One of my favourite shows is ‘How I Met Your Mother’ there is a number of reasons to justify my liking for this show. It’s an American sitcom that premiered on CBS on September 19th 2005. The series follows the main character, Ted Mosby, and his group of friends in Manhattan. His friends are called Barney, Marshall, Lily and Robin.
The story of this show revolves Ted Moseby who is an architect. Who is married and telling his kids about his life adventures with his friends based in Manhattan. He also tells his children the story of how he met their mother who we have never seen in the program.
The suspense of the story from the start is that we do not know who the mother is. The writers (Carter Bays, Craig Thomas, Joe Kelly, Sam Johnson and some others) have deliberately done this to maintain the suspense which means the audience will carry on watching in order to find out who the mother is. The Writers of this show also misguides the audience by introducing many women into Ted Moseby’s life hinting to the audience there is a chance that they're the mother.
The genre of this television series is of a romantic comedy setting. This ensured that the audience is entertained with the story lines but includes humour as well as romance and this is blended very well throughout the programme. There’s the first serious rekindling of the concept of romance between Ted and Robin. In series 1, Episode 11 Barney said to Natalya “You need a mint.” after she drunkenly says she loves him.
There are many English Language features included within the script of this show. For example foreshadowing, during the earlier episodes of the season there are many speeches that foreshadow events which will take place in the future. For example when...
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... sarcasm and humour to the show. However another key feature of them being in the show is to reflect Ted Mosebys future, their relationship inspires Ted and makes him question himself when will he find the right girl and settle down, but in the end he turns out to be like Marshall and Lily; happily married with children. Even during the show Marshalls character reflects Ted as once Marshall is left at thealter so is Ted.
This show contains a mixture between tension levels and comedy/ romance to cool so all off It fascinates me how the show has gone on for nine series yet has not become boring all episodes have managed to live up to a certain standard yet has not failed the hopes of its audience.
I believe this show is just tremendous compared to many shows that come on television without any plot or story that need to be abolished, If only all shows were like this.
The story A Television Drama, by Jane Rule is an exciting story about an unusual event, which the main character, Carolee Mitchell, experiences the end of. The story is about her quiet street becoming unusually busy with police officers, and how the man who is being chased by these officers ends up being outside her front door. Through the point of view of the story, the characterization and character change of Carolee Mitchell, and the setting of the story, A Television Drama is an exciting read. The story conveys how important it is to be aware of ones surroundings, and what is happening around oneself through these elements.
... for your life. If a woman wants to be a housewife who focuses on raising her children or a career woman, it is her choice ultimately. If a man wants to be equally involved in his career and family, it should be his choice too. It should not matter what the gender stereotype is and this show helps women and men believe that the individual feeling is often more important than the typical societal belief.
I will discuss a T.V show that began in 1987 and ran until 1995 and compare that to a T.V show of today Modern Family; which first aired in 2009. The two are both American family sitcoms and comedies that have had great success throughout the air. These two shows are both unique in their own way. Full House is based in the late 80’s and early 90’s in San Francisco. Now Modern Family is today and still on air going for the 7th season based in the suburbs of Los Angeles. That if you look at the family photo of the entire Modern Family cast and the complete Full House cast shows how the typical sitcom family has changed over the time. 80’s to present
In conclusion, this show focuses on many aspects, particularly gender roles and sexism. Although this show could have more diverse characters, it focuses on male and female stereotypes very well. I appreciate that there are several strong female characters who aren’t afraid to stand up for themselves and perform typically masculine
For a large part of the history of TV sitcoms women have been portrayed as mothers or as having to fulfill the woman's role in the private sphere. Family based sitcoms were one of the forms of sitcom that keep women in these roles, but what is interesting is that even in other forms of sitcoms women do not truly escape these roles. Sitcoms, like Sex and the City and Murphy Brown showcase women whom have seemingly escaped these roles, by showing liberated women, but that does not mean that both do not fall into the gender role showcased in family sitcoms. It draws the similarities between ensemble sitcoms and family sitcoms when it comes down to the role of women. The starring women in both Sex and the City and Murphy Brown, and even the Mary
...d what they consider entertaining or even humorous in a sitcom. Overall, modern sitcoms rely on sex, violence, and the most ridiculous situations that you could ever find yourself in to create entertainment, and although Mary Tyler Moore does have some of this, such as the “Chuckles Bites the Dust” episode, for the most part the show relies on the contemporary ideas of the time. The ideas that they explored was the feminist movement of course. This is why the show Mary Tyler Moore holds up as a historic show rather than a comedy. The audience has simply changed what they find as funny over time.
From drunken arguments/ fights to nearly everyone hating each other in the house at some point, Jersey Shore seems to have it all. There’s something about watching drunken guys or girls fight that is both humorous and entertaining. Drama seems to drive this fast pace show leading to no dull moments throughout. Every episode seems to take another turn leaving the viewer to want more. I believe the reason why people enjoy the drama infused during the show because it almost makes them feel better about themselves. People seem to enjoy watching a train wreck of idiotic drama because like the cast everyone has their own struggles in life and by seeing their problems on national television it reiterates that no one is
Have you ever been watching a TV show and find yourself relating it to your life in some way? You might relate it to some problem that is going on in your life or some issue going on around your society. All of the sudden, I found myself thinking sociologically one day when I was watching the TV series Grey’s Anatomy. Almost seven series in, I started to realize similarities between Grey’s Anatomy and topics we have been learning about in class. I noticed ideas and concepts that related to sociology. From norms and agents to theories and structures, the series Grey’s Anatomy is a great analysis of sociology.
The classic network era is one of the most easily recognizable and distinct eras in television history. Both Bewitched and I Love Lucy were huge sitcoms that took up issues of gender representation and patriarchy in their programs through the representations of the main male and female characters of their respective series. While both of these series pushed boundaries when it came to the representation of women, in the end, the costuming of these men and women, how the main characters are introduced, and the domestic environment that the atmosphere takes place in, all serve to reinforce traditional gender norms and reveals that patriarchy is dependent on maintaining dominant ideas about masculinity and femininity.
First titled Life and Stuff, Roseanne aired its first season in 1988 and its last season in 1997. The show starred Roseanne Barr as Roseanne Conner and John Goodman as Dan Conner. The couple lived in Lanford, Illinois with their three children Becky, Darlene, and D.J. They are a blue-collar, working-class family with both parents working outside of the home. They struggled just to pay the bills and put food on the table, sometimes each working two jobs. It portrayed real life issues such as pre-marital sex and pregnancy, financial struggles, sexuality, infidelity, death, drugs, and much more. In the first of its nine seasons, Roseanne (Barr) works at Wellman Plastics, along with her sister Jackie (Laurie Metcalf) and friend Crystal (Natalie West). Dan (Goodman) works as a self-employed drywall contractor for his company, Four Aces Construction. Roseanne's parents, Beverly (Estelle Parsons) and Al Harris (John Randolph), drive their two daughters crazy. Teenage Becky (Lecy Goranson) begins dating her first boyfriend Chip (Jared Rushton. Darlene (Sara Gilbert) wonders if she can still play baseball after having her first period. This season also deals with the issue of death, a terrifying tornado, Dan and his father’s relationship struggles, and Roseanne and her friends quitting their job. In season two, Jackie decides to become a police officer and begins a serious relationship with Gary (Brain Kerwin). Roseanne runs through a plethora of jobs, with shampoo woman at the beauty parlor being most influential. Roseanne also deals with issues of attractiveness when Dan's poker buddy Arnie (Tom Arnold) passionately kisses her. She is slightly disappointed when he does the same to Jackie. Crystal and Dan’s father begin a romance. Becky h...
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
The average America watches more than 150 hours of television every month, or about five hours each day (“Americans,” 2009). Of the 25 top-rated shows for the week of February 8-14, 2010, six were sitcoms, averaging 5.84 million live viewers each (Seidman, 2010), to say nothing for the millions more who watched later on the Internet or their Digital Video Recorders. The modern sitcom is an undeniable force in America, and its influence extends beyond giving viewers new jokes to repeat at the water cooler the next day: whether Americans realize it or not, the media continues to socialize them, even as adults. It may appear at first glance that sitcoms are a relatively benign force in entertainment. However, the modern sitcom is more than just a compilation of one-liners and running gags. It is an agent of gender socialization, reinforcing age-old stereotypes and sending concrete messages about how, and who, to be. While in reality, people of both sexes have myriad personality traits that do not fall neatly along gender lines, the sitcom spurns this diversity in favor of representing the same characters again and again: sex-crazed, domestically incompetent single men enjoying their lives as wild bachelors, and neurotic, lonely, and insecure single women pining desperately to settle down with Prince Charming and have babies. Sitcoms reinforce our ideas about what it is “normal” to be, and perhaps more importantly feed us inaccurate ideas about the opposite sex: that women are marriage-crazed, high-maintenance, and obsessed with the ticking of their biological clocks, while men are hapless sex addicts whose motives can’t be trusted. The way that singles are portrayed in sitcoms is harmful to viewers’ understanding of themselves...
When Desperate Housewives first aired in October of 2004 on ABC television network, the controversial pilot episode sparked interest in over twenty-five million viewers. On a seemingly quiet, average suburban street titled Wisteria Lane, four women – Lynette Scavo, Gabrielle Solis, Bree Van de Kamp, and Susan Mayer – became instantly connected by the suicide of Mary-Alice Young, a fellow neighbor and poker club member. While the reason behind Mary-Alice’s death remained unknown for several seasons, the show began to unfold a juicy plot chocked full of the stereotypical drama of suburbia; intermixed between love triangles and tragic affairs, more unusual and mysterious events began to occur. Although Desperate Housewives attempts to portray gender equality and society’s ever-altering perception of gender through the use of jobs, relationships, and melodramatic occurrences, this façade does little to hide the traditional roles of each gender and how those roles complicate the daily life of the families of Wisteria Lane.
HBO's Sex and the City has become a cultural icon in its 6 seasons of running. Based on Candace Bushnell's racy book Sex and the City, the show exhibits an unprecedented example of the sexual prowess of women over the age of 35. The result is an immense viewing audience and an evolving view on the "old maid" stigma that a woman's chances of finding love are significantly reduced after thirty-five. In this paper, we will closely analyze the characters and themes of Sex and the City to explain the significance of what the show represents in American culture.