Analysis Of Ray Bradbury's 'The Veldt And August 2026'

Today’s world is full of robots that vacuum the floor and cars that talk to their drivers. People can ask their phones to send a text or play a song and a cheerful voice will oblige. Machines are taking over more and more tasks that are traditionally left to people, such as cleaning, navigating, and even scheduling meetings. In a world where technology is becoming increasingly human, questions arise about whether machines will eventually replace humankind altogether. In Ray Bradbury’s short stories, “The Veldt” and “August 2026,” he presents themes that technology will not only further replace the jobs of humans, but it will also outlast humankind as a whole. Although this is a plausible future, computers just cannot do certain human jobs.

A major falling point of robots and machines when placed in a human’s position is that robots cannot improvise. Robots can only do what they are programmed to do. if Damasio is right, emotions are ‘improvised’ by the human brain even before someone is conscious of what they are feeling. Therefore it is even harder to make machines feel true emotions. An example of this exists in Ray Bradbury’s short story “August 2026.” A completely automated house survives after nuclear warfare has devastated the Earth. Cheerful voices go on announcing schedules and birth dates, the stove prepares steaming hot food right on time, and robotic mice keep the house spotless and free of dust- in eerie contrast to the barren and destroyed city surrounding it. The house lets nothing in, closing its shutters even to birds, but lets in a sick and famished stray dog, which limps into the house and dies. The robotic mice think nothing of the dead dog but a mess that needed cleaning up: “Delicately sensing decay at last, the regiments of mice hummed out as softly as blown gray leaves in an electrical wind. Two-fifteen. The dog was gone. In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.” The house, seeming so cheerful, caring for its attendants, has no compassion or reverence for the dog. The mice were programmed to clean up messes, and nothing beyond. This is why in science

Ray Bradbury explores the idea that technology will replace the human race in areas where humanity cannot be replaced. In his story “The Veldt,” published originally as “The World the Children Made,” parents George and Lydia Hadley allow their children to be raised by the machines that take care of all the jobs in their house. They leave their children to play in a virtual-reality nursery, allowed to come and go as they please. The Hadley parents realize the nursery is stuck on an African veldt, where lions are always eating something off in the distance. In the end of the story, when the parents decide to unplug the house and learn to do the chores themselves for once, the children lock them in the nursery to be eaten by the lions. The Hadleys’ psychiatrist friend comes to take the children somewhere and finds them in the nursery. When he asks the children where their parents are, they respond, “oh, they’ll be here presently.” Then the daughter offers the doctor a cup of tea, as if nothing remarkable had happened that day at all. How are the children able to kill their parents so remorselessly? The answer is implied- the parents allowed machines to raise their kids, therefore depriving them of the one thing essential in child development- the teaching of compassion and love. The technology failed to replace the job of a human parent-- which brings one to the conclusion that the real