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Perception vs reality
Civilization vs wilderness scarlet letter
Perception vs reality
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The American wilderness has long been a battleground for the symbolic struggle between Classicists, who champion progress and industry and Romantics, who advocate reverence and appreciation for nature. While it would seem that the Romantic intentions were in the best interests of the environment, in actuality both ideas were in the self-interest of man. These seemingly opposing views have roots in the same motivation, the need for man to control the environment. They would eventually unite to create the Adirondack park tourist industry. This industry would become a double-edged sword, protecting sections of the wilderness from outright destruction, but simultaneously subjecting it to a slow process of development. It wasn’t until the agricultural revolution that humanity developed the concept of the wilderness. When they began to cultivate the land they started to realize the differences it had with land that remained untouched. (Short 2005:5) The wilderness was no longer their home and save for the occasional hunting, it was no longer a source of food. The wilderness had ceased to have any necessary function. It was now an entirely separate world. That distinction between wilderness and civilization was perfectly captured in Thomas Cole’s, View from Mount Holyoke. (Fig.1) This understanding would manifest into two different viewpoints. The first view was to now perceive the wilderness as a place of danger and the unknown. It was a place to be feared and avoided. The second view was that of a place of nostalgic memory. Humanity was now in an agricultural world, tied to the land and bound by the constraints of civilization. The wilderness was for some, the remembrance of a lost way of life that had consisted of leisure, freedom... ... middle of paper ... ...son Aesthetic.” The New York Times. Sept. 9 (2001) Johnson, Kirk. “Painting the Pictures of a Perfect Vacation: A Vision of Lake George as a Tourist spot.” The New York Times. July 19 (2001) Marx, Leo. Machine in the Garden : Technology and the Pastoral Ideal in America. Cary: Oxford University Press, 1967. Nash, Roderick. “The American Invention of National Parks.” American Quarterly Vol. 22, No.3 (1970):726-735. Short, John. Imagined Country. Syracuse: Syracuse University Press, 2005. Terrie, Phillip G. Forever Wild: A Cultural History of Wilderness in the Adirondacks. Syracuse: Syracuse University Press, 1994. Terrie, Phillip G. Contested Terrain: A New History of Nature and People in the Adirondacks. Syracuse: Syracuse University Press, 1997. Wilton, Andrew. American Sublime: Landscape Painting in the United States. Princeton: Princton University Press, 2002.
From the prologue through chapter one in “Wilderness and the American Mind”, the author emphasizes the affect wilderness had on the Europeans during the colonization of America. In today’s society, we are familiar with the concept of wilderness but few of us have experienced the feeling of being encapsulated in the unfamiliar territory. Today we long for wilderness, crave it even. We use it as an outlet to escape the pace of life. However, we have a sense of safety that the Europeans did not. We are not isolated in the unfamiliar, help is usually a phone call away. Though we now view the wilderness as an oasis because we enter at our own terms, in the early colonial and national periods, the wilderness was an unknown environment that was viewed as evil and dangerous.
Part I of A Sand County Almanac is devoted to the details of a single piece of land: Leopold’s 120-acre farmed-out farmstead in central Wisconsin, abandoned as a farm years before because of the poor soil from which the "sand counties" took their nickname. It was at this weekend retreat, Leopold says, "that we try to rebuild, with shovel and axe, what we are losing elsewhere". Month by month, Leopold leads the reader through the progression of the seasons with descriptions of such things as skunk tracks, mouse economics, the songs, habits, and attitudes of dozens of bird species, cycles of high water in the river, the timely appearance and blooming of several plants, and the joys of cutting one’s own firewood.
Shurbutt, Sylvia Bailey. “Burning Bright: The Language and Storytelling of Appalachia and the Poetry and Prose of Ron Rash.” Shepard University. 2011. Web. 10 Nov. 2013.
In the world of Appalachia, stereotypes are abundant. There are stories told of mountaineers as lazy, bewildered, backward, and yet happy and complacent people. Mountain women are seen as diligent, strong, hard willed, and overall sturdy and weathered, bearing the burden of their male counterparts. These ideas of mountain life did not come out of thin air; they are the direct product of sensational nineteenth century media including print journalism and illustrative art that has continuously mislead and wrongfully represented the people of Appalachia. These stories, written and told by outsiders, served very little purpose to Appalachian natives other than means of humiliation and degradation. They served mostly to convince readers of the need for so-called civilized people and companies to take over the land and industry of the region, in particular the need for mineral rights, railroads, and logging as the mountain folk were wasting those valuable resources necessary for the common good.
The wild is a place to push yourself to the limit and take a look at who you truly are inside. “Wilderness areas have value as symbols of unselfishness” (Nash). Roderick Nash’s philosophy states that the wilderness gives people an opportunity to learn humility but they fight this because they do not have a true desire to be humble. Human-kind wants to give out the illusion that they are nature lovers when in reality, they are far from it. “When we go to designated wilderness we are, as the 1964 act says, "visitors" in someone else's home” (Nash). People do not like what they cannot control and nature is uncontrollable. Ecocentrism, the belief that nature is the most important element of life, is not widely accepted. The novel Into the Wild by Jon Krakauer depicts a young boy who goes on an exploration to teach himself the true concept of humility. Chris McCandless, the protagonist, does not place confidence in the universal ideology that human beings are the most significant species on the planet, anthropocentrism.
Print. The. Cashin, Edward J., ed., pp. 113-117. A wilderness still the cradle of nature: frontier Georgia.
of the book. Ed. Charles Bohner and Lyman Grant. Upper Saddle River, NJ: Prentice Hall, 2006. Fitzgerald, F. Scott.
Franklin, Benjamin “Remarks Concerning the Savages of North America.” The Norton Anthology of American Literature, Vol. A. Ed. Nina Baym. New York: W. W. Norton & Company, 2012. 476-80. Print
The advent of industrialization and mankind's insatiable quest to devour nature has resulted in a potentially catastrophic chaos. Our race against time to sate the ever-increasing numbers of hungry stomachs has taken toll on the environment. Man has tried to strip every resource Earth has to offer and has ruthlessly tried to eliminate any obstruction he perceived. Nature is an independent entity which has sustained and maintained the balance existing within it. Traditionally, spring season hosts the complete magnificence of nature in full bloom. It is evident in the very first chapter when Rachel Carson talks about a hypothetical village which was the epitome of natural rural beauty and was a delightful scenery for the beholder. The village
He believes that the wilderness has helped form us and that if we allow industrialization to push through the people of our nation will have lost part of themselves; they will have lost the part of themselves that was formed by the wilderness “idea.” Once the forests are destroyed they will have nothing to look back at or to remind them of where they came from or what was, and he argues everyone need to preserve all of what we have now.
I think that he is trying to say that wilderness is something to be cherished and loved, because it gives definition and meaning to his life. His whole life was spent looking after and trying to preserve the wilderness. This is a plea for the preservation. I think that Leopold believes one day a lot of what we have today and he want it to be preserved so that in the future people have the chance to see there cultural inheritance like our ancestors let us see by preserving things.
have both a sense of the importance of the wilderness and space in our culture
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
I was reading a novel and travelling to places I have never been. From the way he wrote people could see the beauty of nature and also his passion as an advocate for wilderness. Many call him as “Father of National Parks.” He strongly believed that lands should be protected and never turn into grazing pastures.as he mentioned, “The disappearance of the forests in the first place, it is claimed may be traced in most cases directly to mountain pasturage” ...
... middle of paper ... ... This conflict conveys the confrontation of wild American nature with the new-coming European civilization, people like the young hunter?had no qualms about doing harm to nature by thrusting civilization upon it? P. Miller, p. 207.