Although Perry lives a complicated life and it’s hard to explain the way he thinks, Truman Capote utilizes rhetorical devices such as imagery and metaphors to make clear his past life, thus relaying what drives him to make the choices he makes. One of the most notable rhetorical devices used within the book is a metaphor. Capote uses this rhetoric several times throughout the book, each time revealing something significant about the characters, specifically Perry. Perry has a dream where he’s in the jungles of Africa gazing upon a tree: “Jesus, it smells bad, that tree; it kind of makes me sick, the way it stinks. Only, it’s beautiful to look at---it has blue leaves and diamonds hanging everywhere. Diamonds like oranges. That’s why I’m there---to …show more content…
A snake that guards the tree.” Many things can be symbolized by this dream, but most importantly it is a metaphor for the murders he has just committed and his poor actions in the past. The tree of diamonds stands for the money he aims to steal from the Clutter family, while the snake is Dick and the police, who hold him back. The smell of the tree is a warning that there is consequences in life and is very deterring, although not enough to stop him. Perry doesn’t seem to care about the repercussions of his actions as he is more focused on what he has set his mind to: “What it comes down to is I want the diamonds more than I’m afraid of the snake.” Perry isn’t fazed by the threats he sees or the ramifications that come with decisions. Yet again, another metaphor is presented by the mentioning of a bird that continuously rescues Perry from his misfortunes. Capote states, “the parrot appeared, arrived while he slept, a bird ‘taller than Jesus, yellow like a sunflower,’ a warrior-angel who blinded the nuns with its beak, fed upon their eyes, slaughtered them as …show more content…
Through the course of the book, Capote uses vivid descriptions to his advantage in order to place emphasis on more noteworthy parts of the story. Capote’s choice of imagery characterizes Perry as a person and gives an idea to who he is. Perry’s life prior to crime was normal for awhile, until his family situation crumbled: “in the ring, a lean Cherokee girl rode a wild horse, a ‘bucking bronc,’ and her loosened hair whipped back and forth, flew about like a flamenco dancer’s. Her name was Flo Buckskin, and she was a professional rodeo performer, a ‘champion bronc-rider.’ So was her husband, Tex John Smith; it was while touring the Western rodeo circuit that the handsome Indian girl and the homely-handsome Irish cowboy had met, married, and had the four children sitting in the grandstand. (And Perry could remember many another rodeo spectacle--see again his father skipping inside a circle of spinning lassos, or his mother, with silver and turquoise bangles jangling on her wrists, trick-riding at a desperado speed that thrilled her youngest child and caused crowds in towns from Texas to Oregon to ‘stand up and clap.’)” Perry’s troubles after his parents separation may very well have contributed to his becoming a murderer later on down the road. The abrupt change in his life at such a young age, clearly had a lasting impact on him and his lifestyle. His past altered the way he thought and the type of person he was. Capote quotes,
Imagery of A Christmas Memory A Christmas Memory is a short story by Truman Capote and in his story, his words written on the pages make you visualize a picture. Every page has a different picture to see and the settings are brought to our minds. All of the images bring a sense to mind. Either it’s sight, smell, sound, taste or touch, each impressions brings a sensibility to perception.
Capote tells the story in a way that makes you feel you are being told about the characters by a close acquaintance of each individual character. When you aren't hearing the voices of the characters as they tell their own stories, we hear, not the voice of an author, but the voice of a friend who knew the characters well. (Before saying her prayers, she always recorded in a diary a few occurrences... Perry didn't care what he drank... etc.)
He used imagery in many different ways the one that was the easiest to catch on to was tactile imagery. Capote uses this as he describes each man to convey an image how he sees and wants his reader to see the men. In In Cold Blood, Capote wanted to make Richard Hickock look as though he was a monster and a bully. Some of this imagery was given indirectly like Richard’s father describes him as, “An outstanding athlete-always on the first team at school. Basketball! Baseball! Football! Dick was always the star player.”(Capote, Pg. 250) This puts the picture of a star athlete and he hopes the reader has a perspective of how athlete are always bullying for the smaller kids and being all around jerks. Another description of Richard given by his father who said, “Concussed his head in a car smash-up.”(Capote, pg.251) This contributed the earlier statements about how Richard was messed up in the head and gave the reader an image of him with a dented head or a lopsided nose. Capote also uses imagery to describe Perry, but in contrast to Richard he makes Perry look as a kinder and a much more approachable man who doesn’t really mean harm to anyone. He did this by saying that Perry was a small man, but very muscular in his upper arms and chest. His feet and legs, however, are small and delicate. Trying to push that Perry really was an approachable
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
During his childhood, Perry experienced and was marked by brutality and lack of concern on the part of both parents (Capote 296). Dr. Jones gives a very detailed description of Perry's behavior. He says that Perry, who grew up without love, direction, or m...
Even though Capote’s book is a master piece of non-fiction novel, his behaviors during his research to write the book are not ethical. He has crossed the line by lying others, pretending to be someone’s friend, and doing some inhuman behavior while Perry waits on death row in order to get a personal testimony of the night of the killings.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
There are many writers like James Joyce, Patrick Kananach and Thomas Moore who use symbolism to convey and support indirect meaning in their writings. J.D. Salinger and F. Scott Fitzgerald both use symbolism in similar ways. In both “The Catcher In The Rye” and “The Great Gatsby”, the authors used symbolism to convey emotions and reality.
Capote’s use of colorful imagery puts the reader into Perry’s shoes, giving them a new perspective of the complexity of Perry’s mind and emotions. Perry’s dream begins with a clear image of himself, center stage under a spotlight at a nightclub. Despite the audience’s lack of attentiveness and enthusiasm, Perry begins to play. The descriptions Capote gives of Perry transport the reader into the audience at the performance, allowing them to experience his emotions and hear the music playing. “…Wearing a white top hat and a white tuxedo…playing…a harmonica, a guitar, a banjo, [the] drums, sang…and tap-danced up a short flight of…steps” (pg.319). This quote paints a clear picture of a theatre professional at a typical night show, but this one
The author also takes many universal literary ideas and alters them to demonstrate that just as the reader doesn’t expect certain twists in the plot of the novel, the people of the time did not expect the 1920s to experience such a terrible change in fortune. Fitzgerald switches around
Perry Smith did not live the happy childhood that he deserved, abandoned by his family at a young age he was forced to live at a terrible orphanage. “The one where Black Widows were always at me. Hitting me. Because of wetting the bed...They hated me, too.” (Capote 132). In this specific orphanage, Perry was beaten by the nuns that own the place. The short sentences within this quote truly emphasize the dramatic and horrible conditions that Perry had to live with in the orphanage. Sympathy is created ...
Metaphors show us how biased the narrator is and compare some of the problems that changed him to be perverse. The irony shown in the The Black Cat represents the narrator’s events and how his perverseness affected it. Symbolism is what displays the narrator’s blindness to his severe situation. It also symbolizes his self destruction. In the end do not let your perverseness decide but let your clear conscience dictate your
The example of syntax present is especially effective at portraying characters’ thoughts and feelings; Fitzgerald’s use of ellipsis
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
Perry Smith was a short man with a large torso. At first glance, “he seemed a more normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight lifter. [However] when he stood up he was no taller than a twelve-year old child” (15). What Smith lacked in stature, he made up in knowledge. Perry was “a dictionary buff, a devotee of obscure words” (22). As an adolescent, he craved literature and loved to gain insight of the imaginary worlds he escaped into, for Perry’s reality was nothing less than a living nightmare. “His mother [was] an alcoholic [and] had strangled to death on her own vomit” (110). Smith had two sisters and an older brother. His sister Fern had committed suicide by jumping out of a window and his brother Jimmy followed Fern’s suit and committed suicide the day after his wife had killed herself. Perry’s sister, Barbara, was the only normal one and had made a good life for herself. These traumatic events left Perry mentally unstable and ultimately landed him in jail, where he came into acquaintance with Dick Hickock, who was in jail for passing bad checks. Dick and Perry became friends and this new friendship changed the course of their lives forever. Hickock immediately made note of Perry’s odd personality and stated that there was “something wrong with Little Perry. Perry could be such a kid, always wetting his bed and crying in his sleep. And often [Dick] had seen him sit for hours just sucking his thumb. In some ways old Perry was spooky as hell. Take, for instance, that temper of his of his. He could slide into a fury quicker than ten drunk Indians. And yet you wouldn’t know it. He might be ready to kill you, but you’d never know it, not to look at it or listen to it” (108). Perry’s short fuse and dysfunctional background were the two pieces to Perry’s corrupt life puzzle that soured and tainted the final “picture”.