Her eyes catch a brief glint of silver as she stalks past her reflection, a resigned sigh escaping her lips in response. While wringing her hands, she cannot help but note the rheumatism in her fingers and vellum-like feel of her skin. With great trepidation, she retraces her steps and pauses in front of the mirror. Her steely gaze fails to conceal sunken eyes. As she slides her thumb across the depressions in her cheek, the resolve in her stare gives way to a vapid countenance. Even for the most ravishing of souls, age shows no discrimination. Time is inescapable and death inevitable. But after all of humanity fades into oblivion and no record is left of life on Earth, what remains? What is left after the most imposing sierras crumble and …show more content…
The ardent romanticist John Keats explores such profound commentary on the natures of both eternity and mortality throughout his sonnet, “On Seeing the Elgin Marbles”, wherein these sentiments are engendered by the sight of the infamous Greek …show more content…
Despite that he cannot live forever, the paradox established between the abstract symbolism of the scraggly eagle and the concrete metaphor of the shadows allows him to comprehend that raw beauty and power are eternal, though the people and objects who channel and depict them are not. In “On Seeing the Elgin Marbles”, Keats proposes that reveling in true majesty cannot delay the inevitability of death: humans are destined to change, grow old, and eventually die, and no amount of contemplation is going to change that. It is possible to gaze upon beautiful objects or landscapes, but the perpetuity they embody is unattainable. Just as an elderly woman can only fantasize about her youthful looks once wrinkles line her face, humans can only dream of the immortality of Gods when confronted with the stark proximity of their own mortality. But this realization is not as pessimistic as it may seem. Even after all of humanity fades into oblivion and civilization is wiped away, majesty and brillance will endure. Try as it may, time can do nothing to diminish their nature. As the optimism of Keats’ argument that splendor and glory can never be lost in “On Seeing the Elgin Marbles” demonstrates, not even death can rob the world of
There is an ongoing debate on whether the Parthenon Marbles, now located in London, England, should be returned to their original homeland of Athens, Greece. The marbles were removed from the Parthenon by Lord Elgin from 1801-1812 and transported to England. They were sold to the British government in 1816 and put in the British Museum where they have been for the last 200 years. I believe that the marbles should now be returned to Greece, not only because of the method and circumstances surrounding their removal, but because they are original pieces of the oldest and most symbolic structure in Greek history that epitomizes the pinnacle of Ancient Classical Greece and the beginning of western democracy through artistic ingenuity.
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
Although Eichendorff’s story displays religious elements, the pious facets take on a different form than in Psyche. In “The Marble Statue”, Sunday remains a holy day where evil subsides. God and Satan manifest into the metaphysical through characters, settings, and motifs. Fortunato is a pure character directing Florio towards the path of the righteous man while Donati is a sinister man leading the boy into temptation. The seductress is the embodiment of evil while Bianca is the good. The aspect of religion is demonstrated in a more direct manner in Psyche. The artist abandons a life of art to become a brethren of the covenant where it is proclaimed the Goddess of Art is “a witch who carries towards vanity, towards earthly pleasure”. The good and evil is left to interpretation in “The Marble Statue” while religion in Andersen's tales contains a straightforward portrayal of faith and sin.
Keats, John. "On Seeing the Elgin Marbles." Ed. Abrams H. M. The Norton Anthology of English Literature, Volume 2 The Romantic Period through the Twentieth Century. New York: W. W. Norton, 1986. Print.
The world is changing and evolving at an astounding rate. Within the last one hundred years, the Western community has seen advances in technology and medicine that has improved the lifestyles and longevity of almost every individual. Within the last two hundred years, we have seen two World Wars, and countless disputes over false borders created by colonialists, slavery, and every horrid form of human suffering imaginable! Human lifestyles and cultures are changing every minute. While our grandparents and ancestors were growing-up, do you think that they ever imagined the world we live in today? What is to come is almost inconceivable to us now. In this world, the only thing we can be sure of is that everything will change. With all of these transformations happening, it is a wonder that a great poet may write words over one hundred years ago, that are still relevant in today’s modern world. It is also remarkable that their written words can tell us more about our present, than they did about our past. Is it just an illusion that our world is evolving, or do these great poets have the power to see into the future? In this brief essay, I will investigate the immortal characteristics of poetry written between 1794 and 1919. And, I will show that these classical poems can actually hold more relevance today, than they did in the year they were written. Along the way, we will pay close attention to the style of the poetry, and the strength of words and symbols used to intensify the poets’ revelations.
Time is endlessly flowing by and its unwanted yet pending arrival of death is noted in the two poems “When I Have Fears,” by John Keats and “Mezzo Cammin,” by Henry Wadsworth Longfellow. Keats speaks with no energy; only an elegiac tone of euphoric sounds wondering if his life ends early with his never attained fame. He mentions never finding a “fair creature” (9) of his own, only experiencing unrequited love and feeling a deep loss of youth’s passion. Though melancholy, “Mezzo Cammin,” takes a more conversational tone as Longfellow faces what is commonly known as a midlife crisis. The two poems progressions contrast as Keats blames his sorrow for his lack of expression while Longfellow looks at life’s failures as passions never pursued. In spite of this contrast, both finish with similar references to death. The comparable rhyme and rhythm of both poems shows how both men safely followed a practiced path, never straying for any spontaneous chances. The ending tones evoking death ultimately reveal their indications towards it quickly advancing before accomplish...
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
In a political sense, the British have a powerful claim to the Parthenon marbles as they are the legal owners of the artefacts. This is due to Lord Elgin selling the Marbles to the British government when he was in bankruptcy. Since the British got ownership of the relics from Elgin instead of taking the Marbles out of the Parthenon, they have complete possession of the sculptures. But the Marbles were not even illegally taken from Greece, as a document was written that allowed Elgin’s men to take the statues to Britain. This document was created by Ottoman sultan in control of the Parthenon at the time in the form of a firman.
This poem describes a story told you by a passing traveler of a ruined statue of a king, Ozymandias, seemingly in a desolate desert. On the statue in is inscribed, “‘My name is Ozymandias, king of kings: look on my works, ye Mighty, and despair!’/Nothing beside remain” (“Ozymandias” 10-12). Upon examination of the surrounding land, we realize that the once vast kingdom around the statue has been taken back by the desert, leaving the ironic message on the statue. This poem shows Shelley’s ideas of how all is temporary, especially mankind and our achievements. Showing romantic values, Shelley believed nature is much greater than man and no matter how big your kingdom, mather nature will always take back what was always
[III] Immortality: “through Art, and through Art only, that we can shield ourselves from the sordid perils of actual existence”
John Keats’ belief in the beauty of potentiality is a main theme of him great “Ode on a Grecian Urn.” This idea appears in many of his other poems that precede this ode, such as “The Eve of St. Agnes,” but perhaps none of Keats’ other works devote such great effort to showcase this idea. The beauty of the Grecian Urn (likely multiple urns), and its strength as a symbol, is a masterful mechanism. Just about all facets of this poem focus on an unfulfilled outcome: but one that seems inevitably completed. Thus, while the result seems a foregone conclusion, Keats’ static world creates a litany of possible outcomes more beautiful than if any final resolution.
Arguably one of John Keats’ most famous poems, “Ode to a nightingale” in and of itself is an allegory on the frail, conflicting aspects of life while also standing as a commentary on the want to escape life’s problems and the unavoidability of death. Keats’ poem utilizes a heavy amount of symbolism, simile and allusion to idealize nature as a perfect, almost mystical, world that holds no problems while using imagery taken from nature, combined with alliteration and assonance, to idealize the dream of escape from the problems life often presents; more specifically, aging and our inevitable deaths by allowing the reader to feel as if they are experiencing the speaker’s experience listening to the nightingale.
It is uncertain what mysteries the Second Coming will entail. Through the use of symbolism and allusion, Yeats has described how one world meets its horrid demise. However, the birth of the new world's fate will also bring dark repression and havoc. In Yeats' eyes, history well repeats itself, which is evident of the looping spires of the gyre. In addition, the "ceremony of innocence is drowned," indicates that faith, like the act of communion, no longer exists. Although life is full of hopes and dreams for a better world, Yeats makes us speculate if that could ever be possible. It is evident that Yeats' pessimistic view on the Second Coming shows that he is fearful of change as well as the uncertainties of the future. However, one must go on believing and living one's dreams, or one too, will see life as Yeats so boldly foretells.
John Keats can easily be ranked as the top British poet to ever live; or at least in the top five ranking mark. His usage of his poems structures has become famous, just as his poems have become famous. Due to the young death of this famous poet, his literary work was cut short. Ever since he knew he was going to die, when he discovered he had contracted tuberculosis, he had thought that he would never be remembered; so much so that according to the web-site “Poets Graves” which states the inscription on his tombstone read, “Here lies One Whose Name was writ in Water,” meaning that Keats was certain that he would never be remembered. However, contrary to his belief, Keats is still remembered today, so much so that his poetry is put into our text books. Throughout Keats’s poems in our literature book, there are several ways he writes his poems. John Keats uses the forms of imagery, personification, figures of speech, and sound structure in his poetry.
"Ode on a Grecian Urn" discuses the idea of immortality in a picture, and how if a moment is captured on an urn then does it exist always? It seems the theme of this poem came from a phrase of Leonardo DiVinci: "Cosa bella mortal passa e non d'arte." Translated, this means mortal beauties pass away, but not those of art. "Ah, happy, happy boughs! That cannot shed your leaves, nor ever bid the spring adieu." Keats uses personification in this example to make the tree branches seem like they are happy and enjoying the situation. In the third stanza the word "forever" is repeated: "And, happy melodist, unwearied. Forever piping songs forever new. More happy love, more happy, happy love. Forever warm and still to be enjoyed. Forever panting, and forever young." This repitition is done to draw attention to the word forever which makes the reader appreciate the true meaning of the poem, which is the debate over immortality and death and what immortality means.