Penned by Nancy Huddleston Packer, Early Morning, Lonely Ride is a fantastic piece of short literature with a relatively simple plot line. The story opens with the narrator Frances Benedict, a lady living a posh lifestyle, attending a late night party with her husband Emery, a renowned lawyer. Frances feels an urge to leave the party since its real focus is only money and business. The couple leaves at two o’clock in the morning and despite drinking heavily, Emery insists on taking the wheel in a pompous display of manliness in front of the host. Frances, obviously concerned for their safety, keeps giving road directions much to her husband’s irritation. Soon, the car merges onto the highway and as it travels through the night, in …show more content…
They smell of alcohol and their language is taunting and unwarranted. After spending some time teasing the couple, the men fix a new tire and drive away. Frances gets to drive in the quiet ride back home after the shaky experience she and Emery just underwent.
Early Morning, Lonely Ride was written in 1976 and is, by far, a strongly feminist story. In 1976, women were not as well involved in the sociopolitical and economic arena as they are today. Being a woman, back then, mostly meant living the traditional role of a housewife and the fulfilment of their man’s desires, needs and wishes was of utmost importance. The author’s main agenda is to shed light upon the fact how women of her time are being neglected from the social interactions due to the dominating force of the male gender. She is using Frances as a means of propagating her message to the masses with the intense desire of reforming the society on how the female gender is perceived and treated. While she is lingering at the party, Frances thinks, “She was nothing among strangers at a rich man’s party” (Packer 174) and also, “She
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An author is successful only when the readers are able to comprehend the underlying lessons and morals which s/he is trying to inculcate in their psyche. Packer is well-aware of these irrefutable facts and has ensured that the key elements of the narrative: plot, language, setting and characters are compatible with one another and convincing enough for the readers. The vocabulary utilised by Packer is at a level where the reader can imply the meaning within the context without having to resort to a dictionary. As the plot proceeds, the characters mould their behaviour accordingly, which gives a natural feel to the story. Frances’ feelings are similar to the women of her time and the expression of human emotions is instrumental to gain the reader’s empathy and understanding. Early Morning, Lonely Ride is an immortal story because of its pertinence to today’s world. The harassment of women is a disturbing trend which continues to haunt women’s minds and make them scared of going outside unaccompanied. “You filthy little animal…Don’t dare touch me” (Packer 186): these words of reprimand are still used by women of all ages in their defence and protection. The perception of women as sexual objects has not been eradicated from the society’s mindset. In the deeply
Posters were used during World War II by the U.S. government to get a significant message across to their citizens. To analyze a poster it is important to think about the choice of color, placement of words and images, shapes, and emotional appeal ( Lunsford and Ruszkiewicz 91). All of these factor into the message the author is trying to explain to its viewers visually. In the poster “When You Ride Alone,” the message the author was trying to get across to Americans was the importance of carpooling. This poster successfully conveys the message through the words,color scheme and representation of objects.
Some critics have argued that Richard Wright’s women are “flat, one dimensional stereotypes, portrayed primarily in terms of their relationship to the male character”. (Quote, p540) However, in Uncle Tom’s Children, Wright resents three very distinct types of female characters who did not fit this description. Wright portrays women as an Avenger, a Sufferer and a Mother figure whose actions propel the stories to their final conclusion. In the story “Bright and Morning Star” Wright places the protagonist, Aunt Sue, in a domestic environment. “Her hands followed a lifelong ritual of toil” (pg222) as she cleans and cooks. Interestingly, Aunt Sue is the only heroine in the stories, who shows a different type of bravery than perhaps shown by the male figures in other stories. She is brave in the face of the loss of her two sons; she is brave as she does not show weakness to the white men who attempt to control her and make her do their bidding. She does not allow herself to be bound by the conventions of society. She speaks her mind to the white men who invade her home and states “Ah don’t care who Ahm talking t!” (pg238). Aunt Sue is portrayed as a cunning woman, who hides behind men’s perception of her as weak and uses it to her advantage. Her final act of bravery in the story is to giver herself up to death, before the white men can take her life from her. Wright also portrays women as sufferers in his work. Sarah, in “Long Black Song” suffers from isolation and is stuck in a loveless marriage. The gap between men and women is very much evident in this story. Sarah is very much dependent on Silas for company, security and items of comfort. Silas is allowed to exceed from the isolation imposed on his wife. Even when Sarah flees from ...
One of the biggest challenges Francie faces while growing up is loneliness. As a young child living in a Brooklyn slum, Francie has no friends her age. The other children either find her too quiet or shun her for being different because of her extensive vocabulary. Betty Smith describes how most of Francie's childhood days are spent: "in the warm summer days the lonesome child sat on her stoop and pretended disdain for the group of children playing on the sidewalk. Francie played with her imaginary companions and made believe they were better than real children. But all the while her heart beat in rhythm to the poignant sadness of the song the children sang while walking around in a ring with hands joined." (106). Francie is lonely, and longs to be included. As Francie matures, she begins to experience a different kind of loneliness. Betty Smith portrays her feelings as she observes her neighborhood: "spring came early that year and the sweet warm nights made her restless. She walked up and down the streets and through the park. And wherever she went, she saw a boy and a girl together, walking arm-in-arm, sitting on a park bench with their arms around each other, standing closely and in silence in a vestibule. Everyone in the world but Francie had a sweetheart or a friend she seemed to be the only lonely one in Brooklyn without a friend." (403). Loneliness is a constant challenge for Francie but it is through her loneliness that she finds a new companion in her books. Francie reads as an alternative for her lack of friends and companions. It is through her love of reading that Francie develops her extensive, sophisticated vocabulary. Her books lead her into maturity and help her learn to be independent and overcome her many hardships.
Suburban life in the 1950s was ideal, but not ideal for the women. Women were continuously looked at as the typical suburban housewife. In Richard Yates’ novel, Revolutionary Road, we are given the chance to see the dynamics of the Wheeler family and of those around them. Through the use of theme, tone and major symbolism in the novel, we are shown the perspective of gender roles in the 1950s. The author shows the reader the struggles of strict gender roles and how the protagonist of the story will do just about anything to escape from it.
Accordingly, I decided the purposes behind women 's resistance neither renamed sexual introduction parts nor overcame money related dependence. I recalled why their yearning for the trappings of progression could darken into a self-compelling consumerism. I evaluated how a conviction arrangement of feeling could end in sexual danger or a married woman 's troublesome twofold day. None of that, regardless, ought to cloud an era 's legacy. I comprehend prerequisites for a standard of female open work, another style of sexual expressiveness, the area of women into open space and political fights previously cornered by men all these pushed against ordinary restrictions even as they made new susceptibilities.
Kate Chopin’s “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” are both centralized on the feministic views of women coming out to the world. Aside from the many differences within the two short stories, there is also similarities contained in Chopin’s “The Story of an Hour” and Gilman’s “The Yellow Wallpaper,” such as the same concept of the “rest treatment” was prescribed as medicine to help deal with their sickness, society’s views on the main character’s illness, and both stories parallel in the main character finding freedom in the locked rooms that they contain themselves in.
The book became a great source of information for me, which explained the difficulties faced by women of the mentioned period. The author succeeded to convince me that today it is important to remember the ones who managed to change the course of history. Contemporary women should be thankful to the processes, which took place starting from the nineteenth century. Personally, I am the one believing that society should live in terms of equality. It is not fair and inhuman to create barriers to any of the social members.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.
In the age of industrialization when rural life gradually was destroyed, the author as a girl who spent most of her life in countryside could not help writing about it and what she focuses on in her story - femininity and masculinity, which themselves contain the symbolic meanings - come as no surprise.
In the beginning of the story we are introduced to a young girl and the setting for the story is laid out. It is through the setting and background information we can compare life to today and the way we live. The young girl is traveling through the woods with her grandmothers cow at dusk. “The woods were already filled with shadows one June evening, just before eight o'clock” (Jewet) The girl is about the age of nine and she is
The situation of women in our society has always been a source of debate. The term feminism is required at the end of the 19th century to serve the collective aspiration of women to gender equality in a society hitherto subject to the rule of man. Historically, there are prejudices and acts about women that led to discrimination of these. In legal terms, as in the world of work and family, it is in the second half of the twentieth century that is affirmed and implemented new rights for women. From then on, it is not only in term of legal equality, but also equality of opportunity that raises itself the question of relations between men and women. I will be comparing and contrasting “You Leave Them” written by Mona Simpson with the short story composed by Kate Chopin, “The Story of an Hour.” Throughout these stories, both authors clearly express a common theme of feminism. By focusing my essay on the theme of feminism, I will first analyze the authors’ past experience and then associate how it contributes in both of their short stories. I will finish my essay by describing how authors respond to the absence of men’s vision.
Glaspell authored this feminist short story, now considered a classic and studied in many institutions of higher education, in 1917, a story that underwent reawakening in the 1970s (Hedges). As the investigation of Mr. Wright’s murder takes the sheriff of Dickson County, neighbor Mr. Hale, and their wives to the Wright farm, the story “confines itself to the narrow space of Minnie’s kitchen--- the limited and limiting space of her female sphere. Within that small space are revealed all of the dimensions of the loneliness that is her mute message” (Hedges). It is evident through Glaspell’s writing that Minnie Wright feels distress from being trapped in the confines of her kitchen with no telephone and no outreach to the world outside her husband’s farm. Mrs. Wright being quarantined to her own home every day--- a common occurrence in housewives of ...
Women roles have changed drastically in the last 50 to 80 years, women no longer have to completely conform to society’s gender roles and now enjoy the idea of being individuals. Along with the evolution of women roles in society, women presence and acceptance have drastically grown in modern literature. In early literature it was common to see women roles as simply caretakers, wives or as background; women roles and ideas were nearly non-existent and was rather seen than heard. The belief that women were more involved in the raising of children and taking care of the household was a great theme in many early literatures; women did not get much credit for being apart of the frontier and expansion of many of the nations success until much later.