Ross B. Young’s painting “Contemplation is a detailed painting portraying a lone hunter and his trusted companion gazing off into the distance of a natural, beautiful, body of water inhabited by an abundance of wildlife. The painting comes to life with interpretations of reflection and deep thought, power, as well as a strong sense of passion emanating from the hunter himself.
The color focuses on the light emanating from the right side of the painting which is the way the hunter appears to be facing. The dog and the hunter both appear to be looking towards the light, and they are taking in the natural beauty that is happening around them. The way they are both standing in one spot gives off a sense of deep reflection, or contemplation as they gaze over the glistening body of water inhabited by nature. In the background, you can see an abundance of colorful waterfowl swimming. The light reflecting off the water, it is as if the waterfowl are floating above the water. The hunter sees these ducks, but instead of shooting he is clearly just standing and observing the natural beauty. The old style shotgun the hunter is holding indicates his primary goal of his trip was to shot and kill waterfowl, but hunting appears to not be his main concern at
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Young 's painting "Contemplation" Through the vivid colors we can see the early sunrise, and the wildlife dwelling in the background. We can see contemplation through the eyes of the hunter gazing distantly into the distance, not caring wildlife is present. We can see power represented by the old style gun the hunter is holding, as well as the dead duck in his hand, which can be interpreted as the hunter becoming the predator, or power over nature. Lastly we can see the Hunter 's strong passion for hunting by the path made by the hunter, weeds stomped down, and brushed aside. The painting captured all the interpretations
While the man is thinking about the wolf and the impact it had on its surroundings, he knows that many people would be afraid of the it. Realizing that something can be both “terrible and of great beauty,” the man's sense of awe is heightened. While laying under the moonlight, the man thinks about the wolf both figuratively and literally running through the dew on the grass and how there would be a “rich matrix of creatures [that had] passed in the night before her.” Figuratively, this represents the wolf running into heaven. However, the man imagining the wolf literally running and the beauty of her free movements across the “grassy swale” creates a sense of awe that he has for the wolf. A wolf running towards someone would be terrifying, but a wolf running with freedom is magnificently beautiful. After imagining this, the man knows that even though wolves can be terrifying, “the world cannot lose” their sense of beauty and
This picture to me is saying that even when a mule deer has died and the only thing left is bones and its horns, there is still life with that deer. The deer has lived a life that none of us could have imagined, no one but that deer could tell the story of its life. The mule deer is a symbol of living and how nature can be so hard on animals. The picture makes you feel like the deer is staring at you and that maybe it is trying to tell you something. I know the excitement that comes with hunting and when you shoot that deer and come up to it, there is nothing in this world that feels better. It is really hard to explain the feeling that comes with hunting, but this picture is a deer that has died and it could have been by a hunter or it could have been just old age or disease. It is hard to tell with this picture what has happened to the mule deer.
Thomas Moran’s painting captures the essence of the true spirit of the Yellowstone Canyon and overwhelms any viewers who go up to it. With a size of 7’ by 12’ and a mastery display of vivid colors with hues of orange and yellow contrasted with the dark cold colors of the shadows, anyone would be overwhelmed. Under the cool shade, the path extending in front invites the viewer to join the tiny figures in the distance who seem to overlook the grand valley of the canyon below. The view from where those people are in the distance could be quite breathtaking, and this adds to the painting’s value. Moran captured the public and the government’s fascinations with the beauties of America’s Wild West. Moran’s mastery of composition within landscape
Mr. Vickers created this work by using oil paint on a canvas. His strokes follow the luminist style of hidden strokes with mixed hues. The subject is stated obviously in the title as the work is about the serene and beautiful view of the River Severn as it continues towards a mountainous backdrop and eventually disappears.
An artwork will consist of different elements that artists bring together to create different forms of art from paintings, sculptures, movies and more. These elements make up what a viewer sees and to help them understand. In the painting Twilight in the Wilderness created by Frederic Edwin Church in 1860 on page 106, a landscape depicting a sun setting behind rows of mountains is seen. In this painting, Church used specific elements to draw the viewer’s attention directly to the middle of the painting that consisted of the sun. Church primarily uses contrast to attract attention, but it is the different aspects of contrast that he uses that makes the painting come together. In Twilight in the Wilderness, Church uses color, rhythm, and focal
Revenge of the Goldfish used the complementary colors of blue and orange with bright orange fish and a blue bedroom. The use of these contrasting colors make the fish ‘pop’ in the photograph while the blue seems to fade into the back and doesn’t stand out as much. Skoglund’s A Breeze at Work uses complementary colors as well. The entire office space is a rusty brown-orange color with blue leaves. These contrasting colors make the blue leaves stand out in this particular photograph. In another piece of art titled Radioactive Cats, Skoglund uses colors in a slightly different way to make the animals in the photograph stand out. In this work of art, there is an elderly couple in their all grey kitchen. The only true color in the photograph aside from the human’s skin, is the bright green cats that are dispersed throughout the room. This image does not use complementary colors, but the colors do repel each other, resulting in the green cats standing out more than the grey
Surrounded by paintings. Surrounded by color. My eyes traveled from painting to painting, taking me to new places. Finally, I landed at home. Titanium white spread on with a palette knife, with burst of colors painted with a dry brush. I was drawn to Autumn Lilies like a magnet to metal. I saw myself taking the brush from Mary G. L. Hood. I saw myself painting this painting.
Steven Winn. "PAINTING A PICTURE OF THE CREATIVE MIND / It's in this delicate negotiation of conscious choices and unconscious summons that art finds its form and communicative power :[FINAL Edition]. " San Francisco Chronicle 28 May 2007, ProQuest Newsstand, ProQuest. Web. 15 Feb. 2011.
"Everyone is influenced by their childhood. The things I write about and illustrate come from a vast range of inputs, from the earliest impressions of a little child, others from things I saw yesterday and still others from completely out of the blue, though no doubt they owe their arrival to some stimulus, albeit unconscious. I have a great love of wildlife, inherited from my parents, which show through in my subject matter, though always with a view to the humorous—not as a reflective device but as a reflection of my own fairly happy nature.
The importance of cognitive reflection on both a personal and managerial level has grown in relevance in recent times linked to new concerns surrounding its direct effect on the way in which decisions are made. This essay aims to offer a clear overview of cognitive reflection, the test itself, how it provides one way of measuring cognitive ability and indicate why a well known and developed understanding of it is vital when considering the decision making process in practice. Further I will look to critically analyze the associated benefits and shortcomings of cognitive reflection, coming to a justified conclusion drawing on relevant theories and research.
The poet in her writing used the language tools of symbolism, images, metaphor and nature to illustrate her poetic ideas. The writer, used the word ‘’Hunters’’ in the first line which indicates an imagery of man in existence, example
In the essay “Thought” by Louis H. Sullivan, he states that people don’t always need words just to communicate. There are several ways that individuals are able to communicate without words, they can express themselves by gestures and facial features, like explaining themselves to others. Sullivan believes that both thinking and creative thinking are better without words and that the minds is always working; therefore, it does not have time to place words together. In order to think clearly they must use other means of pondering; although, the mind works quickly it will take a long time to write what they are thinking because the mind continues without stopping. When individuals are reading they are not think their own thought exactly but what
This is a photo of Martin Johnson Heade's Cattleya Orchid and Three Hummingbirds, 1871, oil on wood painting. I think it's a very beautiful, eye-catching piece. The first thing that caught my attention are the colors. It's splash of bright colors really balances out its lower value background really drawing your focus to the center of the painting. From there can notice how detailed it is beyond the focal point. There is so many textures to observe and even some movement in one of the hummingbirds who looks like is about to take flight or maybe just landed. I think the artists' use of the elements and principles of art worked very well and brought a very beautiful painting to life.
Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a character or event is common in films; nevertheless, Director Ward goes even farther in using color to represent the actual characters themselves. Red is the shade chosen to signify Annie and likewise, blue is used for Chris. Both of these, as will be shown, are accurate in defining these fictitious people. However, it is the profound use of purple in this film that is the true focal point. When mixing red and blue paint, one would find that, after being mixed, they cannot be separated. Likewise, this is true of the life and love these characters build and share. Purple represents the many ways in which Chris and Annie are melded, and joined.
Landscape paintings of the time made use of perspective to draw the audience into the painting. This artwork makes no such attempt. There is no foreground, which forces the viewer, similar to the monk, to look forwards to the sea. Friedrich’s use of a low horizon furthers his effort to make viewers feel pure emotion. It appears that the sea spreads from one edge of the painting to the other, contained only by the frame. The cloudy sky has been drawn in three shades, and the use of oil allows for the shades to blend well with one another, occupying a vast majority of space. Moreover, Friedrich employs the use of Rückenfigur, a technique where the body points away from the viewer, challenging them to look ahead (Palmer, “Norman Rockwell and the Rückenfigur”). In this case, the monk’s rückenfigur challenges the viewer to follow suit and simply