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Gender in country music
Gender in country music
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Jerry Rubin, an American social activist, said declared? “Most men act so tough and strong on the outside because on the inside, we are scared, weak, and fragile. Men, not women, are the weaker sex.” This accurately describes what men are actually like and not what they are portrayed to be. This quote ties directly into the song “Like You Ain’t Even Gone” written by Tyler Hubbard and Brian Kelley of Florida Georgia Line. Thise song is about a man refusing to accept the fact that he has lost his significant other. While the traditional roles for men are thought to be mainly characteristics of toughness and stability, Florida Georgia Line’s song, “Like You Ain’t Even Gone”, shows that men have caring qualities with a character who imagines himself …show more content…
Tyler Hubbard and Brian Kelly write, “You had diamonds in your eyes when you were smiling, Even pretty when you're crying, If I said I wasn't missing you I'd be lying”(Florida Georgia Line). At this point in the song, the singer is confessing his feelings. He is trying to get across the point that he cares about her and is opening up as if he were talking to the girl that he has lost saying that he can not lie about missing her. He is going against the typical stereotype of men and is showing his true colors; the caring and passionate emotions that all men have. In fact, he’s so in touch with his emotional side that he is still imagining himself with the girl that he lost because he misses her and regrets losing her. The writers confirm this by saying, “I watched you drive away, and girl I should have chased down...”(Florida Georgia Line). He regrets not chasing her down. He is now realizing just how much she means to him and how much he cares about her. He knows that it is too late, but still refuses to let even the thought of her go. Normally, men keep their emotions bottled up because they consider sharing their emotions as a weakness, but in this case, he couldn’t care less does not care about the stereotypes. at the moment of the song. He only cares about the girl that he has …show more content…
But not in this case. The singer says, “Cause the truth is, girl the truth is, I still go riding around town With the windows down and your feet upon my dash…”(Florida Georgia Line). He does not accept the fact that she is no longer with him. The singer is disproving the typical stereotype because he is not going out and enjoying the single life, but is letting all of his feelings and emotions out in a last effort to show her how he feels. Throughout the song, he claims that he still imagines himself with her and that everything still feels the same because he refuses to accept the fact that she is gone. “Iit still feels so right, Like you ain't even gone”(Florida Georgia Line). In every breakup the two people usually end up missing one another because they are no longer in each others lives but end up eventually moving on. In this instance, the singers portray that the man as missing her cannot move on.and not moving on. He cares about this girl and is expressing his feelings but it’s too late. She is
Florida Georgia Line consists of two country singers, Brian Kelley and Tyler Hubbard. Ever since the two met at college, their careers have taken off. Florida Georgia Line is well known for its hit, “Cruise” which has had over one million downloads sold and topped both country radio charts. Due to this success, a remix was created with Nelly. This original song was released in 2012, and is part of the album, “Here’s to the Good Times,” whereas the remix was released in 2013.
In Verhsawn Ashanti Young’s article titled, “Nah, We Straight: An argument Against Code Switching,” he makes his objectives clear as he argues against people Right to their own language. The author questions the advantage of standard American English as opposed to other types of English. He refers to those aspect as code switching, which he believes can lead to racist thinking. Code switching, according to Young, calls out for one way of speaking to be omitted in favor of others, based on one's rhetorical situations. The author points out that students are required to translate from Afro-American English or Spanglish to standard English and not the other way around, which is concerning. Youngs method to get around this segregation is the usage
American Beauty/American Psycho was an album that was sung by the band Fall Out Boy in 2015. Fall Out Boy is an alternative/indie rock band with a little hint of pop in some of their songs. This album, which is the band’s most recent album, is full of a lot of good songs and songs that maybe some people wouldn’t like. Fall Out Boy is a face-paced band, which means their songs are faced-paced. A lot of their songs could be a little hard to understand for people who don’t listen to this kind of music. The album does not have many of these types of songs, which is why it is a favorite among Fall Out Boy fans.
In Lupe Fiasco 's song "Words I Never Said," he collaborates with Skylar Grey to bring awareness to hard topics that no one wants to converse about, by expressing his own emotions, supplying factual evidence, and challenging the credibility to back up his statements. Throughout the song, Fiasco gives his opinion on subjects he finds important, like conspiracy theories, terrorism, and drugs. After rapping about all these issues and more, Fiasco explains, why it is important to stand up and talk about the unfair and unjust problems in the world, instead of being afraid of what people think. Fiasco 's purpose of the song is successful because he exemplifies the feelings that the audience can relate to and uses metaphors, alliteration, and facts to explain his reasoning. He succeeds in persuading his audience, by bringing up his own judgments on real life events, supporting those judgments with
His memory of her is sweet and beautiful so that even without saying it, it is obvious that he was, and possibly is still, in love with her. He remembered the past and convinced himself that it could be like that once again. He became delusional with love, and was blinded by it.
Objectification of women and misogyny is a common trend in song lyrics, but it is often socially accepted and further perpetuated. Finding a song in which the roles are reversed and a woman depicts a man as a sex object is incredibly difficult because when women try to break norms in the music industry, they are often criticized. In “Blah Blah Blah” by Kesha, she reverses the typical gender roles in song lyrics by objectifying men. Kesha has her own struggles within the male-dominated music industry because her producer sexually abused her and trapped her into a record deal. However, Kesha lost her court case, which illuminates gender issues within the music industry and the larger society. In 2010 when Kesha’s songs were popular, people weren’t aware of her battle with her producer. Instead, her lyrics classified her as more of a party figure and people even saw her as “trashy.” This song
“You Was Right” by Lil Uzi Vert is fairly easy to understand lyrically. The essence of the song deals with unfaithfulness in a relationship as well as the aftermath. Lil Uzi Vert spends a large portion of the song admitting his mistakes to his presumed girlfriend in hopes of making things right between them. The song starts off with the hook, which rests upon the premise of how Lil Uzi Vert should have stayed loyal rather than taking another girl home with him. For example, he says, “You was right, I was wrong” (6) in an attempt to console his girlfriend and apologize. Following the hook, the first verse centers on Lil Uzi Vert’s riches due to his success as a rapper. He ties that in to his relationship by expressing how he wants to share his wealth with his girlfriend. At this stage in the song, Lil Uzi Vert is attempting to win his girlfriend back with his money and general success as a rapper. The hook then repeats itself to indicate that the argument between Lil Uzi Vert and his girlfriend is still continuing. The second verse signifies an escalation in their conflict, as he says, “You just locked the door, so I gotta text you” (42). His girlfriend is refusing to even listen
Her husband and her were apart a lot, so that even if they had been in a good relationship the time apart would have still caused problems “I believe in out of sight out of mind, rather than, absence makes the heart grow fonder.
“Fire away. Take your best shot, show me what you got. Honey I’m not afraid (Chris, Lines 4-5)…” Strength, love, heartache, all words that many people can identify with, but what about mental illness, depression, and suicide. These words are those that humans avoid, pretend they are not there, but in reality those three words effect many more people that was ever thought possible. Over 18.2% of United States citizens suffer from a mental illness (Depression), 6.7% of United States citizens suffer from depression (Depression), and each year in the United States there are on average 42,773 deaths by suicide (American). Now, many people can relate to the words love and heartbreak, but many more can identify with the three words that the world
“Over There” is a song written by George M. Cohan in 1917. Nora Bayes, Enrico Caruso, Billy Murray, Arthur Fields, and Charles King were among many who recorded the song. It was written as a propaganda piece encouraging young American men to join the army to fight in World War I. The song was incredibly popular, selling over two million copies of sheet music and one million copies of recordings by the end of the war. Cohan, the writer, was eventually even awarded a Congressional Medal of Honor for his work on this song.
In the song “Tennessee Whiskey” by Chris Stapleton, he describes life before he met his lover and then he figuratively describes the effect this person has on him. He was an alcoholic and this person’s love changed his outlook on the importance of love and alcohol. The intense feeling of how irresistible romantic love can be is illustrated in Chris Stapleton’s song “Tennessee Whiskey” using figurative language such as juxtaposition and hyperbole.
The re-invasion of pop music has brought out the theme of love and relationships even more so then ever. If a songwriter has “writer’s block”, then the simple solution is to write a love song. “All I want is you (Come over here baby). All I want is you (You make me go crazy)... I‘m gonna love you right...” (Aguilera), is part of the chorus to Christina Aguilera’s song “Come on Over”. The attraction to this song to girls is in thinking that they could be in the situation of the female character in the song, finding the perfect guy and spending time with him. For guys, the attraction comes because a beautiful girl is singing this and they can pretend that she is singing to them. Something similar is also found in the song “Doesn’t Really Matter” by Janet Jackson. In this song she is stating all the things she loves about a certain individual. She can live with his imperfections and doesn’t care what anyone else cares. “Doesn’t really matter what the eye is seeing. Cause I’m in love with the inner being. And it doesn’t really matter what they believe. What matters to me is you’re nutty, nutty, nutty for me.” (Janet Jackson) This song is good in that it is a love song unlike many out there today. In this song we see that the main character loves her man because of who he is.
What would you do if you had the opportunity to take and raise an innocent little girl whose mother is a drug addict? That was the dilemma Doyle, a sheriff, faced in the move Gone Baby Gone. Two detectives, Patrick and Angie, are on the case of finding a missing little girl, and they finally stumble on her at Doyle’s house. Doyle had assisted with parts of the case, and had said nothing. He took the little girl, so that she would have a better life. In the end, Patrick turns Doyle over to the authorities, and the little girl is returned to her mother. Who was moral in this situation? Patrick or Doyle? Patrick is a perfect example of Kant’s standard for morality by his action from and in accord with duty. In this essay, Kant’s theory will be explained and then applied to the actions of both Patrick and Doyle.
In the song Drake talks about how your world can come crashing during a break up when he says, “When a good thing goes bad it’s not the end of the world/ It’s just the end of a world that you had with one girl” (Rapgenius, Doing It Wrong) Continuing the theme of heartbreak in his song “Missin You” he continues to express his heartache when he said, “Ya, and when she not by my side/ And I hear that she gone/ Now its like a shock to my pride/ I don’t care if she know/ Cuz that’s basically just a male ego” (Rapgenius, Missin You (Remix)) That stanza struck me the most because Drake is telling the listener that he doesn’t care if people knows how he feels about his ex girlfriend. He references the male ego and how it doesn’t allow a man to feel hurt if a girl leaves
“My love, she keeps me warm.” Without context, these song lyrics have no impact or power behind them. However, if told that these words were sung by a female vocalist, and preceded by the lyrics “I can’t change, even if it tried, even if I wanted to,” suddenly the words have meaning as a woman sings of her love for another woman (Haggerty, Lewis, Lambert, 2102). These lyrics come from the 2012 song “Same Love” by Macklemore with Ryan Lewis and featuring Mary Lambert. In the song “Same Love,” Macklemore raises his voice against the issues of discrimination, gay rights, and marriage equality that we see in today's era. He uses two fallacies in the song, but Macklemore’s use of the three rhetorical appeals of ethos, pathos, and logos in his song “Same Love,” have a great level of success in proving the importance of gay rights and marriage equality.