Al Jolson's Speech: Asa Yoelson

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Asa Yoelson, or Al Jolson was born in Russia in 1886. The thing that made Al popular was he applied burnt cork to his face, which gave him a black face, which at the time more actors began to take the blackface of as a part of their act. Al was easily then able to connect more with his audience with his blackface. The song that became Al Jolson’s signature song was Swanee.

4. The Volstead act, which banned the rights to sell or transport illegal beverages had little to no effect on the city of New York or on Broadway. Prohibition allowed the city of New York nightlife to grow. Nightclubs and speakeasies were in abundance, even the mayor of New York didn’t pay attention to the new law, and he just asked that nightclubs must close by 3 am.
Walter Winchell was born in 1897, he grew up from a poor Jewish family. Winchell first started out as a child entertainer but later moved up the ranks and worked in Vaudeville. Winchell was a mediocre review but he excelled as a chronicler. Winchell had the ability to create neologisms that no one had ever thought of especially in Broadway. Winchell came up with the term the Big Apple, which is still popularly used even today. Winchell was able to spread his influence far beyond New York, by showing everyone that it is alright to have a unique sense of
Showboat started out after Jerome Kern read Edna Ferber’s novel about a showboat named the cotton blossom, which travelled across the Mississippi. Fern got the approval from Ferber to turn the serious novel she wrote into a musical comedy and then Kern asked Oscar Hammerstein to collaborate with him. Showboat was a major risk for Ziegfeld because he feared that the audience members wouldn’t appreciate the show, because it wasn’t the kind of Follies that people would expect. There were many risk that came along with showboat, one was no previous musical had adapted a serious novel. Another problem was no other show in the past incorporated a three generation time span or show a story from the past to current or even show the intermingling of black and white characters sharing the stage with one another. There was a lot of work that went into creating showboat and thankfully it paid off, from Hammerstein incredible abilities to kern insane ability in manipulating musical idioms and using audience member’s knowledge on genres and trends that were happening. When the cast was practicing in Washington, Ziegfeld treated the show just like he had any other year, but this time there was something different because the show was America’s story. Ziegfeld was rewarded for his gamble, because the show made Broadway history by running 572 performances as well as it has been revived more than a 6 times and it is considered one of Americas most revolutionary

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