I found the photography piece “From the Road to Tepeyac,” by Alinka Echeverria intriguing. This photography piece was a man kneeling down with a sculpture tied to his back. The woman in the statue had a green flag with multiple stars draped around her. This woman appeared to be the Virgin Mary. Underneath the Virgin Mary was an angel with green, white and red wings. The colors on the flag around the Virgin Mary and the angel’s wings represent Mexico. Also, the stars on the flag present the repetition constructed in this photography piece. There is no physical line for the foreground; however, this piece directs the eye from one point to another by implication. When I first saw this photography piece, I questioned why the statue of the Virgin Mary and an angel were on the man’s back. I realized the Virgin Mary and ...
Today, Wednesday, July 5, 2017 I took my first trip ever to the North Carolina Museum in Raleigh North Carolina. I found myself in shocked at how much I enjoyed myself looking and analysing all the different types of art pieces that were present in the gallery. While walking around there were so many many different types of artwork that I found it hard to decide on which piece to shared about this week. While walking and observing all the beauty that was being seen it amazed me about all the different way an artist could express themselves. While looking and taking in every little detail of each art work, there was one particular piece of artwork that was very
The colors revolve around brown, giving you the impression of something very down to earth. The background of the painting is basically one solid brown. Bertin occupies the whole bottom section of the painting, with nothing of his body going above three-fourths of the canvas. He is the ground, below even the earth tones of the background.
The young girl sprawls on comfortably as a way of the illustrating her rebellion, as this is not the appropriate position to have one’s portrait taken. Also, the girl seems to be from a well of family since her dress is a fashion-forward, her shawl and bow matches with her socks. Her hair is neatly placed in clean and neat shoes that that seems to be new as they have buckles that sparkle. Conversely, the little girl has insignificant concern for all this primness where her unselfconscious pose presents a novel image regarding childhood (Jones
They say a picture is worth a thousand words and that is exactly what Gordon Parks shone through his artwork. Gordon was a famed photographer who took photographs of different American lives, whether it be the rich, poor, homeless, laborers, countrymen, or city folk. He used black and white film for his photographs because that was commonly used during the 1940’s and 1950’s. Parks was the first African American to work for LIFE, taking pictures of anything from fashion to sports, at this time he was becoming more widely known to the public. As a supporter of the Civil Rights Movement he captured photographs of poverty, racism, and racial segregation across the United States to show everyone that this was happening and we were doing nothing about it.
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
Kleiner, Fred S., and Helen Gardner. Gardner's art through the ages: a global history. 13th ed. Boston, MA: Thomson/Wadsworth, 2009. Print.
In spite of religion being the ruling subject matter of art for many centuries, magic and mysticism have long been interwoven in a dark curtain that hangs over a large segment of the art world. The whole world is alive and filled with soul, whether light or dark. “Each material form may be thought of as attracting an appropriate soul, as firewood treated with sulphur draws flame.” While there is no historical or scientific evidence for the legitimacy of séances, magic or communication with the deceased, in D.H. Rawcliffe’s book Occult and Supernatural Phenomena, he reminds us of the importance of hallucinations and other fantastical experiences of the subconscious. These often provide strange and impressive experiences, interpreted as supernatural in origin. As we study art, we can only begin to wonder what spirits might have visited the great masters, any hallucinations they might have experienced, and how their paintings were influenced by the dark corridors of their subconscious.
... facial expression of the man in the picture narrate the insane mood of the narrator in the story. The hand arrangement of the man in the picture is compared to the release of the truth in the story. The narrator is very nervous about the old man’s eyes in the story, which is comparable to the contrast of colors shown in the picture. The theme, insanity, is expressed throughout the story through the narrator, and it is shown in the picture by the man’s facial expression. When one is driven insane, he or she might commit crimes, such as murder. The narrator in the story is insane, an attribute that is expressed through his actions. The man in the picture is also insane, a concept shown by the man’s facial expression. Since both of the works are related, showing the important aspects of the picture and the story, it is difficult to deny the similarities between them.
Kleiner, Fred S., and Helen Gardner. Gardner's Art through the Ages: A Global History. Boston, MA: