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Stategies of the women's movement 1960s
Women's rights in 1960s america essay
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The change in culture and the value of society as a whole has greatly contributed to the evolution of the romance genre. In the book American Cinema and Culture by John Belton, he describes the women’s movement as turning into a sexual revolution. In the 1960s, the amount of working women grew tremendously (Cohen). Mothers began to encourage their daughters to marry at a later age and pursue a college education and career. In 1996 a women's movement organization named the National Organization for Women (NOW) was established. Belton states that a big source the oppression of women was marriage. Before this revolution, it was the job of the woman to take care of the children, clean the house, and cook the food. The sexism of the student revolution led to an uprising for the …show more content…
Another advancement was the invention of birth control. This gave women the choice as to when they wanted to have children which led to an increase of sexual activity in society. This is seen in the movie Friends with Benefits. Although the main character Jamie is an independent woman who has a strong career, she shows how sexuality outside of the confines of marriage has become an increasingly common occurrence in American culture. The modern day contraceptives make it easier for people to have multiple sexual relations. This has affected the romance genre greatly. The plot has gone from the two people being attracted to each others personalities and seeking a long term relationship, to two people having one night stands after drunken nights out on the town. Hollywood produces films in which this type of sexual behavior is seen as the norm, it is often called “hookup culture”. Belton discusses how some radicals of the women’s movement argued that the the sexual revolution served as a “field day” for men while women became “sexually exploited”(Belton 346). The culture shift has led to more romance films in which sexuality has become an increasingly important
May begins by exploring the origins of this "domestic containment" in the 30's and 40's. During the Depression, she argues, two different views of the family competed -- one with two breadwinners who shared tasks and the other with spouses whose roles were sharply differentiated. Yet, despite the many single women glamorized in popular culture of the 1930's, families ultimately came to choose the latter option. Why? For one, according to May, for all its affirmation of the emancipation of women, Hollywood fell short of pointing the way toward a restructured family that would incorporate independent women. (May p.42) Rosalind Russell in His Girl Friday and Scarlett O'Hara in Gone with the Wind, for example, are both forced to choose between independence and a happy domestic life - the two cannot be squared. For another, New Deal programs aimed to raise the male employment level, which often meant doing nothing for female employment. And, finally, as historian Ruth Milkman has also noted, the g...
For over centuries, society had established the societal standard of the women. This societal standard pictured the ideal American woman running the household and taking care of the children while her husband provided for the family. However, between 1770 and 1860, this societal standard began to tear at the seams. Throughout this time period, women began to search for a new ideal of American womanhood by questioning and breaking the barriers society had placed upon them.
The era of I love Lucy, Leave it to Beaver and Father knows Best, brought about a time where family values were necessary, family life was wonderful and no one was worrying about politics and the Cold War. These families had the molds of women constrained in the home, men bringing home the bacon and all in the homes of white middle class families. Women in the 1950s were often depicted as dependent on men and were encouraged to get married young. (Bloom and Breines, 6) It took large media input from movie stars like Marilyn Monroe, to influence many women to join the workforce and reject the “traditional feminine roles”. (Bloom and Breines 6) This mold would be challenged by the introduction of the Birth Control pill in 1954 and the growing unhappiness of women who would seek to break the walls that trapped their mothers. (Bloom and Breines, 5) More women would venture out of the homes and into the workplace between the two decades, “from 25 percent in 1950to 32 percent in 1960”. (Bloom and Breines, 5) The introduction of the Birth Control pill allowed for women to avoid unwanted pregnancies or even marriages and encouraged the sexual liberation that would be seen in the sixties.
The power of film is immense in modern American culture. The symbols and identity’s created in these films has proven to possess a lasting impact shaping in new cultures. Film has not failed to accomplish this using the motorcycle. Although a controversial image the motorcycle possesses a strong identity of freedom and brotherhood creating an individual counterculture. The freedom represented by the motorcycle contradicts previous connotations and transforms our definition of freedom. The motorcycle also provides a cultural identity of rebellion and brotherhood. Film has contributed greatly to creation of the motorcycle identity and has not failed to capitalize on the power symbolism the motorcycle represents. In many cases film created the motorcycle image we think of today.
During the 1950s and 1960s, increasing numbers of married women entered the labor force, but in 1963 the average working woman earned only 63% of what a man made. That year The Feminine Mystique, a critique of middle-class patterns was published. The author encouraged readers to seek new roles and responsibilities, to seek their own personal and professional identities rather than have them defined by the outside, male-dominated society.
The life of a woman prior to the 1960’s was simple; stay in the home, take care of the family, and face discrimination daily. The feminists of the 20th century had different visions for themselves however, including: equal pay for equal work, an end to domestic violence, an end to sexual harassment, and sharing of household responsibilities.
By the 1950’s, women had gained some rights, but had a long way to go before they had the same rights as they do today. Working women were rarely seen in 1950’s film and television. Professional jobs were still largely closed off to women. The average woman only made 60 percent of what men did. In some states, women could not make contracts. They also could not sell or buy property for themselves. For married couples, rape did not exist and there were not ma...
Women and men both play crucial roles in our society. Through the years, we like to presume that gender roles aren’t perceived as they once were. Is that the case? Looking through pieces of literature such as “I want a wife” (1971) by Judy Brandy, “Barbie Doll” by Marge Piercy (1973), and “The Yellow Wallpaper” by Charlotte Perkins Gilman (1899) and comparing them to modern day depicts how much gender roles changed. Gender roles have not changed a whole lot; they did change, but defiantly not as much as we like to believe. Women have more freedom and independence now than ever before, but that doesn’t change the fact that they are still controlled and objectified.
But when the “Women’s Movement,” is referred to, one would most likely think about the strides taken during the 1960’s for equal treatment of women. The sixties started off with a bang for women, as the Food and Drug Administration approved birth control pills, President John F. Kennedy established the President's Commission on the Status of Women and appointed Eleanor Roosevelt as chairwoman, and Betty Friedan published her famous and groundbreaking book, “The Feminine Mystique” (Imbornoni). The Women’s Movement of the 1960’s was a ground-breaking part of American history because along with African-Americans another minority group stood up for equality, women were finished with being complacent, and it changed women’s lives today.
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
Society continually places specific and often restrictive standards on the female gender. While modern women have overcome many unfair prejudices, late nineteenth- and early twentieth-century women were forced to deal with a less than understanding culture. Different people had various ways of voicing their opinions concerning gender inequalities, including expressing themselves through literature. By writing a fictional story, authors like Charlotte Perkins Gilman and Henry James were given the opportunity to let readers understand and develop their own ideas on such a serious topic.
Time flew by and as the war ended in 1918, the 1920’s decade of change soon approached. The year was famously known as “The Jazz Age” and “The Roaring 20’s” because of the newly found freedom, social and political changes, and the time of prohibition. Among these powerful new changes was the freedom that women were finally able to vote and enjoy what was about to come. Instead of being confined at home, the women joined labor forces, worked with wages, and experimented with different types of behavior that would have been unreasonable a few years back. Along with these dramatic changes were their fashion styles. This style changed their rights and relationships with others completely. With that change, a new woman was born. There were not many ways for women to stand up for themselves and what they believed in. They had no voice but in the 1920’s, women found a way of freely expressing themselves and changing their relationships with others all with the start of fashion.
A conscious nod to nuances of the “noir” theme in American History X was the use of flashbacks as a way to narrate the story. Film Noir is genre of film marked by a mood of pessimism, fatalism, and menace. Flashbacks show scenes of previous events that occurred before the story begins and help fill out the characters background. It lends the audience a better idea of what is happening in the present along with the film's message. Flashbacks are used in narrative strategy in film noir, contributing to exploration of truth and falsehood in the genre. In the film, this theme was used to narrate most of the story. To start the film, the first flashback revolved around Derek killing two black men who were trying to break into his car at his house.
Pride and Prejudice, novel written by Jane Austen is good example of the tremendous changes of women’s roles and beliefs. Women have gone through process of being more dependent and being brave to follow their true dreams and beliefs. In the eighteenth century, women were not given much of a choice with what do to with their lives. They could either teach,
Then there was the woman’s movement and women felt they deserved equal rights and should be considered man’s equal and not inferior. The man going out to work, and the wife staying home to care for the home and the children would soon become less the norm. This movement would go on to shape the changes within the nuclear family. Women deci...