This piece is a ceramic sculpture, and appears to be representational of Norwegian girls. Representational art refers to images that are clearly recognizable for what they’re supposed to be. It appears that this ceramic piece was done using the pinch pot technique. The pinch pot technique is done by forming a lump of clay that fits the size of the hand. It is then smoothed into the desired shaped and then the surface is further smoothed with a damp sponge. The colors on this ceramic piece are done with glaze. The colors were brushed on, which is the most time-consuming way to glaze, but it is vital for reaching nooks and crannies and applying colors precisely. Brushing allows for more control of the surface design with glazing compared to other glazing methods. …show more content…
The color red is of assertion, strength, romance, excitement, vitality and physical power. Red flatters the skin which may be why is was used on these Norwegian girls. The use of yellow for the hair and also on the dresses of the girls could be associated with light. It creates a feeling of hope, happiness, and wisdom. Blue is the color of the sea and sky, which is generally associated with the quality of openness. Blue is often a formal color which represents wisdom and steady character. It is considered a masculine color and the choice of corporate America, which is contradicting to it’s use in the sculpture of girls. Brown is the color of living wood and the earth. Rich, subtle and extraordinarily restful to look upon, brown creates a feeling of coolness and warmth at the same
Blue is used to represent the water as well as the sky and both similar and range in different tones. All of the colors in this piece are washed out but still have a bright quality to them. The colors aren’t brightly pigmented however; Hiroshige does a satisfying job of drawing in the viewer with the color choices used and the little details. The sun in the sky is simply the white of the paper and almost looks as if the color burns through. Pops of red, show in blocks on the right side of the work wit Japanese writing inside each one, which contrasts with the large amounts of blue and helps the writing stand out.
I have very good sight. One moment they were white, the next red, the next blue. Then I got it. They were a woman’s dresses”. At first, I did not pay attention to the colors of the dresses, but then I realized the pattern of colors in order. In this case, I believe white represents light, goodness, and pureness. The red represents anger, blood and possibly murder. The last but not least, the color blue that represents wisdom, loyalty, and truth. It seemed to me that the author used colors symbolizes the story from the beginning to the end. I believe it is a hint for us to what to expect and what not to since Jeffries was right all along the
If you look closely, you can see the scrapings of lines made from the tool used to sculpt the stone. In addition, if you look close, you can see that at one time this sculpture was completely covered vibrant colors. At first, I was not aware of what polychrome or gilding was, but apparently, it is in reference to the color or painting of a piece and the technique used. I only realized this while looking under the soldier's clothing. This tells me that the soldiers were dressed in blue uniforms. The reason for the loss of color of the sculpture is unknown to me, but I could figure that since it was created in the thirteenth century, that time has taken its toll, or maybe at one point someone had stripped it of its color.
The right side is almost purely white, with blue and gray shadows; the rest of the body is black, dark brown, and navy. The profile of a white woman obscures the left half of the black face, facing to the right of the piece; her hair is in a large braid and she wears a simple pearl earring. The black woman has long, flowing, bright blue hair, as well as full red lips. The black woman’s body has a rose over it, and the white woman is wearing what looks like a straw bikini; the figure is wrapped in a thick rope from the waist down. The stark contrast between the white and black meet with a definitive line; there is no blending between the two colors, which amplifies the feelings of separation and difference between the two halves of the woman’s
The article was shown to the readers how society classifies children's gender. Base on Eckert and Ginet mention that the people classify the colors the pink is for girls and the blue for boys and here is the evidence “ Colors are so integral to our way of thinking about gender that attributions have bled into our view of the colors so that people tend to believe that pink is more “delicate” color than blue (and not just any blue, but baby blue).( Eckert and Ginet738) In this case, the authors are using this information to make people think about color are representing the girls and boys gender. Also when the babies grow up, they know how to differentiate who is a girl and who is a boy by means of colors that are pink or blue. This affecting that the authors because think many parents teach their children to identify the colors and is a man teaches him the masculine colors that are gree, yellow and blue, and the women teach them colors of women who are pink and purple. However many people do not agree with the authors because the colors are unisex and any gender can use whatever color they
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
Gender credo has signified political and cultural values in Greek and Roman era. In particular women representation in artwork has pondered and reinforced the values of their times. In the articles, "Parthenon and Parthenoi: A Mythological Interpretation of the Parthenon Frieze" by Joan B. Connelly and "The Muted Other" by Natalie Boyment Kampen, the Parthenon frieze, the Ara Pacis: Imperial Family frieze, and Cornelia: Mother of the Gracchi, are pieces depicted to characterize women in their implemented roles.
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
Through the use of complementary colors, she achieves great contrast. Contrasting hues develop a theme of light vs. dark, or in Liu’s case, expectations vs. reality. Dark colors are used to suggest the harsh, chaotic conditions experienced by the workers; while light, less saturated colors illustrate the calm passivity of traditional Chinese customs and ideas. The sky surrounding the stylized women contrasts greatly with the surroundings of the exhausted men. The dark hues establish heavy visual weight below the figures and the light tones of the sky create a sensation of weightlessness and help to further distinguish the fantasy like qualities. Liu also includes the application of analogous colors, primarily to make the traditional figures less dramatic and to help unify the surrounding
The Feminist Art Movement raised women’s status and the world’s awareness on gender equality through artworks that reflect women’s lives, feelings, and value. Through creativity, feminist artists invited the audience into their daily livings, to understand their strengths and efficiency, and to consider their needs and feelings. The movement expanded the traditional female role in society, such as housewives, to individuals with talents including artists, writers, the working class, and professionals. The female artists used media ranging from traditional techniques, like painting, to non-traditional art forms, such as installation art, performance art, conceptual art, and sculptures to share with the audience their new perspectives.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Their “...tears ran down their faces…” meant that they are now progressing thus exited on a newly found trait (Bradbury, N.D., 4). The blue color symbolism is also presented in this section, it symbolizes the calmness of the children as they “...breathed of the fresh, fresh air and listened... to the silence...in a blessed sea of no sound and no motion” (Bradbury, N.D., 4). This demonstrates
Orlan is a French artist born in 1947, for her art works vary from sculptures, photographs, performances, videos, and videogames, augmented reality, using scientific and medical technics like operations and biogenetic. Orlan uses her body as the raw material for her artworks she considered it to ready made much like Marcels Duchamp’s Mona Lisa was. Her first facial surgical art work entailed self- transformation in mind, although it was not for the perspective of making her more attractive to the opposite gender by example having a face lift, no but by analyzing and deconstructing mythological images of women who portrayed feminine beauty. Orlan looked at the taking pieces from well-known Renaissance and post- Renaissance representations of
Of all the Impressionist artists, it is Pierre Auguste Renoir who is most interested in painting humans and studying the portrayal of human emotions. Renoir’s technique of broken brush strokes was combined with brash colours to portray the light and movement of the subject. He was greatly inspired to paint figures, particularly of women. Renoir succeeded in assembling several figures in one frame and his compositions were complex and demanded several revisions. In the 1880s Pierre-Auguste Renoir sought to move his art beyond Impressionism and to forge a link between modern art and the classical tradition of French painting from the Renaissance period. The result was this large-scale composition of nude bathers, which occupied much of his attention for three years. This work is unique in the history of modern painting for their representation of feminine grace, and they show Renoir’s ability to capture the soft and pearly texture of skin. Even though his figures in “The large Bathers” do not follow the impressionist style of broken brush strokes, the landscape in this painting seems looks like an impressionist landscape.
Women have played many roles in societies since the dawn of time ever changing with time and from society to society. Each society hold a special place and role for women good and bad. Freedoms and equality of women has varied from opression to freedom. I will discuss some specific pieces of art and explain how the art shows the role of women in a specific society. I will tell you of their paril and achivements through time. Giving you a glimpse into the lives of women and how they were percieved by males and society. Some have have reveared women and some have disrespected them but through it all women have found a way to perservear. Women hold a place in history from culture to culture, and we see this in many pieces of art. From the art we can have a glimpse into a culture view of women and how they were treated in society.