Alfred Stieglitz and Gallery 291
A Modern Art Revolution Before the Armory Show
“Quite a few years ago…there got to be—a place….
The place grew—the place shifted…the place was where this man was….
—Shift—is something that cannot be tied—cannot be pigeonholed.
It jumps—it bounds—it glides
—it SHIFTS—
it must have freedom….
It seems those who do that worth the doing
are possessed of good eyes—alive eyes—warm eyes—
it seems they radiate a fire within outward.
The places they inhabit have a light burning—
a light seen from near and far by those who need this light—
and this light sometimes dim—sometimes brilliant—never out—….
To realize such a place—
a very tangible place was and is this man’s dream.”
John Marin about Alfred Stieglitz[1]
On February 17, 1913 the International Exhibition of Modern Art, or the Armory Show, opened to the public. It is unlikely that the some 4,000 guests milling around the eighteen rooms of the 69th Regiment Armory in New York that night could have realized the extent to which the artwork displayed would set off a revolution that would sweep the nation. Response to the Armory Show, however, was sensational. During the month long exhibition the, Armory Show became the talk of the town. The galleries were constantly full of people who came to gape at the spectacle, artists who came to study or deride, and celebrities and socialites who came to see and be seen. Former President Teddy Roosevelt even made a visit to the show praising the spirit of modernity present in the venture, but distrustful of the so called ‘radical’ art of the European avant-garde. In his response to the show published in Outlook, Roosevelt commented: “It is vitally necessary to move forward and to shake off the dead hand of the reactionaries; and yet we have to face the fact that there is apt to be a lunatic fringe among the votaries of any forward movement.”[2] In this statement Roosevelt summarized the public reactions to the show.
New York City is known for its extensive collection of art museums ranging from the Metropolitan Museum of Art which is usually the most renowned to others such as the the Solomon R. Guggenheim or the Whitney Museum of American Art which are popular in their own rights. This abundance of art museums makes the city very attractive for foreign visitors. However, this abundance of choice can overwhelm even the most informed visitors who have a finite amount of time to explore what the city has to offer. Although all of the above mentioned museums have great collections of their own, the often unheralded Frick Collections might trump them all in terms of exceptional works which include some of the world's most celebrated Western artists, such as Goya, Manet, Monet, Rembrandt, and Renoir.
The United States of the Gilded Age was not the superpower is it today. At best, it was considered a powerful manufacturing and industrial country, but little more. Culturally and politically, it was an upstart to the relatively old and established European powers of the day. At this point in history, much of the American West was still frontier country, relatively undeveloped. The North east, especially New York, was the only part of the US considered by the world to be somewhat civilized and cultured. Even what we think of as east today, most notably Chicago, was thought of as uncivilized. Getting the World’s Fair in Chicago was their chance to prove otherwise. It was also a chance for the whole country to prove its cultural power. With the Fair’s success came new respect from the world, particularly Europe. The US was no longer viewed as much as a second rate power with no culture of its own and no global influence. The fa...
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
"1920's Art." The 1920's - Roaring Twenties - The Nineteen Twenties in History. 2005. Web. 28 Feb. 2011. .
“Art Museums and the Ritual of Citizenship.” in Exhibiting Cultures. Eds. Ivan Karp and Steven Lavine. Washington: Smithsonian Institution Press, 1991. Print.
There are two sides to every coin, and the topic of GMO foods is a prime example of this. An assessment of GMOs analyzes and weighs the risks and benefits on health. Anti-GMO advocates point out the undeniable truth that genetic modification of plants and animals can cause bacterial resistance to develop. They also claim that GMOs increase allergy and cancer rates but this information is mostly unfounded as of today. Of course, GMOs have only been around for about two decades and extensive long-term studies are still required. On the other hand, pro-GMO people have pointed out that resistant and durable GM crops produce higher yields and create abundance. With a higher food supply, there is more accessibility and therefore, more nutrition to go around. Finally, some GMO foods are even being modified with the intention of treating worldwide health problems through people’s diets. The benefits are huge and the risks are minimal. As it stands, GMO food has the potential to feed and nourish the world more efficiently with the only notable price being stronger
The article that I chose is called Another Case Against GMO Foods by Timothy J. LaSalle. It was published on 2/25/14 and it is from the website http://www.foodmatters.tv/. In this article, LaSalle explains the reasons why GMO foods have been insufficient in benefiting farmers and the general public. GMO stands for “genetically modified organisms”. America started using GMOs in the early 1990s. He tells us that GMO seeds were created to make the cost of growing crops less to farmers which could lead to more crops and lower prices. It does this by making crops resistant to pathogens. It also adds herbicides which make the plants weed resistant. That way farmers don’t have to buy fertilizers. He also talks about the effects of GMOs on people’s health. There is no proven long-term effects of GMO foods. There is only speculation. GMOs are being used more and more by farmers. He believes that it is a possible cause of allergies, asthma, autism, and ADD in children and adults. He states that health concerns have increased since we started using GMOs in our food. In the last part of the article he talks about finding a way to make safer foods which would be using all organic foods. Countries in Europe, Asia and Africa have banned GMO foods. He thinks we should do the same. He also thinks we should not be able to use GMO foods until the FDA has proven they don’t cause long-term health risks.
It was a full 170 years after Americans had their political revolution that they won an aesthetic revolution. American art to get rid of its inhibiting mechanisms- provincialism, over-dependence on European sources, and an indifferent public- and liberate itself into a quality and expressive force equal to, or exceeding that of art produced anywhere within the period. Few would argue that the painting and sculpture that emerged from the so-called New York School in the mid 1940s was the foremost artistic phenomenon of its time and was labeled as the Abstract Expressionist movement. Abstract expressionism was a reaction to social realism, surrealism, and primitive art in the 1940s; this is a turning point in American art history because it caused the rest of the art world to recognize New York as the new center of innovation.
Modification of the human genome will occur as a natural result of genetic research, even if it does not directly pertain to reshaping human DNA. In areas such as agriculture and breeding, genetics already plays an important role in determining success. In just a few decades, genetically altered crops went from laboratories to farmland, foreshadowing the success of similar projects in humans in the future. Techniques scientists use to adjust the nature of plants are antecedents to slightly modified procedures that are today used to change the DNA of animals. In Redesigning Humans, Gregory Stock describes a specific way genetics is already used to determine traits, saying, “This is not pie-in-the-sky genetic design. Capecchi’s lab has already used the technique…in a mouse chromosome” ...
"Whilst some feminists have argued to be included in 'male stream' ideologies, many have also long argued that women are in important respects both different from and superior to men, and that the problem they face is not discrimination or capitalism but male power." (Bryson, 2003, p. 3). The feminist art movement is unclear in its description because some describe this movement as art that was simply created by women and others describe it as art with anti-male statements in mind. For the focal point of this paper, the goal will be to analyze several female artists and their works of art who influenced, and who are said to have made powerful influence both in the feminist art movement from a political and societal perspective, then and today. With that being said, we will start with the female artist Judy Chicago and a quote from her that calcifies her position as an artist. "I believe in art that is connected to real human feeling that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized
The Art Nouveau style and movement, at its height between 1890 and 1910, enabled a sense of freedom for both its artists and the public as a whole. It offered strikingly original ideologies and transformed both the artistic and the mundane world alike with common characteristics like curvilinear shapes and a sense of the return to the natural and to nature as well as being at the crux of a fundamental change in how artworks were mass produced. The Art Nouveau style seemed to walk between the two worlds: it was simultaneously fantastical and grounded in reality and there was no artist in the period that was better equipped to “know and see the dance of the seven veils,” (Zatlin) than Aubrey Beardsley. It is impossible to fully discuss the value
Harvey, Eleanor. The Civil War and American Art: A Ride for Liberty?. Eye Level: Smithsonian American Art Museum, 21 February 2013. Web. 30 October 2013.
Mendelowitz, Daniel M. "Part IV Between Two Wars: 1865-1913." A History of American Art. Second ed. New York: Holt, Rinehart and Winston, 1970. 1-522. Print.
...reet Art, Ideology, and Public Space.” NYUClasses, Portland State University. 2012. PDF file. 6 May 2014
The moral conflicts put aside, the process of genetic engineering is difficult. Changing the proteins in people’s body differently is an unnatural action. Scientists state that genetic engineering only works 50% of the time. Also, when a new gene is placed in the gene code, there will be various mutations that will definitely result in change but may not be for the better.