In her novel Fun Home, Alison Bechdel recalls the difficulty to communicate to her father who seemed to live in an entirely different world than her. Her father is a mystery; hiding his homosexuality behind an elaborate lie. Often depicted as distant and angry he turns out to be possibly the most influential person to Bechdel. He has many flaws but Bechdel explains she is thankful for some of those since they helped form who she is today, and ultimately is the reason she is alive. The only way to elucidate her father to the audience was to use those same fictional literary works to describe her father’s true character that he lived in because when conversations weren’t present there were still connections between them two through books. …show more content…
There is clear evidence of the father’s interest in the story on page sixty-three of Fun House, the father shares with his wife in a letter to the fondness of the characters and lifestyle within the Great Gatsby. Later in the book, Bechdel shares a comparison between her father and Gatsby, by elaborating on a scene in the book where a drunken guest wanders into Gatsby’s library and discovers the books aren’t fakes. But the pages weren’t cut either. In contrast all the father’s books are creased and clearly read. In the book, Gatsby attempts to lure Daisy into accepting him by to become rich with the insecurity that she wouldn’t love him if she knew he wasn’t born with money. Gatsby abandons who he was entirely do be what he believes Daisy will want. The father was always renovating the family’s house and committing to projects that gave people the idea that the family was rich. “Gatsby’s self –willed metamorphosis from farm boy to prince is in many ways identical to my father’s (Bechdel p.63).” Bechdel sums up the similarities between her father and Gatsby in the passage: “But in a way Gatsby’s pristine books and my father’s worn ones signify the same thing – the preference of a fiction to reality (Bechdel …show more content…
This gesture is a part of what I think is the most important part of the book. The book is an autobiography compromised of Colette’s writings throughout her life including some of her sexual relationships as a lesbian. “One art scholar describes her work with this quote: In reading Chéri and Gigi, by French novelist, Colette, one remarks the sensual, stylistic descriptions of characters, settings, and situations (Keady 5).” The father shared this book before Bechdel announced she is homosexual. Her father’s responded on the phone: “At least you’re human. Everyone should experiment…Do you have to put a label on yourself? (Bechdel 210). This is the only moment the father purely attempts to help Bechdel and he does it by lending the Colette: Earthly Paradise, which proves he tried to help and be there for Bechdel. This gesture is so important because this isn’t about communicating to the world through his daughter as he did in dressing her and educating her based on how he fantasized a daughter should look like. This book referral was simply in support of his daughter, which makes it such a powerful moment in the story. It later leads to a conversation with Bechdel on the car ride to a movie. During the conversation the father admitted that he suggested the book due to a suspicion he had over his daughter’s sexuality. He later opened up about his past
Gatsby’s explanation of this dream focused on money and social status. He has always yearned for this, even when he was a child. Fitzgerald frequently emphasises Gatsby’s desire, throughout the entirety of this novel. Though, Fitzgerald accentuates this desire when Nick discovers the truth of Gatsby’s past. During this elucidation, Nick explains that “his [Gatsby’s] parents were shiftless and unsuccessful farm people-his imagination had never really accepted them as his parents at all.” (Fitzgerald, 98) This shows the reader Gatsby’s lifelong determination for wealth and power. Even in his adult life, he strives for more than what he has. In John Steinbeck’s essay, he explains that “we [Americans] go mad with dissatisfaction in the face of success” (Steinbeck, 1) This is exactly how Gatsby feels, he is not content with his success, the amount of money he has, or the height of his social status and is constantly wishing for more than he has. Though, once he meets Daisy he no longer strives for wealth, but rather for her. As shown in this novel, even though Gatsby has achieved all he had wanted when he was growing up, he will not be content until he is able to call Daisy his
In the beginning, Gatsby was a poor army boy who fell in love with a rich girl named Daisy. Knowing from their different circumstances, he could not marry her. So Gatsby left to accumulate a lot of money. Daisy, not being able to wait for Gatsby, marries a rich man named Tom. Tom believes that it is okay for a man to be unfaithful but it is not okay for the woman to be. This caused a lot of conflict in their marriage and caused Daisy to be very unhappy. Gatsby’s dream is to be with Daisy, and since he has accumulated a lot of money, he had his mind set on getting her back. Throughout the novel, Gatsby shows his need to attain The American Dream of love and shows his determination to achieve it. You can tell that Gatsby has a clear vision of what he wants when Nick says, “..he stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I gla...
How they treat each other shows how selfish both of them are and how they only care about themselves. Gatsby finds himself falling in love with Daisy, and the idea of her, when he returns to Long Island and discovers the lavish lifestyles that are being led. Jay Gatsby is a man who has been obsessed with the idea of being wealthy ever since the age of seventeen, when he met an older gentleman named Dan Cody. Gatsby was supposed to inherit all of Cody’s money but was cheated out of it at the last minute. Ever since then, Gatsby has been obsessed with the idea of being wealthy and he would do whatever it would take for him to be wealthy. Once Gatsby and Daisy begin a relationship, Bloom points out that, “Gatsby, with his boundless capacity for love, a capacity unique in the sterile world he inhabits, sees that the pursuit of money is a substitute for love. He knows himself well enough to see that his own attraction toward wealth is tied to his love for Daisy.”. It is hard for Gatsby to admit, but it becomes evident to the reader that Gatsby values wealth and status over human love and affection. Gatsby had an obsession with money that unfortunately he was never able to shake, and ultimately led to a lonely life and eventually to his
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
“The Great Gatsby” was a extremely sophisticated novel; it expressed love, money, and social class. The novel is told by Nick Carraway, Gatsby’s neighbor. Nick had just moved to West Egg, Longs Island to pursue his dream as a bond salesman. Nick goes across the bay to visit his cousin Daisy and her husband Tom Buchanan in East Egg. Nick goes home later that day where he saw Gatsby standing on his dock with his arms out reaching toward the green light. Tom invites Nick to go with him to visit his mistress Mrs. Myrtle Wilson, a mid class woman from New York. When Nick returned from his adventure of meeting Myrtle he chooses to turn his attention to his mysterious neighbor, Gatsby. Gatsby is a very wealthy man that host weekly parties for the
Bechdel decides to live her reality and be her true self. After she reveals this information to her parents, her mother reveals the truth about her father. Bechdel’s father had affairs with many other men throughout his lifetime. Bechdel is shocked and does not understand how her father was able to do that for so long. When Bechdel realizes this, she instantly feels as if now she may be able to connect with her father. Her father was living behind the appearance of the perfect husband and man to hide his actual sexuality of being gay. She feels as if they can connect through their changing sexuality, even though she has decided to come out while her father has
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...
In her novel, Bechdel’s complex sexual self-development is a powerful struggle for her to figure out and acknowledge her sexual orientation. One can simply observe the pain and struggle Bechdel encountered in his process of self-development especially in one of her monologues when she discusses the impact of finding out about her father’s homosexual ways in his past. She states, “Only four months earlier (to her fathers suicide), I had made an announcement to my parents, ‘I am a lesbian’ but it was a hypothesis so thorough and convincing that I saw no reason not to share it immediately… My homosexuality remained at that point purely theoretical, untested hypothesis” (Bechdel 58). After receiving the news that her father was...
Gatsby is a dreamer, he dreams that one day he and Daisy will be able to be together once again. To achieve this dream, Gatsby has made himself a rich man. He knows that in order to win Daisy back, he must be wealthy and of high social stature. Gatsby is rich, has a beautiful mansion, nice things, things like shirts “They’re such beautiful shirts. . . It makes me sad because I’ve never seen such-such beautiful clothes” (pg.98).Gatsby believes his dream will come true because of all the money and nice things he has.
Going through this comic you find yourself looking at many innocent objects she uses to describe the way her house is set up. She refers to it as a museum. As we discover her dad sexual orientation, we find many of the objects resembles body parts. Other things like the painting of the
Apparently being wealthy is not all Gatsby wants, but also wants love from Daisy. He loves her so much he wants her to break Tom’s heart and come with him. This man is clever and cold hearted like Lord Voldemort and Sauron. Jordan glanced at Nick and told him in a calm tone, “Gatsby bought that house so that Daisy would be just across the bay” (Fitzgerald 78). Gatsby’s way of being in love with Daisy is to be a creepy stalker, never giving her space and always spying on her.
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.
Daisy’s original impression of Gatsby is evident in her early letters to him, “...he had deliberately given Daisy a sense of security; he let her believe that he was a person from much the same stratum as herself- that he was fully able to take care of her” (149). Daisy loved Gatsby under the false hope that they belonged to the same social class. She grew up surrounded by riches, never working a day in her life, and she could not comprehend the struggles of a man who must work for the food he eats each day. Daisy knew that she must marry when she is beautiful, for being a beautiful rich girl of good social standing was her highest commodity and most valuable chip in marrying well. In order to live a secure life, she had to find someone the had the means to provide for her extravagant lifestyle, and the deep care for her that would allow Daisy to do as she pleased. The only definition of love Daisy knew was one of disillusioned power and commitments under false pretenses in order to keep the wealthy continually rich. Daisy acknowledges the false pretenses of marriage for the wealthy in how she describes her daughter’s future. She tells Nick, “‘And I hope she’ll be a fool- that’s the best thing a girl can be in this
Gatsby believes in the aforementioned "American Dream." Thus, Gatsby believes that money alone will allow him to enter the upper class. However, the unspoken truth of the "American Dream" is that class mobility requires money and the culture typical of the upper class. Gatsby becomes wealthy, but his lack of this culture prevents him from fulfilling his goal of social mobility. Writer Andrew B. Trigg discusses Gatsby 's inability to climb the social ladder: "culture provides a barrier to entering the top echelons of the leisure class" (Trigg.) Throughout The Great Gatsby, Gatsby 's lack of taste is evident, which leads to the upper class 's rejection of him. Gatsby repeatedly displays his wealth in excessive ways. Gatsby throws extravagant parties, buys flamboyant clothes, and purchases an opulent car and mansion. Throughout the novel, these displays of wealth are met by criticism from those that Gatsby is trying to impress. Tom Buchanan, Daisy 's husband, and a man of inherited wealth, detests Gatsby. In Chapter seven, Tom frequently criticizes Gatsby for his gaudy displays of wealth. First, Tom criticizes Gatsby 's car: " 'Come on, Daisy, ' said
Gatsby downfall came when he sacrificed his morality to attain wealth. Gatsby realises that the illusion of his dream with Daisy, demands wealth to become priority, and thus wealth becomes the desire overriding his need for her [Daisy’s] love. Gatsby claims to others that he has inherited his wealth, but Nick discovers "[h]is parents were shiftless and unsuccessful farm people" (Fitzgerald, The Great Gatsby, pg 104) and that Gatsby has lied about his past. In a society that relies on luxuries, Gatsby throws parties to attract Daisy’s attention. Also, Gatsby expresses that same need to keep busy, just as Daisy does, in a society of the elite. Nick describes Gatsby as "never quite still, there was always a tapping foot somewhere or the impatient opening and closing of a hand" (Fitzgerald, pg 68). Gatsby fills his house "full of interesting people...who do interesting things" (Fitzgerald, pg 96). Gatsby's dream is doomed to failure in that he has lost the fundamental necessities to experience love, such as honesty and moral integrity.