A Separation Film Analysis

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A Separation is a movie that deals simply with the discussion of truth, since the moment when a seemingly innocuous event - a divorce - triggers a butterfly-effect that causes unpredictable consequences. Director Asghar Farhadi turns the act of throwing someone out of a door into a catastrophic decision. The repercussions of this act reflect on the spectators, subtly implicating them and implying that they are as guilty of conventional human fallacies as the characters represented on screen. One substance of the film is the complexity of human relationships, in which family plays a crucial role in determining people’s subsequent actions and reactions. Farhadi’s central purpose is developed from inside out the spirit and personality of each character, and is not limited to the context of divorce or judicial conflict. Through this film, Farhadi exposes his anguish and discord with Iranian politics and religious principles adopted by most of the population. Also, he portrays a fascinating game of mirrors, each reflecting a number of central issues of modern life, such as the battle between the urban middle class and the suburban working class, the definition of justice, the power of religion and tradition in humans, the diffusion of pragmatic people, and the effect of progress in society. Farhadi uses of ingenious cinematic techniques as an attempt to touch the audience with a micro situation, in order to make it acknowledgeable that small circumstances can teach us about how to deal with the macro panorama of socio-cultural reality.
The plot starts before the title is presented. The first scene is of the couple, Nader and Simin, in the process of getting a divorce. The cause is that she wants to take her daughter away from Iran to h...

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...nt where humans are stuck and stranded at. By conferring Termeh the authority to decide the repercussion of her parents’ divorce, and the opportunity to choose her own fate, Farhadi acknowledges that progress is the solution for the violent and morbid reality of society. Termeh represents women, who in the past didn’t have the power of choice, and also represents the new generation, which Farhadi expects that will be fighting for their freedom. The brilliant mind of director Asghar Farhadi, created a movie where a simple storyline developed complicated and perplex results. Subtly and symbolically, he discusses social issues through an extended scenario of sorrow. There is no happy ending, better yet, there is no ending, for life is an infinite cycle where every decision made by the individual and society dramatically affects small and big circumstances of real life.

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