The first love is a common theme in the lives of all humans and is the one in which most people remember most. Most people can agreee that these first encounters are usally awakward and reticent and are somewhat regretable but attempt to have seriousness and intentent and are somewhat memorable. Gary soto and his poem “Oranges” display this kind of first love with honesty but also subtle seriousness. “Oranges” tells of a male narrator’s and his partner on their first date and everything they encounter and feel from the narrator’s perspective. In the poem, Soto, uses his litreary skills to depicte and craft the narrators’s first romantic relationship with devotion and fondness through the use of contrasts in imagery, form, and symbolsim. This use convays to the reader the emotions of the …show more content…
Imagery is a great device for communication in literature. Soto uses imagery, particularly, light imagery to portray the narator’s affection for his partner. This kind of imagery is used to positivly potray the narrator’s partner and is often use in the poem to contrast surrounding imagery. This contrast show the signifacnce, importance which inturn higlights devoltion. If one were to look at the beginning of the poem in lines 1-7 they describe the scenery and how the setting looks in the poem. The descriptions are very mundane, honest, even a little. For example the Narrator describes the scene as “cold, and weighted down”(line 3). Then in contrast to this scenry the narrator begins to talk about her. The narrator says, “Her House, the one whose/ Porch light burned yellow” (lines 9-10). Before even directly addressing her or
There are multiple examples of visual imagery in this poem. An example of a simile is “curled like a possum within the hollow trunk”. The effect this has is the way it creates an image for the reader to see how the man is sleeping. An example of personification is, “yet both belonged to the bush, and now are one”. The result this has is how it creates an emotion for the reader to feel
Love, partnership and commitment have been the subjects of a multitude of novels, plays poems, movies and great works of art. Throughout these works, the image of love and commitment in love have taken many different forms. Today, we easily recognize symbols of commitment in love to be items such as hearts, wedding bands, roses, etc. However, in literature, especially, more abstract and creative symbols of commitment to a loved one are often present. Additionally, the symbols of devotion that exist in literature do not always involve romantic love as opposed to many movies, painting and sculptures. For example, in the short story, “Saving Sourdi” by May-Lee Chai, symbols of loyalty to a loved one manifest between two sisters. In opposition to symbols of loyalty existing in a platonic manner as it does in “Saving Sourdi,” Peter Meinke’s “The Cranes,” provides symbols of commitment in an amorous relationship.
Everyone is born with innocence and they gradually gain experience through lessons learned in life; some people may gain more that others. Not all lessons in life are dramatic or negative, some may be subtle, positive, or even life altering; however, no matter how small or big, they do alter one's perspective on things and help them to gain experience, which will be with them forever. These experiences may be gained through love, war, or death, but in some way or another they have changed one's point of view. The works "Oranges", written by Gary Sotto, and "The Bass, the River, and Shelia Mant", written by W.D. Wetherell, both tell about a boys first love and his first date. First loves and first dates is something that can be related to by everyone, whether boy or girl. These two works show that the outcome of a first date may not be what one expected, but in the end something more may be learned.
Soto feels terribly guilty about stealing the pie from the store. He shows this in many different ways. There are many rhetorical devices in the passage, and they are used to show the guilt he had when he stole that pie. Imagery, contrasts, and repetition were some of the biggest topic in which he used to express his guilt and sin.
The characters and themes in these writings contrast and relate in several ways. The poem is told through the perspective of the grandfather’s grandchild, who cares for him, saying certain things remind them of him after he didn’t “live here anymore” by stating that their grandfather “is blankets and spoons and big brown shoes.” Like the grandfather in “Abuelito Who”, the grandfather in “The Old Grandfather” is old and it is stated that his legs “would not carry him” and his eyes “could not see”, which affected his family’s feelings towards him. The grandfather’s old age was viewed as a weakness, and he was not treated as an equal by his family, such as not being able to sit with them at the table for dinner.
Vallejo utilizes the form of free verse in this poem. He uses free verse to go beyond the constraints of usual structures and forms to express his point of view on the hardships of the world, without regards to the “beauty” of the poem. This poem consists of thirteen non-rhyming couplets, each being identical in structure. This poem is without rhyme because Vallejo wants the content to be perceived as deeper than a rhyme scheme. Rather than writing poems for the art form and beauty of it, Vallejo often writes to bring attention to human suffering and problems in the world
Searing the mind with stunning images while seducing with radiant prose, this brilliant first novel is a story of damaged lives and the indestructibility of the human spirit. It speaks about loss, about the urgency, pain and ultimate healing power of memory, andabout the redemptive power of love. Its characters come to understand the
...s poems publication. In `A un olmo seco', we discover references to the cemetery of Leonor's grave, and the beauty of new shoots set against the decay of the `olmo's' trunk, which evokes Machado's young wifr in her terminal condition. `A un olmo seco' is highlights the central theme of landscape and countryside, and through the physical description, Machado remembers his personal experience in Soria. The river Duero acts as a leitmotif for the cemetery where his wife was buried. In `Caminos' as Machado develops the theme of his displacement in Baeza, his mood is finally attributed to the loss of his wife. Landscape can be linked with inner emotional landscape. The landscape in this poem is ominous, violent and inflexible: "hendido por el rayo." Therefore, landscape acts as a way of revealing inner emotion and Spanish National character throughout the collection.
His poems are vivid and very lyrical in a speech that goes between English and Spanish. In the poem, “La Revolucion at Antonio’s Mercado” The Revolution at Antonio’s Mercantile, gives the reader a look into the life of a shop owner with all the colorful patrons that come to the store every day. Blanco gives the reader just enough information about each person and the interaction with the store keeper to make one want to go to Miami and find the shop just to go sit, drink a confacto and watch all the people come and go. It was almost as if I was there. A lot of Blanco’s poems put the reader in the
In Regina Barreca’s Poem, “Nighttime Fires”, she uses many elements of poetry to help portray the theme of the poem. Poetry is all about the way it is written. Poetry is short, so it tends to be much more complex than a novel. Poetry uses many elements to help the reader fully understand what the poet’s overall goal is. It is easy for the reader’s to enjoy this poem because it is easy to understand, and it can paint a great picture in the readers mind about the poem, using such elements. “Nighttime Fires” uses many elements such as: Tone, Image, and Figures of Speech.
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
Soto’s “Black Hair” is a perfect example of a poem that is effective through close analysis of certain concrete images which hold the key to the foundation of the poem and its underlying themes. In this poem, the universal themes of family and culture are hidden under the figure of Hector Moreno, the image of the narrator’s hair, as well as the extended baseball metaphor about culture. Although the title may seem ordinary at first glance, the challenge that the poem presents through its connection of concrete images and themes is very intriguing, and the themes are made clear through the effective use of certain poetic elements.
He uses personifications specifically in this poem to write about what is going on and to describe things. “It's a hard life where the sun looks”(19)...”And its black strip of highway, big eyed/with rabbits that won’t get across ”(2)...”A pot bangs and water runs in the kitchen” (13) None of these are really human body parts on things such as the sun, a pot, or a highway, but they help describe what something does or what something looks like. In the first instance, the sun cannot actually look at something, but it could mean that the sun is visible to the humans, and if humans are out for a long time in the sun, they can get hot and exhausted. For the second line, the big-eyed highway could mean that the highway has many cars with bright headlights that are dangerous for the rabbits, the immigrants, to get across. For the third and final line, pots are not able to bang things on their own, and it could have possibly been a human who made the pot bang, preparing the meal of beans and brown soup that they survive on. There is also a simile in this poem, “Papa's field that wavered like a mirage” (24). This simile could suggest that the wind is moving the grass or crops on his father’s field and looked like an optical illusion. According to Gale Virtual Reference Library, the literary device, “tone” is used to convey the significant change of the author’s feeling in the poem. In the beginning lines, the tone is happy. The poem talks about nostalgia of when he was little, “They leap barefoot to the store. Sweetness on their tongues, red stain of laughter (5-6). (GVRL) These lines illustrate the nostalgia and happy times of Gary Soto’s life when he was probably a child. However, after line 11, the tone becomes more of a negative one. Soto later talks about Farm Laborers and how the job was not a great one. After line 19, a brighter
The novel has confused many critics and readers because it reads like poetry, yet in actuality it is a narrative. Cisneros admits that many of the vignettes are "lazy poems." This means that they could be poems if she had taken the time to finish them (Olivares 145). At many times throughout the novel the words rhyme and can almost be put to a catchy tune. For example, the chapter "Geraldo No Last Name" reads like a poem with end rhyme and a structured pattern. "Pretty too, and young. Said he worked in a restaurant, but she can't remember which one" (Cisneros 65).
To begin, the reader may gather that the poem has a very dark and saddened tone. Due to Lowell's vivid imagery, a mental image of a dark urban setting is created. It also seems very cold, with the mentioning of wind and nighttime. Readers may be able to relate to urban places they know, adding to the reality of the poem. Connections can be made. The imagery is left in such a way that the reader can fill in the gaps with their own memories or settings. Also, since the poem uses free verse, the structure is left open to interpretation. This makes the poem more inviting and easier to interpret, rather than reading it as a riddle. However, though simple in imagery, the poem still captures the reader's interest due to the creation it sparks, yet it never strays away from the theme of bei...