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Literary analysis for frankenstein
Mary shelley's frankenstein character analysis and development
Mary shelly using frankenstein to criticize society
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A Sense of Gothic Expressed in Mary Shelley's Frankenstein
The term ‘Gothic’ has many forms. Its origins go back to the medieval period and can be seen in architecture such as Westminster Abbey in London and the Notre Dame cathedral in Paris. It can also be applied to art in the works of Hieronymus Bosch who’s grotesque and haunting imagery depicted ugly distorted humans who are morally degenerate and depraved, and to William Blake who visualised Dante’s Divine Comedy. In literature, the Gothic novel is credited as starting with Horace Walpole’s Castle of Otranto, (1764) which characterised most of what would become the essential ingredients in the Gothic genre. I will for the purpose of this assignment discuss what constitutes ‘Gothic’ in Mary Shelly’s Frankenstein novel.
Mary Shelly’s novel Frankenstein or The Modern Prometheus was first published in London in 1818 and again with an edited edition in 1831. It was a novel of its time in respect to its romantic style of flamboyant and extravagant characters, which are placed in mysterious, remote and exotic settings. Shelly’s ‘hideous progeny’ of a novel was largely inspired by her own tragic personal circumstances which saw the untimely death of her mother, half-sister who committed suicide and the death of two of her daughters, one of which died two weeks after a premature birth. Shelly’s nightmarish vision during a tremendous thunderstorm while on vacation at the villa Diodati at Lake Geneva had a profound effect on ...
Since its publication in 1818, Mary Shelley's Frankenstein has grown to become a name associated with horror and science fiction. To fully understand the importance and origin of this novel, we must look at both the tragedies of Mary Shelley's background and her own origins. Only then can we begin to examine what the icon "Frankenstein" has become in today's society.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Stein, M. L., & Roseman, M. (1990). Homeless Children: A New Vulnerability. Child and Youth Services, 89-109.
As Roy Grant clarifies, “Child poverty increased from 16% in 1979 to 22% in 1983, with an inner-city child poverty rate of 31%. Families with young children headed by a single parent were the most vulnerable;” Grant also explains the effects that these types of conditions have on a child. ”Homelessness is an especially powerful negative life event for a child because it is generally associated with multiple stressors, including loss of property, disruption of school and community relationships, and dramatic changes in family routine.72 Studies by Bassuk and Rubin73 and Bassuk74 in the Boston area showed that half of homeless school-age children met criteria for a diagnosed psychiatric disorder based on screen with a standardized instrument. Children who screened positive for symptoms of depression frequently had symptom severity exceeding that of children treated for depression at community clinics”(2, 4). People often don’t think about the child’s mental conditions when the child is constantly living with the ups and downs of living in poverty and that the severity of it all can affect them for the rest of their
Shelley, Mary Wollstonecraft, and Maurice Hindle. Frankenstein, Or, The Modern Prometheus. London: Penguin, 2003. Print.
Reingold,D. (2006). The Characteristics and Causes of Homelessness among A Risk Families with Children in Twenty American Cites. University of Georgia.
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
The information provided by the National Homeless Coalition (2009) regarding “why are people homeless” confirmed my notion that the increasing struggles in our economy has resulted in an increase in homelessness. The surprising factor that I neglected to visualize was the impact it had on children and families. When people think about the homeless, they often envision older adults on the streets. It is too painful to imagine that children are on the streets without food, water, or shelter. One family that I had the chance to work together with was with a mother and her three children. She had two daughters, ages 11 and 9 and a boy who was 2 years old. She is currently without a job and lives with her mother temporarily. She is one of the fortunate ones that have family members supporting her, but there were other stories of families living in cars and streets because of no support.
Shelley, Mary Wollstonecraft, Walter James Miller, and Harold Bloom. Frankenstein, Or, The Modern Prometheus. New York: New American Library, 2000. Print.
Shelley, Mary. “Frankenstein.” In A Norton Critical Edition. New York: W. W. Norton & Company, Inc. 1996.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.
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