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Shakespeare in elizabethan era gender roles
Gender roles in Shakespeare
Gender roles in Shakespeare
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“ AS Y0U LIKE IT” Intr0ducti0n-‘As y0u like it’ is the play by William Shakespeare. He was a great writer.as y0u like is a c0medy play. It is believed that As Y0u Like It was first perf0rmed between 1599 and 1600. In the Elizabethan Era there was a huge demands f0r new entertainment and’ As Y0u Like It’ w0uld have been pr0duced immediately f0ll0wing the c0mpleti0n 0f the play. As Y0u Like It is c0nsidered by many t0 be 0ne 0f Shakespeare's greatest c0medies, and the her0ine, R0salind, is praised as 0ne 0f his m0st inspir characters and has m0re lines than any 0f Shakespeare's …show more content…
When she is banished fr0m the c0urt by her usurping uncle, Duke Frederick , R0salind switches genders and as Ganymede travels with her l0yal c0usin Celia and the jester T0uchst0ne t0 the F0rest 0f Arden, where her father …show more content…
In the play, Shakespeare dem0nstrates 0ver and 0ver again h0w l0ve can make pe0ple d0 s0me beautyfull risky and f00lish things. In particular, the play spends a l0t 0f time critiquing the artificiality 0f "c0urtly" r0mance and reminds us 0f the silliness 0f assuming the clichéd p0se 0f a "Petrarchan l0ver"—s0mething that inv0lves a l0t 0f dramatic sighing, sadness, and frustrati0n 0ver an unattainable girl. As Y0u Like It make it clear that human beings can be pretty ridicul0us, s0, naturally, much 0f the play is spent p0king fun 0f f00lish behavi0r—fr0m 0rland0's silly n0ti0n that l0ve sh0uld l00k like a 14th-century Italian Hallmark card t0 Jaques's melanch0ly and highly clichéd 0utl00k 0n life. T0uchst0ne, the character wh0 d0es m0st 0f the m0cking in the play, just happens t0 be a "licensed f00l." Like Shakespeare's 0ther f00ls, T0uchst0ne's quick wit and insight int0 human nature all0w him t0 p0int 0ut the f0ll0w 0f th0se ar0und him, even as he participate in cl0wning and
In the plays female sexuality is not expressed variously through courtship, pregnancy, childbearing, and remarriage, as it is in the period. Instead it is narrowly defined and contained by the conventions of Petrarchan love and cuckoldry. The first idealizes women as a catalyst to male virtue, insisting on their absolute purity. The second fears and mistrusts them for their (usually fantasized) infidelity, an infidelity that requires their actual or temporary elimination from the world of men, which then re-forms [sic] itself around the certainty of men’s shared victimization (Neely 127).
Lately, it would be difficult to find a person who speaks in the elaborate way that nearly all of Shakespeare’s characters do; we do not describe “fortune” as “outrageous” or describe our obstacles as “slings and arrows,” neither in an outward soliloquy or even in our heads. Lately, people do not declare their goals in the grandiose fashion that members of royal family of Thebes proclaim their opposing intentions: Antigone’s to honor her brother and Kreon’s to uphold his decree. Lately, people do not all speak in one unified dialect, especially not one that belongs specifically to the British upper class; Jack and Algernon’s dialogue is virtually identical, excepting content. Unlike the indistinguishably grandiose, elaborate, fancy way characters speak in Shakespeare’s plays, Antigone, The Importance of Being Earnest, and other plays written before the turn of the twentieth century, more recently written plays contain dialogue that is more unique to its speaker. This unique dialogue indicates a change in the sort of characters which drama focuses on which came with a newly developed openness to those who are different from us. Moving away from recounting tales of nobility, royalty or deities brought the lives of a common, heterogeneous populace to the stage and, with these everyday stories, more varied speech patterns.
William Shakespeare is well known for being a poet, playwright, and actor. Shakespeare's work appears to be very sexist in gender roles. He uses gender roles in his 'Romeo & Juliet' play. Juliet being the main and most important female role in this play; is supposed to be noble and respectful, but instead she goes against her father’s wishes and acts more educated than she really is. Romeo being the main male role in this play is supposed to be focused and noble, but instead he is passionate in love and isn't very wise with decisions but in comparison to Paris, who is very masculine, focused and noble shows a real renaissance male. This paper will demonstrate how Shakespeare uses gender role reversement ; by having feminism and masculinity, arrangement of marriages, and compare and contrast of different characters to prove the model of genders in Elizabethan England.
... and ambiguity. Shakespeare uses the ironies found in the play so that we will remember his play's limits. It cannot produce an ideal, nor can we as an audience.
Shakespeare is debatably the greatest poet and writer of all time. However, that does not mean that these plays adapt to the changing times. In Shakespeare’s, Othello, gender plays a large role in understanding the culture of the time and makes the play out of date, if not used properly. Understanding the gender roles and how they are defined in Shakespeare’s culture, looking at each individual women in the play, and the way Shakespeare should be taught today in order to adapt to the times allows readers a deeper appreciation of Shakespeare’s work. Shakespeare is a wonderful artist and writer. Used properly, students today can learn thousands of lessons and insightful ways to insult one another from the great play writer. “Students have trouble
William Shakespeare’s dramatic and poetic techniques and his use of hyperbole are used to describe the characters emotions and weaknesses. The use of dramatic irony is used to create personal conflict. This is done throughout the play to describe the characters concerns and their situations.
On the surface, Shakespeare’s play Twelfth Night may seem like to the run of the mill Shakespearean comedy. It has loads of the ingredients you would typically see in a Shakespeare play; love being the be all end all, revenge, and yes, cross-dressing. Aside from dramatics, this comedy embodies the fundaments of the battle of the sexes; the age-old conflict is reminiscent to how gender roles are to this day. Man vs. Woman, or the main ingredient as it is, sets the ball rolling for the tone and the social construct of the comedy. Viola, disguised as Cesario, says, “Disguise, I see thou art a wickedness wherein the pregnant enemy does much. How easy it is for the proper-false in women 's waxen hearts to set their forms!” (Twelfth Night, II.ii 27-30.) This quote alone expresses not only the ambiguity of gender through identity, but also the way men portray female’s inferiority and deceitfulness. Despite the male protagonists ' view on women 's incapability to love, Viola 's
What is so interesting about Shakespeare's first play, The Comedy of Errors, are the elements it shares with his last plays. The romances of his final period (Pericles, Cymbeline, The Winter's Tale, The Tempest) all borrowed from the romantic tradition, particularly the Plautine romances. So here, as in the later plays, we have reunions of lost children and parents, husbands and wives; we have adventures and wanderings, and the danger of death (which in this play is not as real to us as it is in the romances). Yet, for all these similarities, the plot of The Comedy of Errors is as simple as the plots of the later plays are complex. It is as though Shakespeare's odyssey through the human psyche in tragedy and comedy brought him back to his beginnings with a sharper sense of yearning, poignancy, and the feeling of loss. But to dismiss this play as merely a simplistic romp through a complicated set of maneuvers is to miss the pure theatrical feast it offers on the stage - the wit and humor of a master wordsmith, the improbability of a plot that sweeps...
...onnects his audience to the characters and although the play is written for the Elizabethan era, it remains pertinent by invoking the notion of human nature. He implements themes of love, anger, and impulsiveness and demonstrates the influence these emotions have on human behavior. It is evident that because human nature is constant, people have and will continue to be affected by these emotions.
Firstly we will commence by discovering how women are presented in Shakespeare’s play .Through-out the play women are presented as immature , impuissant characters : Lady Capulet & Juliet ,all women are regarded as possessions of men ,for them to do as they please . They are ornaments, they cannot speak their minds nor can they make their own decisions. Women are in the men’s shadows.
While it is a comedy of the turmoil of love and the experimentation with gender roles and identity, William Shakespeare's As you Like It is a historical preservation of Renaissance music. The play is fraught with spontaneous song and poetry, yet Shakespeare strategically manipulates these musical elements. Specifically, the lyrics and poetry of the play function to establish a soundtrack and a direct appeal to their Elizabethan audience, while providing Shakespeare with a valuable shorthand for character development.
Love is the central theme in the play ‘As You Like It’ by William Shakespeare, the author expressed many types of love in the play. Some of them are, brotherly love, lust for love, loyal, friendship love, unrequited love, but of course, romantic love is the focus of this play.
Shakespeare, William. As You Like It. The Norton Shakespeare. Ed. Stephen Greenblatt. New York: W.W. Norton Company, 1997.
Shakespeare, William. As You Like It. Comp. Folger Shakespeare Library. New York, NY: Simon & Schuster Paperbacks, 2009. Print.
The many love relationships in As You Like It are delightful in their romanticism and the humor that Shakespeare has dashed into each of them, enhancing the happy nature of the play. Various situations of love are explored -- true love at first sight, unrequited love, even a hint of homosexuality in Orlando's attraction to Ganymede and Phebe's falling for Ganymede, who is really a woman. Their contrasting variety causes them to complement one another in the play's theme of love and the foolish things it makes people do, making As You Like It both entertaining and romantic.