When considering the versatility of a synthesiser as a keys player it can widen one’s oeuvre immensely. With its ability to imitate existing sounds and instruments to create beautiful polyphonies and to contrastingly emit haunting, dissonant soundscape’s from previously non-exiting timbres makes it not only a useful tool but and essential piece in a composer’s instrumental repertoire. An instrument that has developed over many decades, quite an early advocate of it was Vangelis Papathanassiou. Who perhaps is more commonly known as the keys player of Greek prog-rock band Aphrodite’s Child. A musician that is quite well versed in classical music and heavily dependant on artificial sounds, his compositions have often been referred to as symphonic electronica. His …show more content…
Granted it elevates the visuals but again the piece has become such a pop culture staple in regards to sports that many may unaware of the film it was made for originally. But nevertheless have heard it and had it engraved in their subconscious; a staple in the genre of sports movies. Now were as Vangelis composed these pieces himself Reznor rather than creating a mock style piece goes a step further and gives a reimagining of Gregg’s In the Hall of the Mountain King in the film The Social Network, as out by Arbib in Language, Music, and the Brain,
“— in the film The Social Network, composers Trent Reznor and Atticus Ross adapted Edvard Grieg’s Hall of the Mountain King for the Henley Ross rowing competition scene. Many films, including The Social Network employ a mixture of appropriated and original
Within each composition of the three individual pieces, there is at least one example of appropriated imagery that is manipulated so as to further convey Bennett’s
To fully understand the relationship between a filmmaker and a composer, it is helpful to take a closer look at the filmmaker’s position towards music in film in general; these can of course differ substantially from one director to another. It seems, one must think, that the complete narrative and emotive potential of film music is not yet fully recognized and appreciated in many film produc...
From what I ponder, I think the reason why we watched this movie was to encourage students to work hard on something they vehemently want to do. The tale of the movie displays a character who puts her time and effort to study difficult vocabularies, in order to attain her goal of winning the nationals in Washington. Therefore, through watching the movie, students can relatively connect to the situation in achieving their goals.
However, the most fitting work with the concert theme may be Philip Glass’s String Quartet No. 2. This work is often entitled Company and was originally intended for an adaptation of Samuel Beckett’s prose poem entitled Company. This cross-disciplinary collaboration resulted in Glass extracting material from the theatre score and making it a four movement concert work that could stand alone. This 1983 minimalist work is clearly characteristic of Glass’s style in the repeating arpeggios, harmonic language, and his recognizable rhythmic structure. However, the most important aspect of the work in relationship to the other music on the concert may be its inspiration. While Beckett’s work was the inspiration for the Glass’s music, Beckett was also a collaborator in the creation of the staged work. Like the works of The Brooklyn Rider Almanac, Der Blaue Reiter Almanach, and The Onomatopoetic Project, Philip Glass’s String Quartet No. 2 provides a unique prospective on art through a different medium. This concert is a wonderful example of how music, the visual arts, theatre, and literature can all be used to comment on and inspire one another by simply looking at art through the prospective of all forms of
In the book “The Art of Biblical Narrative” by Robert Alter, there is one chapter (Chapter 3) titled “Biblical Type-Scenes and the Uses of Convention” (Alter 47). Alter describes several different stories (but similar in some ways) in the Old Testament that can be difficult to interpret in today’s culture. Alter describes how reading any book (more specifically the Bible), requires use of conventions, which he describes as “… an elaborate set of tacit agreements between artist and audience about the ordering of the art work is at all times the enabling context in which the complex communication of art occurs” (Alter 47). In other words, an agreement of how the writing is done; it can be pretty complex as well. He states that there are stories in the Bible that have the same stories of narrative, but there are different characters, they often are told several times in the Bible. Alter uses several of examples, like how patriarch is driven by famine; or where someone is found and is invited to eat with them, or a betrothal (engagement) near a well/body
There is a scene in this movie where the coach takes the team on a long run in the middle of the night. They end up at the break of dawn at a cemetery. The coach tells the young men of the battle that was fought on that ground. He told of the blood shed on those grounds that turned the whole area red. This can help many people that want to make a difference in this world. They had to stand up for their new knowledge to people that they love and trust.
Kaplan, Jon. "Dumped!: Famous and Not-So-Famous Rejected Film Music." Film Score Monthly 8.9 (2003): 24-31. IIMP. Web. 6 Dec. 2010.
In the following paper I will be exploring the beginning of Leonard Bernstein's career and his family background. I will also look into the influences he had in his life and look at two pieces that he composed, "Jeremiah Symphony No. 1", and "Candide". My reasons for choosing these two pieces is due to the fact that they are contrasting in genre, one being a symphony with orchestration and the other being an operetta, and that they were written at different stages in Bernstein's life. They both produced a number of responses and displayed his wide range of musical ability.
This concert is held by the Stony Brook University music department and is to perform seven pieces of music written by seven student composers. The concert is performed in Recital Hall of Staller Center in Stony Brook University. Since it is a small hall, audiences are very close to the performers. In fact, it is the first time I am this close to the performers and the sound for me is so clear and powerful that seems like floating in front of my eyes. Among the seven pieces, “Ephemeral Reveries” and “Gekko no mori” are piano solo, “Two Songs for Joey” is in piano and marimba, “Suite” and “Fold Duet No. 1” are in woodwinds, “Elsewhere” is played by string groups, and “e, ee, ree, and I was free” is in vocal. Personally, I like the sound of piano and guitar the best. Therefore, in the latter part I will analysis two pieces in piano, “Gekko no mori” and “Two Songs for Joey”.
Polyphonic is operating on a “shoestring budget” of $150,000. The company is not helped by initial discussions about HSS with potential customers, which have resulted in cold receptions, at best, about the product’s potential application to the music processes despite its multiple strengths.
The books of I and II Thessalonians, which are in the New Testament, are both letters to a church that Paul the apostle helped establish in the city of Thessalonica. First Thessalonians is agreed by biblical scholars to be written by Paul. The author of II Thessalonians, however, is still being debated about.
Across cultures, continents, and worlds, the majority of things within the scope of our very own humanity can be boiled down to two things: those who are dominant, and those who get dominated. Within these statuses lie stories of power struggles, rebellion, the rising and falling of those with influence, and the interconnection between a being with power and the people under his ruling. Through the visual works catered to this subject, we will discuss themes such as the power of immortalization, divinity amongst humans, what it really means to be a ruler, and many other details making up the ever-present, multifaceted relationship between rulers and their subject. With the assistance of the Blanton Museum of Art, I will be able to showcase
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
Pollack, Alan W.. “Notes on "Revolution" and "Revolution 1".” soundscapes.info. 1997. 3 October 2009 .
Wishart, Trevor. "From Sound Morphing to the Synthesis of Starlight. Musical experiences with the Phase Vocoder over 25 years." Musica/Tecnologia Music , 2013: 65-67.