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In Cold Blood
The pursuit of creativity and innovation is an alluring quality that nearly all people possess. Making something the world has never seen before is attractive and enticing, but the chase for originality can sometimes lead to a subpar creation. Truman Capote wanted to make something the literary community had never seen before. He wanted to merge two styles of writing, journalism and fiction, to create a new art form which he deemed the “nonfiction novel”, or faction. Although In Cold Blood has its flaws, Capote’s novel was a wild success and changed the way people write with the impact it has on literary circles.
Capote tells his story in four parts: The Last to See Them Alive, Persons Unknown, Answer, and The Corner. The four
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Capote dedicates the first three pages of the book to describing and giving details about the town. He shows the calm, tranquil mood of the town and how “Like the waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama, in the shape of exceptional happenings, had never stopped there”(ICB, p5). ***
One of the literary elements Capote favors in his novel is irony. He highlights certain events so that the irony is evident as the reader follows along with the plot. On the day Mr. Clutter was murdered, he had just purchased an $80,000 life insurance policy from Mr. Johnson. It was an almost impossible occurrence which Capote highlights in Mr. Johnson's reaction to the event. He states, “I didn’t believe it. I couldn’t afford to”(ICB, p71). Capote uses irony in his novel to bring humor to an otherwise sad and bleak story.
A constantly deliberated argument in the field of psychology is whether killers are born or made. This is explored in the discussion of nature vs. nurture. The basis of the argument is whether the abstract attributes of humans, such as personality, intelligence, and sexual orientation are determined by our coding of genes or by the environment we are raised in and lived in. In his novel, Capote shows the opposing views of this argument through the lives and personalities of Dick and
Capote tells the story in a way that makes you feel you are being told about the characters by a close acquaintance of each individual character. When you aren't hearing the voices of the characters as they tell their own stories, we hear, not the voice of an author, but the voice of a friend who knew the characters well. (Before saying her prayers, she always recorded in a diary a few occurrences... Perry didn't care what he drank... etc.)
Throughout the first part of In Cold Blood, “The Last to See Them Alive,” the reader can find extensive descriptions of the characters and setting. Much of the first forty pages is Capote giving elaborate descriptions of the Clutters and of the Holcomb area. For example, Capote gives us insight on Nancy’s personality when one of the
In this story he gives the murderers their own sense of self and showed how they choose to deal with their lives. This also lets readers know that each person was different and that neither of them truly knew how to “be normal”, as most people would say, and live their own lives without causing trouble. Pushing the reader to form an opinion, biased or not, with the information that was given about each character by Capote. Capote through this all, did a great job of bringing the murderers to life for his reader and sharing the stories of each person that may not have been said by the media or anything else that gives people information about the world that is around them. Giving these characters lives and experiences were great parts to the story and is what ultimately gave the book its
This lesson will examine the impact of Harper Lee on Truman Capote 's true-crime novel, 'In Cold Blood. ' Lee helped her childhood friend with much of the research for the book, although she was not credited when the book was published.
Truman Capote understood that using the right words and the right time can persuade readers to not only think as you think, but also make the audiences think deeper into the meanings of the words put in front of them. Using various rhetoric devices Capote sparked insight into Holcomb just by describing simple landmark buildings and the surroundings of the town. In one page the audience can completely grasp the concepts and emotions of the village.
Capote used pathos in this book mostly to make the reader sad or feel sympathy for a character. In the beginning of the bo...
He lied to Perry Smith and the police for his benefits. He lied to police because he said he would writing about how the murder had impacted the community, but he was writing about how the Clutter family was killed. Capote bribed a prison warren to attain access to Perry, a man involved in the Clutter family murder case. Moreover, Capote was writing a book with getting substantial information from the two men who were accused of brutal murder of an entire family at night, but he was hiding the title from the two killers. He wanted to make them believe that his writing was about their unjust trail. In a program, he said about the title of his book was “In Cold Blood” however when Perry asked him about it, he answered that he had to come up with the title and he gave it as a title, but that was not the real title. It seems clear that Capote’s behavior was questionable on how he attained access to Perry and how he lied to h...
Capote opposes the death penalty, almost pleading that Perry is insane. As the Psychologist is unsure of whether or not Perry is insane, the court quickly shuts that escape route down. The imminent death of Perry and Dick makes the reader feel split on the two, where they would rather have Dick put to death and let Perry live, if the reader so chooses that Perry is insane.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
This passage when Capote begins to introduce Perry more in depth. From his childhood to later on in his life. Perry’s way of life as a child was a tough one, in which his mother put him in a “catholic orphanage. The one where the Black Widows were always at me. Hitting me. Because of wetting the bed…They hated me, too.” Capote’s use of short sentence syntax creates the effect of emphasizing the horrible and dramatic conditions Perry had to live with. Also, the nuns of the orphanage are described as “Black Widows,” a metaphor, to make it seem like it was truly terrible. The color black associates with death and when metaphorically used to describe a nun, it creates sympathy for Perry. Later in the passage, capote creates a short narrative of Perry’s experience in war. “Perry, one balmy evening in wartime 1945…” The storytelling helps understand more about Perry in the way he thinks and acts. The atmosphere of this passage is a sad mood. It talks about the terrible childhood and early life of Perry. It is clear that no one ever cared for Perry and it affected him dramatically.
One of the most notable rhetorical devices used within the book is a metaphor. Capote uses this rhetoric several times throughout the book, each time revealing something significant about the characters, specifically Perry. Perry has a dream where he’s in the jungles of Africa gazing upon a tree: “Jesus, it smells bad, that tree; it kind of makes me sick, the way it stinks. Only, it’s beautiful to look at---it has blue leaves and diamonds hanging everywhere. Diamonds like oranges. That’s why I’m there---to
Capote’s structure throughout the entire book created an excellent backbone to tell the two alternating perspectives of the book that is of the victims; the clutter family and the murders; Dick Hickock and Perry Smith. This allowed Capote to not have a bias towards the accounts being told. The pattern of victims then the murderers causes an attractive puzzle where the reader collects an amount of information leading to the climax of the actual slaughter. He actually contin...
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
In order to draw in the attention of his audience, Capote begins each passage the same way with the sentences, “Mountains. Hawks wheeling in a white sky” (107, 110). The repetition is a sign of the significance of
and at one point, had a gun pointed to his head. Also there appears to be