Analysis Of Pinkie And Thomas Gainsborough's Blue Boy

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Boys wear blue. Girls wear pink. Surely they must go back to the Middle Ages? Roman Empire, maybe? These colors have been so ingrained in the western cultural psyche they must have far-reaching traditional value.

Or maybe not.

The pink/blue standard goes beyond just color. Bows and baseballs both have their places in children’s dress. As do camouflage and ruffles. Usually, these aspects of clothing reflect the child’s interests or play activities, whether it’s “soldiers” or “princesses.”

Modern studies show that children recognize color and style differences starting around the age of two-and-a-half. Girls, generally, grow to form an affinity for the color pink and, conversely, boys develop an avoidance of the color. Thus gender norms …show more content…

The color of the Virgin Mary. All seemingly crucial feminine qualities.

So the quote from Earnshaw’s plays upon these focuses but the fashion trends that influenced the “opposite” color assignment didn’t mean that people didn’t already dress their girls in pink and their boys in blue. They did.

Caption: Sarah Moulton (Pinkie) by Thomas Laurence; Blue Boy by Thomas Gainsborough

If we take a look at Thomas Lawrence’s Pinkie and Thomas Gainsborough’s Blue Boy, we see the color assignations with which we are familiar. Many times over, European artists of the 18th and early 19th centuries used pink to convey childhood, innocence and sweetness. Blue, on the other hand, conveyed confidence, intelligence, and loyalty.

So, it seems, the color lines were not yet drawn…. (sorry).

Toward the end of the 19th century the trend of dressing the cute little proto-masculine treasures in sailor suits gained popularity, blue started to cement its known gender allegiance.

By the 1940s, parents dressed their children in what we now see as the western traditional gendered colors. As the baby boom roared, the colors were seared into fashion …show more content…

The children of this time wore more gender-neutral colors and steered the little baby fashion boat away from the binary pink/blue. It wasn’t until the 1980s, when prenatal technology first allowed for gender testing, that pink and blue came back in full force.

But where do pink and blue stand beyond Western cultures? A color study was done in China, Japan, Thailand, and Vietnam. The study overwhelmingly demonstrated that people usually chose some shade of pink (or variation) to convey femininity.

Caption: This chart demonstrates percentages of people who chose colors that most convey femininity. The numbers in the boxes are the numbers of people for each color.

In Western African countries, the color red dictates pink’s symbolism. Red is a masculine color and therefore pink is seen once more as “watered-down.” But this “red lite” interpretation does not go on to associate with boys. It is, however, seen as gentler and therefore feminine. The female version of red, as it were.

So the evolution of pink-for-girls and blue-for-boys is not linear, non-binary, and definitely not

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