but never associated himself with the political conflict that surrounded Northern Ireland. James Nesbitt is also a very well known actor for certain roles he had fulfilled before ‘Bloody Sunday’, which automatically drew in a wider crowd, that would not have been familiar with the events of Bloody Sunday. Nesbitt holds generic qualities, as the everyday ‘trustworthy’ man, easy for anyone to identify with, due to his uncontroversial persona. The film begins with Cooper explaining the terms of the march and the area it was going to occupy. ‘Bloody Sunday’ works as a montage sequence of jump cuts, compressing long images into short takes, to cover the vital aspects of the days events, delivery a sense of continuity, a technique which is also From the beginning of the film, the potential for conflict is building up, due to the sound of celtic drums accompanying the opening credits, and continues through to a fade in shot, following a well-dressed man into public meeting. From the beginning of the film, the potential for conflict is building up. The scene cuts to the British security forces walking into another room, camera positioned following the characters, before taking their seats. Both scenes are iterating the prologue of forthcoming events, at separate media conferences, outlining the organisational process of the March, and the reasons behind it. This cross-cutting transition between parallel shots, allows the audience to be introduced to a wide variety of characters and their positions, assuring the audience that the film will not be one-sided. Alternating scenes also omits a sense of time, as both prologues are occurring at the same time, but in different places. Choreographed A large window directly in front of the cameras position, takes up the majority of the frame for the entirety of the scene, as the couple walk past it. As natural lighting is entering the room, there is a strong contrast between light and dark areas of the shot, and the figures remain as deep shadows, making it difficult to read facial expressions, but accessible to read their body language. Camera focus begins at the door frame leading into the room where they are conversing, in a medium close shot, portraying from their heads and torso, but blocking certain parts of each of the characters. The camera begins to zoom in on the couple, resulting in a tight medium close up shot as they become more intimate, inviting the viewer into their relationship. This technique intrudes on the personal lives of Ivan and Francis, immediately setting up a personal story in the context of macro historical events. This scene is significant in showing the audience how the political issues surrounding Northern Ireland at the time also called personal sacrifice into
evidence, so it is hard to find out which one is right. Some of the
In the shot of Vera’s room, the camera is in a fixed position. This the fixed camera position gives the viewer adequate time to view the entire room, the clothes the characters are wearing, and the facial expressions the character. The camera angle makes it almost seem like the viewer is sitting in the room with the characters watching the argument between the prince and Vera unfold. When the scene flashes back, the transition is cut very sharply, catching the viewer by surprise.
In my view out of all the four events which I have talked about I
The director Roman Polanski likes to make a lot of scenes in his movies through doorways and windows, and the reason of that is simply because in that way, he creates a bigger sympathy with the audience, they get to see the films from the main characters o...
Then the question is posed to Mr. Lockwood, "How did it all begin?" The answering of this question is what my paper will explain. I will attempt to break down the opening scene and show how it all started. By using tools of film such as sound, editing, mise en scene, and cinematography, this paper will show how the scene was made as well. Mise en scene played an important role in this movie as with any other movie.
Many of the first film elements that can be found in this movie work as an introduction to the two main characters of the story. These elements are meant to force the spectator- even one who had never heard speak of, or seen the two Hollywood stars shown on screen- to focus their attention on them.
In conclusion, I have demonstrated how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types. With this sequence, Coppola has shown the savagery of war and our complicity in this violence as an audience.
Michael F. Holt, in his article The Political Divisions That Contributed to Civil War, argued the American Civil War was caused by the breakdown of the two-party political system, which generated a local loss of faith in the entire political system, justifying the creation of a new political system in the South. It was the agency of individuals attempting to solve their political grievances. While Bruce Levine, in his article The Economic Divisions That Contributed to Civil War, maintained unresolvable economic divisions between North and South made the Civil War inevitable, as the two different economies could not indefinitely coexist. While the conflicting economies of the North and the South played a major role in fashioning the war,
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
Most of the film was shot with 50mm lenses on 35 mm cameras. This technique carefully lets the audience see the film as though watching a ‘live scene’. This has the effect of drawing the audience closer into the action.
Four key film extracts will be discussed. The introduction of Mina, starting of with a medium long shot of her in the Westenra house, which allows the audience to pay more attention to what is happening in the background, the mise-en-scene being a large decorated room of the Victorian era, including plants, chairs. The setting of the whole room is surrounded by glass, which has the ability to allow natural light.
Despite the loss of “montage” as an aesthetic vision in contemporary films, we see how “montage” as an editing technique had in fact contributed greatly to filmmaking as we know it today. While the continuity style’s emphasis is on the narrative as well as clear, understandable space and time, the montage style focuses on creating impact with different images juxtaposing against one another. It is hence clear that the Soviet montage style has given filmmakers new ways to express certain ideas that might have previously been limited by the continuity style – giving filmmaking greater nuance and complexity as an art form with its own unique
One of the most closely watched and widely debated conflict of our time is the one occurring In Northern Ireland. It has been a hot debate for over a century now, yet the root of the conflict is still unclear. There have been many theories over time, yet none have been able to adequately describe what is really happening on the matter. This conflict is divided by many lines; ethnically between the Irish and the British, and religiously by the Catholics and Protestant denominations.
Esteemed members of the Board, in this report I intend to convincingly show you that the borders in question absolutely need to be redrawn. The borders I speak of are those of the British oppression of Northern Ireland. For years upon years the British have possessed political control over the people of Northern Ireland. I will make it obvious to you that the strong Catholic religion throughout Northern Ireland has forced the people to oppose British control. As most of you know, the official and majority religion of Great Britain is that of Protestantism. And the deeply faithful Irish have always felt that they were looked down upon by the British for refusing to practice their form of Christianity. But, we will discuss this later as the current issue is that of the culture of the people of Ireland. My argument is that the Irish culture is the same throughout Ireland and Northern Ireland, which is currently under British control. Because the Irish people share the same culture and the same geographic area, being located on the small island, they deserve and are justly due to have their entire country reunited. I feel that the British must cede Northern Ireland back to the Irish people to reunite the full country.
Zinn’s question was if the bloodshed and deceit were necessary in order for the human race to progress and one might argue that yes, to a certain extent. If the English did not colonize America, maybe America would not be what it is today. The Europeans came here with their tools and influence over the country. The colonist used the bloodshed in order to control the Native Americans, the Africans, and even their own people. They did not want them to rebel therefore, they devised systems in order to manipulate them. Even though they implemented this system the Native Americans and the Africans Indians rebelled against the Europeans. The Europeans would oppress the people, imprisoned and punish them in order to have control over the colonies