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Literature review on a pinhole camera
Literature review on a pinhole camera
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The featured artist in April at Georgia Southwestern State University was Pinky Bass. She is an American photographer who specializes in pinhole photography (“Pinky/MM Bass” 2014). Pinhole photography is using a simple camera without a lens often used to capture real-time movement for example the Earth circling the sun (Pinhole Photography 2014). She not only specializes in pinhole photography, but black and white photography as well (Pinky/MM Bass 2014). Ms. Bass was born in 1936 and received her M.F.A. in photography from Georgia State University in 1988(Pinky/MM Bass 2014). At the age of 50, her work has been featured at the Philadelphia Museum of Art, the High Museum in Atlanta, and the Birmingham Museum of Art (Pinky/MM Bass 2014). She has also participated in many exhibitions all over the world (Pinky/MM Bass 2014).
The collection I chose to research was “Contemplating My Internal Organs”. This collection uses black and white pinhole photographs of an elderly woman. Internal organs are expressed with various colors of string stitched through the pinholes. The repetition of the threads used brings a sense of cohesiveness to the collection. Each piece in the collection focuses on a certain organ or organ system of the human body. Ms. Bass uses certain colors to define separate organs and blood lines in the body. For instance, there is a piece that depicts the circulatory system. She uses blue thread to show the deoxygenated veins carrying blood toward the heart. In contrast, she uses red thread to show the oxygen-rich arteries carrying blood away from the heart to other areas of the body. She also angles the thread in a way to show movement of the blood throughout the body. Furthermore, the angles of the thread provide texture...
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...flected in the life, aging, and death theme that Ms. Bass portrays in her art. Although not directly connected to these issues, her art clearly expresses the importance of the human body.
Many college aged students are not worried about sickness, aging, or death. We are focused on our careers and interests and less focused on political and social issues. I think that Ms. Bass’ artwork being shown on a college campus is a reality check for many students. After researching her motives and reasoning behind some of her collections, I realize how important life truly is. When you are more focused on school and projects to graduate, you do not realize the value of your body, let alone the organs and organ systems in it. Although interpretation is left up to the audience, Ms. Bass clearly shows the importance of the organ systems in the human body being an external issue.
For my museum selection I decided to attend Texas State University’s Wittliff Collection. When I arrived, there was no one else there besides me and the librarian. To be honest, I probably would have never gone to an art museum if my teacher didn’t require me to. This was my first time attending the Wittliff Collection, thus I asked the librarian, “Is there any other artwork besides Southwestern and Mexican photography?” She answered, “No, the Wittliff is known only for Southwestern and Mexican photography.” I smiled with a sense of embarrassment and continued to view the different photos. As I walked through Wittliff, I became overwhelmed with all of the different types of photography. There were so many amazing pieces that it became difficult to select which one to write about. However, I finally managed to choose three unique photography pieces by Alinka Echeverria, Geoff Winningham, and Keith Carter.
The Beauty of Bodysnatching written by Burch Druin is a fascinating biography of Astley Cooper, an English Surgeon, and Anatomist, who gained worldwide fame in support of his contribution to Vascular Surgery and a further area of expertise. The extract gives a reflective insight into Cooper’s contribution to study of Anatomy and medicine. Cooper enjoyed the job of body snatching, which helped him to conduct a series of discoveries that were important for the future study and understanding of Physiology. In the Romantic era, when prettiness or horror was a sensitive matter and extensive concern at that time many physicians discouraged surgery, but Cooper passionately practiced it.
According to Saunders, the primary value of organ donation is instrumental rather than expressive. Saunders goes on to discuss that from an instrumental perspective, what matters is
I observed a very unique series of photographs by Vik Muniz called Seeing is Believing. Vik Muniz’s images are not simply photography but are pictures of complicated pieces of art he has produced at earlier times. Utilizing an array of unorthodox materials including granulated sugar, chocolate syrup, sewing thread, cotton, wire, and soil Muniz first creates an image, sculpturally manipulates it and then photographs it. Muniz’s pictures include portraits, landscapes, x-rays, and historical images.
Forty-seven percent of people have lied about something they liked because they were afraid of getting made fun of. This is exactly what happened in the short story The Bass, the River, and Sheila Mant, which was written by W. D. Wetherell. The narrator lied and said he didn’t like fishing even though fishing was his favorite hobby. He lied to try impress his crush, Sheila Mant, who thought fishing was dumb. This is an example of peer pressure. Peer pressure is the influence from members of one’s peer group. When a person changes who they are to impress someone else, it can lead to regrets later in life.
Frida Kahlo is known for the most influential Latin American female artist. She is also known as a rebellious feminist. Kahlo was inspired to paint after her near-death bus incident when she was 17. After this horrendous incident that scarred her for life, she went under 35 different operations. These operations caused her extreme pain and she was no longer able to have kids. Kahlo’s art includes self portraits of her emotions, pain, and representations of her life. Frida Kahlo was an original individual, not only in her artwork but also in her
Born in Glen Ridge, New Jersey, Cindy Sherman grew up in suburban Huntington Beach on Long Island, the youngest of five children and had a regular American childhood. She was very self-involved, found of costumes, and given to spending hours at the mirror, playing with makeup (Schjeldahl 7). Cindy Sherman attended the state University College at Buffalo, New York, where she first started to create art in the medium of painting. During her college years, she painted self-portraits and realistic copies of images that she saw in photographs and magazines. Yet, she became less, and less interested in painting and became increasingly interested in conceptual, minimal, performance, body art, and film alternatives (Sherman 5). Sherman’s very first introductory photography class in college was a complete failure for she had difficulties with the technological aspects of making a print. After her disastrous first attempt in photography, Sherman discovered Contemporary Art, which had a profound and lasting effect on the rest of her artistic career (Thames and Hudson 1). Sherman’s first assignment in her photography class was to photograph something which gave her a problem, thus, Sherman chose to photograph her self naked. While this was difficult, she learned that having an idea was the most important factor in creating her art, not so much the technique that she used.
Once upon a time, I was a student ignorant of the issues plaguing our nation; issues such as abortion and a frightening scarcity of organ donors meant little to me, who was neither pregnant nor in need of replacement body parts. Today, I fortunately remain a simple witness to these scenarios rather than a participant, but I have certainly established a new perspective since reading Neal Shusterman’s Unwind several years ago.
In the early 1990s, medical personnel’s fruitless attempts to save one-year-old, Colby Cassani’s, life were no match for the asphyxiating bath water that engulfed his lungs (The Colby Foundation, 2013). However, Colby’s parents refused to allow their son’s tragic death to be a mere disastrous event when they agreed to give his organs away and ensured the perseverance of his memory in the three lives that he saved (The Colby Foundation, 2013). Moreover, Colby’s contributions through his premature death inspired twenty years of organ donation awareness with a non-profit organization that his parents named after him (The Colby Foundation, 2013). While over one hundred thousand people are currently in desperate need of an organ transplant, nearly
1) During my high school internship at Sharp Hospital, I once received the opportunity to witness a biopsy procedure. While it was not the most complicated of surgeries, I was captivated by the movements, the sounds, and the atmosphere. Unfortunately for the patient, my excitement may have gotten the best of me, as I excitedly questioned anything that caught my eye. However, such circumstances aren’t foreign in my life. Ever since I was a young child, an unquenchable curiosity has been an integral part of my life. My mother often recalls when I would keep her waiting while I bombarded my teacher with questions about what the class had learned that day. However, my thirst for knowledge greatly benefitted my academic pursuits in middle school and high school. When I took my first official biology course in seventh grade, I was enthralled with the various parts of the body, and how the various systems worked together to keep people functioning. However, I still wanted to know more. I was able to accomplish that
Thus it enables a state of being that is in the moment (it is present). The aesthetical (in terms of material aspects) of the body are also something that is a definite variable. When the body undergoes ‘embodiment’ it is the process of the locus, culture, traditions, biological traits of the body (sex, race) that plays a role in the construction of this experience (which happens on a daily basis) and at the same time simultaneously confines it (2009:3). ‘Embodiment’ is forever shifting and growing; as one’s experiences are continuously happening and thus making it a highly subjective experience as well (2009: 4). This process then allows the body to become something that is more than just a biological construct; it allows the body to become something that is able to express itself unto other beings in both words (the patterns developed when one is speaking and the language styles that one has been influenced to use) and non-verbal communication (the shape and form the body takes when moving in space or even sitting or standing still in a space drawn from experienced emotions and the person’s historical, social and political background). Therefore it is suggested that ‘embodiment’ is something that is a network of interlinked signs showing past experiences and continuously reshaping and forming to show new signs based on new experience (Thapan 2009:
The book “Never Let Me Go” is about a girl named Kathy and her friends, who were made and raised to ultimately donate their organs to society. The book takes Kathy’s perspective, giving insight into how it might be if you were raised so that ultimately you would die donating organs. This fictional book has many similarities to the historical document “Hearing before the Senate Subcommittee on Health: Quality of Health Care- Human Experimentation, 1973”
According to Chave, paintings such as `Untitled (Violet, Black, Orange, Yellow on White and Red)' by Rothko `metaphorically encompass' the tragic `cycle of life from cradle to grave, in part by harbouring an oblique reference to both adorations and entombments.' (http://www.guggenheimcollection.org/site/artist_work_md_138_5.html) He also suggests that this part...
...ption of the Virgin Mary, and long ago is the childish impulse to hide away under a table. For the seaside woman is truly a balance of all the women before her. “Her eyes had called him and his soul had leaped at the call. To live, to err, to fall, to triumph, to recreate life out of life!”(123) Recreate life, there lies the true nature of an artist recreate life for others to see through the eyes of another.
“In a decaying society, art, if it is truthful, must also reflect decay. Moreover, unless it wants to break faith with its social function, art must show the world as changeable. And help to change it.” This quote by Ernst Fischer, a German composer, means that truth in art exposes the parts of society, and of life, that no one wants to see. In order for art to change society, it must first reflect the fears and failures of its people. The artist can change how people think of themselves and the world by using less conventional methods of creating art. The artist, in doing this, introduces new ideas of human placement in time and space, new frontiers of thought, that are furthered by the disciplines of science and philosophy. The artist works to introduces unique- and sometimes offensive- ideas so that society will be exposed to new ways of thinking and understanding the world. The artist does this through experimentation with color, style, and form. Therefore, the purpose of the artist should be to challenge how individuals perceive themselves and the offensive aspects of society reflected in art to bring about innovations in the greater society.