At some point in people’s lives, individuals experience loss: whether it means losing a pet, a relative, a friend, a personal belonging, etc. This loss provokes a sense of vulnerability and plays into the process of mourning. In the nonfictional novel, Precarious Life, by Judith Butler, following the events of 9/11, she brings awareness to the issue of politics and censorship and how it affects people’s view on the value of human life. Specifically, in her chapter, Violence, Mourning, Politics, Butler discusses how loss and vulnerability plays an important role in preserving the world’s humanity, especially during times with so much violence and destruction. This relation between mourning and violence is portrayed through devices such as repetition …show more content…
Towards the beginning of the chapter, Butler opens her discussion with a series of questions in relation to “recent global violence” that inquires the value of humans and human life; thus, introducing her first point, “what makes a life grievable” (Butler 20)? The use of rhetorical questions in her opening paragraph introduces Butler’s main points she will be discussing. Although she goes into depth about the topics of her questions, Butler does not literally answer them and rather leaves it up for interpretation. Its effect encourages the reader to contemplate these questions and answer them on their own, emphasizing the importance of awareness Butler wants people to value; when one falls into a state of vulnerability due to loss, their once conscious minds are now clouded causing people to no longer think clearly about the effect their actions can have. Similar to her opening questions, Butler, again, asks a series of questions towards the middle of her chapter, in which she introduces a new topic. Butler describes grief as a sudden hit of waves that cannot be seen in advance and it's heart wrenching effect takes a hold of people; thus, Butler begins questioning this unknown force that “claims [people] at such moments” causing people to no longer be “masters of [themselves]” (Butler 21). The questions illustrate a pause in Butler’s essay in which the reader evaluates and analyzes what she is talking about. Its effect is similar to how Butler urges individuals to take the time to reevaluate their actions before acting on impulse and causing harm to others to mask their own pain. Mourning leads to vulnerability and during this state of exposure, individuals are at risk of later becoming instruments of performing acts of violence on to others. It is a never ending
How far would someone go to survive? All through life people go through various challenges, but when someone is facing death, how far would someone will they go to save oneself? Survival can mean many different things; such as making it through highschool without getting into trouble, fighting off a predator, or standing up for what is right to help others. In Kindred, Octavia Butler uses many different situations to show what survival means to her. For example, Dana, the main character, travels through time to save her ancestor Rufus thus experiencing times of near death predicaments. In Kindred, Octavia Butler uses the conflicts Dana experiences in her time travels to suggest the idea that people do things they wouldn’t normally
Are we really humans? What is the definition of a Human being? What makes us Humans? Society is so complicated that anything can be true these days. In Judith Butler’s essay, “Besides Oneself: On the Limits of Sexual Autonomy”, she talks about how humans are vulnerable to life around us socially and physically, and humans are dependable on others. She also uses examples such as grief to define who we are because when humans go through the grief process it reveals who that person really is and it can change that person forever in. Some people go through the grief process differently because it affects everyone. Losing someone close to you can change your prospective about life and how you look at things. We live in a country where everyone is going to be judged and looked at differently no matter what gender a person is.
The deep complexity of its message is furthered by Olds’ use of metaphor. In describing the unburied corpses strewn about the cemetery, she notes a “hand reaching out / with no sign of peace, wanting to come back.” Through indirect metaphor, she is able to not only bring emotion to the stiffness of a frozen hand, but ponder a greater question—whether the “eternal rest” of death is peace at all. Despite the war, despite “the bread made of glue and sawdust,” and despite “the icy winter and the siege,” those passed still long for life. Human cruelty and the horrors of existence permeate even the sanctity of death. In war, nothing is
Often, we find ourselves facing dramatic events in our lives that force us to re-evaluate and redefine ourselves. Such extraordinary circumstances try to crush the heart of the human nature in us. It is at that time, like a carbon under pressure, the humanity in us either shatters apart exposing our primal nature, or transforms into a strong, crystal-clear brilliant of compassion and self sacrifice. The books Night written by Elie Wiesel and Hiroshima written by John Hersey illustrate how the usual lifestyle might un-expectantly change, and how these changes could affect the human within us. Both books display how lives of civilians were interrupted by the World War II, what devastations these people had to undergo, and how the horrific circumstances of war were sometimes able to bring out the best in ordinary people.
In conclusion, readers identify with the human form and use it as a vehicle for defamiliarization to show the mechanical functions they serve themselves and others. The characters in “Bloodchild” behave as part of a process and show a lack of respect for their human qualities. As they desensitize their bodies, they allow the Tlic to engage with them in an unbalanced power relationship. Then, the Tlic interact with them in a sheltering way and inhibit their thought process. Through this interaction chain, Butler effectively conveys that the way humans treat themselves will dictate how others treat them. As the afterword said, “Bloodchild” is not about slavery; it’s about the relationships humans take on because they allow themselves to be
The emotional appeal can be felt on every sentence of the essay. Form this we can see the suffering faced by the writer. Even the first sentence of the article grabs the reader’s attention. It says,” The blood was like Jell-O. That is what blood gets like, after you die, before they tidy up” (Roberts). The words, blood, suicide, death are themselves filled with emotion which grabs reader’s attention to read the essay. Life is precious. We don’t have a second chance to live. We just live our life once and nobody sacrifices one’s life uselessly. Roberts effectively makes appeals to pathos throughout her essay. Her essay is full of emotionally charged words and phrases like death, suicide, motorcycle accident, abandonment and so on which create a sympathetic image. “Second-guessing is the devil’s game, for there are no answers and infinite questions. But it is an inevitable, inescapable refrain, like a bad song you can’t get out of your mind” (Roberts). This statement clearly supports her appeal to pathos because by the death of a loved one, we have all kinds of difficult emotions and it may feel like the pain and sadness will never go away. Her goal is to make reader feel sympathy for her by writing her personal experience of
It is inevitable when dealing regularly with a subject as brutal as war, that death will occur. Death brings grief for the victim’s loved ones, which William Faulkner depicts accurately and fairly in many of his works, including the short story “Shall Not Perish” and The Unvanquished. While the works differ because of the time (The Unvanquished deals with the Civil War while “Shall Not Perish” takes place during World War II) and the loved ones grieving (The Unvanquished shows the grief of a lover and “Shall Not Perish” shows the grief of families), the pain they all feel is the same.
Kurt Vonnegut, a modern American writer, composed stories about fictional situations that occurred in futuristic versions of today’s world. His stories included violence, both upon oneself and one another, and characters who sought out revenge. In “2BR02B” and “Harrison Bergeron”, Vonnegut conveys physical violence most likely experienced while a prisoner of World War 2, as a way to show how war brings pain and destruction.
The September 11th terrorists' attack on the World Trade Center and the Pentagon has altered our perspective of the world in which we dwell. A nineteen year old Courage member told Fr. Harvey how she desires to reach out to everyone in these days of mourning. In doing so, she found her friends so open.
He conforms with political figure Ross Beaton’s worries as to the fall of right-to-die laws, and gives an alternate, arguably more realistic, standpoint to the presence of family members in a time of dying. He also connects to the reader on an emotional level by giving examples of certain circumstances. This process of emotional stimulant is intrinsic to the strength of his argument and the development of his writing. Watt’s analysis focusing on the moral aspects of the subject is visible in the other authors’ assertions making his the most powerful and agreeable.
In the featured article, “Beside Oneself: On the Limits of Sexual Autonomy,” the author, Judith Butler, writes about her views on what it means to be considered human in society. Butler describes to us the importance of connecting with others helps us obtain the faculties to feel, and become intimate through our will to become vulnerable. Butler contends that with the power of vulnerability, the rolls pertaining to humanity, grief, and violence, are what allows us to be acknowledged as worthy.
Dealing with the death of a loved one is one of life's most challenging obstacles. The pain and suffering that a person goes through cannot be fully understood unless experienced firsthand, like people that have experienced death through abortion. However, for some who have experienced death in war, death is something more like a game, where it is feared, yet made fun of in hopes of lessening the truth of reality. In the short story, “The Things They Carried”, by Tim O’Brian, the author demonstrates his attempts to make death less real through tactics like telling stories about the dead as if they were living, joking about zombies and conceiving the dead as items instead of people.
Throughout Baldwin’s essay he strategically weaves narrative, analytical, and argumentative selections together. The effect that Baldwin has on the reader when using this technique is extremely powerful. Baldwin combines both private and public affairs in this essay, which accentuates the analysis and argument sections throughout the work. Baldwin’s ability to shift between narrative and argument so smoothly goes hand in hand with the ideas and events that Baldwin discusses in his essay. He includes many powerful and symbolic binaries throughout the essay that help to develop the key themes and principles pertaining to his life. The most powerful and important binaries that appear in this essay are Life and Death.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
Judith Wright's poem `The Killer' explores the relationship between Humans and Nature, and provides an insight into the primitive instincts which characterize both the speaker and the subject. These aspects of the poem find expression in the irony of the title and are also underlined by the various technical devices employed by the poet.