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After analyzing each critics responses to The Virgin Suicides, Kostava really looked into the underlying message behind Eugenides words. Sweeney does not believe that the true reasoning behind the suicides was explained. Pearl and Collins view the tone as being complicated enough that it is too distracting for the reader to comprehend the plot. More in favor of the novel was Griffith who commended Eugenides on his unique writing style. However, Kostava analyzed each chapter the way the author wanted him to. Eugenides made the decisions the way he did in order to force readers to tie together each detail and event to conclude what the was reasoning behind the suicides. Kostava tied together the details about the depressing suburb, innocence …show more content…
That poor girl’s under so much stress, her appendix just blew up” emcompasses the book as a whole (Eugenides 152). All of the Libson girls were under a mass amount of pressure to live up to their parents and society’s standard. Their bodies could not account for the stress, leaving the girls no choice but to take their own lives. This exhibits the theme that pressure and stress can negatively put a toll on one’s body, driving them to actions they have not considered before. I fully concur with Eugenides 's theme in The Virgin Suicides, as teenagers are put under an abundance of stress. Society, including parents, are consistently pushing children to attain the standards established in order for everyone to discover their place in this world. Living your life is not about pursuing the paths of others, but instead following the unique guideway that destiny has outlined for each individual. Eugenides 's emphasizes that it is acceptable to be yourself instead of letting your surroundings force you into a stereotype. With this compelling message, I believe that this novel should continue to be read. Through the five Libson sisters, Eugenides allows readers to speculate the idea that being original and not granting others the ability to change your life. By following the author’s tips, life will advance you towards the pathway that destiny has prepared for
Aylmer’s desire to make his wife perfect is doomed to failure because perfection, Hawthorne suggests, is the exclusive province of heaven that cannot be found on earth. Because she becomes an ideal being, completely unmarried, Georgiana is no longer able to exist in this world. The birthmark has references to life, death, nature, beauty, insecurities and disgust.
... her family with such courage are actions that demands respect from those that know of her and her sufferings. However, I do not find that Lyddie fully understands what selflessness is, a misunderstanding which makes her decisions that surround her family and her safety extremely difficult to make. Selflessness is a quality nearly synonymous to bravery. To devote oneself to a cause with absolutely no regard to his own mental and physical safety is at times a blind decision, but also almost always indicates a specific type of courage. On the other hand, it may only emphasize how the glamorization of selflessness is capable of making one so very blind to the true form of unselfishness’s consequences—a lesson young Lyddie must learn if she desires to use her selflessness wisely throughout her life. Occasionally, one must be selfish in order to achieve selflessness.
Imagine two sisters living in the same household—both have grown up with the same parents, in the same place, and under the same conditions. Unfortunately for the sisters, their family has developed a pattern: The issues of the previous generation have been passed down with the next generation, creating a legacy of substance abuse, an unstable home environment, suicide, and mental illness. In this setting, the sisters must react to the troubles they witness around them daily, for their parents and other family are unable to shield the girls from the fallout of their emotional instability. One of the sisters is able to escape the pattern of her ancestors and thrives despite the challenges she faces in her home life. The other sister, however, is not so lucky, and develops severe anxiety, depression, and suicidal tendencies. In the end, the first sister finds success in her career and home life, giving birth to two children. The second sister commits suicide. Why was one able to do what the other could not? Why do we, as victims of an unpredictable universe, respond so differently to the forces of outside influence? This question is explored in Mary Shelley’s Frankenstein, the story of a creature-turned-monster. Frankenstein’s monster lives years of life over the course of a few pages, experiencing curiosity, knowledge, friendship, loneliness, anger, and pain along the way. The story of his transformation from benevolent and hopeful to jaded and angry is one that appears repeatedly in the human world, as we fight to overcome the various forces working against us, some of which have been at play since before we were born. Many people, like one of the sisters discussed previously, are unable to...
This was due to the lack of control over their own lives. The novels shows the ideal life that is dreamt of and how many went to the extreme extent to achieve it, if it was not met they believed that they were not worthy of living, thinking that would be the best way out.
...by only looking out for themselves and their own happiness instead of thinking about their family and friends. Both Edna and Lu Anne gained freedom by killing themselves. They would never be tied down as a housewife or mother and they would not have to set aside their wants and needs. Before Edna took her life she reminisced back to when Robert said “Good-by--because I love you.”(Chopin 162) She also thinks back about her father and sister and knows that no one will ever understand her reasoning. Both women are insane because they are not legally or morally responsible for their actions. Suicide is the result of two women who are mentally and physically regretful. Robert Stone and Kate Chopin made it a statement to show how the complications of Lu Anne and Edna’s life led to them losing all hope of ever becoming free, thus, resulting in them committing suicide.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Paradise deals with the lives of dejected women and the support group the women form for each other. Morrison draws attention to this key issue by removing the element of race from the novel, a heavy contrast to her earlier works, by not allowing the reader to know the races of the women. Thus the relationships present throughout the work can be seen strictly through the contrast between the abusive and damaging relationships found outside of the convent to the supportive and loving ones in the convent. This removal of race also allows us to see the bigger picture, which is not dictated by race (Smith). By examining the relationships in the novel, we see two distinct arenas dealing with identity and the women, which is the world outside of the convent, and the convent. Before reaching the convent, identity for the women is a broken notion in which the men they associate with dictate.
Abortion is the “hot” topic of this book that seems to surround the girls that were unfortunately lost with such procedures. Annie starts hiding the truth when she discovers she was pregnant. Mary was a witness to Annie’s experience and spoke to Deanne about what their school nurse said. “She said nobody had to know and we could get me an abortion right away and nobody would have to find out about it” (140). Annie hiding the truth from her parents did not do good when it came to the Women’s Medical Center, which was where Annie had her abortion, making mistakes and her parents not being able to do anything because of the truth that was being hidden. When the truth was discovered it was already too late, and Annie had died from a septic
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
With each analysis the reader gets a greater understanding of suicide and the mental state of those who commit it, as well as some of their motives. One could read only a single chapter of this book and gain a greater understanding than they previously had on the topic of suicide, but when one brings all the chapters together as a whole a much deeper understanding is obtained. Lester’s analyses start with diaries, using that of a girl he has called Katie as his first example. In this 14 page chapter he analyses her diary, not only comparing her to Ophelia from William Shakespeare’s Hamlet, but using that comparison to show some of her motives and to make sense of them. It is this astute analysis that sets the tone for the rest of the similar chapters, in a way that is not boring but is not lighthearted in the slightest. The way that the whole book works together to give one insight on the topic of suicide makes it a useful resource for those who wish to understand it in a more in-depth way.
The consequences of suicide can be wide-rove. For a premises of a family who is a oppress and who is suffering, perhaps the intentions are all commendable and the act would grow the general happiness, just as might the suicide of an isolated, terræ filius miserable person.
Robert Herrick’s “To Virgins, to Make Much of Time” and Langston Hughes “Mother to Son”
The book encloses the philosophy of “The Butterfly Effect.” This theory elaborates on the idea that one small event can lead to much greater consequences. Rory Remer illustrates this in his article when he claims “The butterfly effect...states that small differences in initial conditions may have severe consequences for patterns in the long run…” The cause being Marianne’s rape makes each character go through emotional turmoil.
She is marginalize from society by her partner and she has to live in the shadows of him. She is unbelievably happy when she found out about the death of her husband. She expresses her feelings of freedom in her room where she realize she will live by herself. This illustrates that Louise has been living in an inner-deep life disconnected form the outside world where only on her room away from family and friends she discovers her feelings. It is important to mention that even though Louise has a sister, she does not feel the trust to communicate her sentiments towards her. We discover a marginalization from family members and more surprising from a women, Louise’s sister. The narrator strictly described Louise’s outside world but vividly reveals what is in her mind. At the same time she feels guilty of her emotional state by recognizing that she loved Brently mallard sometimes, her husband. Louise contradict herself but this demonstrates her emotional feelings about her husband disregarding her marriage. The situation of this woman represents the unhappiness and disgraceful life that women had to suffer from their
Thus without ever realizing the actual joys of motherhood, marriage, or life, Madame Bovary, convulsing, gurgles her last life’s breath; a most ignoble, and unromantic, end.