be merry. Instead Jerusalem ends in death.
Baird, Forrest E., and Walter Kaufman. "Aristotle." Ancient Philosophy. 3rd ed. Philosophic Classics, vols. 1. Upper Saddle River: Prentice Hall, 2000. 304 - 444.
A Greek drama is a series of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under the theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. The grand debate over which character can hold the title of the tragic hero has been discussed in the literary world for ages.
Aristotle, Antigone and Billy Budd In Poetics, Aristotle explains tragedy as a kind of imitation of a certain magnitude, using direct action instead of narration to achieve its desired affect. It is of an extremely serious nature. Tragedy is also complete, with a structure that unifies all of its parts. It is meant to produce a catharsis of the audience, meant to produce the emotions of pity and fear and to purge them of these emotions and helping them better understand the ways of the gods and men. Tragedy is also in a language in both verse and song. Aristotle's definition is clearly applicable to both Herman Melville's Billy Budd and the famous Greek tragedy Antigone by Sophocles.
McManus, Barbera F. “Outline of Aristotle's Theory of Tragedy in the Poetics.” Nov. 1999. Web. 4 Nov. 2011. .
Myers, H. A. (1949). Aristotle's study of tragedy. Educational Theatre Journal, 1(2), 115. Retrieved from http://search.proquest.com/docview/1290192594?accountid=12085
Aristotle’s Poetics is a “reservoir of the themes and schemes deployed in ancient Greek tragedy and poetry” (Poetics iii). Written around 330 B.C., it was the first work of literature to make a distinction amongst the various literary genres and provide a proper analysis of them. In Poetics, Aristotle places a big emphasis on the genre of tragedy. When one hears of the word tragedy, one already assumes that something bad has occurred to an individual and an immediate emotion of sorrow occurs, but how does Aristotle see tragedy? Aristotle gives us his formal definition of tragedy on page 10: “Tragedy is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action; through pity and fear effecting the proper purgation of these emotions.” He goes on and explains all the components that make up tragedy. A tragedy must fall into two parts: complication and unraveling (also known as the denouement). Aristotle elaborates on that and speaks of four types of tragedy: “the Complex, depending entirely on Reversal of the Situation and Recognition; the Pathetic (where the motive is passion); the Ethical (where the motives are ethical). The fourth kind is the Simple.
Thesis: Tragedy was a source of entertainment back from the Ancient Greece that was written to tell a story and to pull audiences into feeling remorse and pity. It was also used to help the audience gain an appropriate response about the protagonist. Hamlet, Agamemnon, and “The Love Song of J. Alfred Prufrock” is comparable pieces of literature that shares a similar element of Hamartia.
TRAGEDIES: early Greek Tragedies, such as those written by Aeschylus, Euripides and Sophocles, often dealt with a subject from a legend they might be about a battle from the Trojan War or the gods punishing great men who had too much pride. The Tragedies were followed by the Satyrs. These were crude Comedies, often relying on sexual humor, and one of their functions could have been to release the tension after three days and Tragedies.
Barnes, Jonathan. The Complete works of Aristotle. Revised ed. Vol. 2. Princeton: Princeton UP, 1984.
According to Aristotle, a tragedy must be an imitation of life in the form of a serious story that is complete in itself among many other things. Oedipus is often portrayed as the perfect example of what a tragedy should be in terms of Aristotle’s Poetics. Reason being that Oedipus seems to include correctly all of the concepts that Aristotle describes as inherent to dramatic tragedy. These elements include: the importance of plot, reversal and recognition, unity of time, the cathartic purging and evocation of pity and fear, the presence of a fatal flaw in the “hero”, and the use of law of probability.
Aristotle. The Poetics of Aristotle. Trans. S. H. Butcher. Pennsylvania State University Press, 2000. Print.
Many things can describe a tragedy. However, according to definition of a tragedy by Aristotle, there are only five. The play has to have a tragic hero, preferably of noble stature. Second, the tragic hero must have a tragic flaw. Because of that flaw, the hero falls from either power or death. Due to the fall, the tragic hero discovers something. Finally, there must be catharsis in the minds of the audience.
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.
Aristotle is one of the most important western philosophers in history that has influenced our society in many aspects. Many of Aristotle’s teachings have affected our world for many years and still continue to have such a big impact. Some of the subjects Aristotle has influenced include: logic, physics, government and poetry. Aristotle’s study of poetry mainly focused on the elements to a good tragedy. Some of his elements have been used in Greek tragedies and modern movies. The Greek play, Medea, and the modern movie, No Country for Old Men, use elements from Aristotle philosophy, while using similar and different techniques but both achieving an effective tragedy.