Ardalan, C. (2010-2011). Clara Barton's 1898 battles in Cuba: A reexamination of her nursing contributions. Florida Atlantic Comparative Studies Journal , 12, 1-20.
This paper will be reviewing the book “Integrative Approaches to Psychology and Christianity: an introduction to worldview issues, philosophical foundations and models of integration, by David N. Entwistle. As the title states, this book discusses how to integrate psychology and theology. It also dives into to why it is so important to be able to integrate the two. Entwistle explains that just because the two are different does not mean they should be separated and that we have to use both our worldviews. “Weaving together perspectives from psychology and Christian theology can help us understand and appreciate humanity more fully than we could either perspective alone.” (p.3)
Mary Shelley's Frankenstein explores the downfall of certain human characteristics, set to the backdrop of creation, destruction, and preservation. The subtitle denoted by Shelly herself supports this idea, by relating the fact that the title can be viewed as either Frankenstein or The Modern Prometheus. One scholar, Marilyn Butler, also maintains this by noting, "It can be a late version of the Faust Myth"(302). Shelly uses the story of the main character, Victor Frankenstein, to produce the concept of a dooming human characteristic of which Frankenstein states, "I have . . . been blasted in these hopes"(Shelley, 152). The reader finds, as a result of his thirst for knowledge and infatuation with science, Victor creates a living being by whom he has "suffered great and unparalleled misfortunes"(Shelley, 17). Eventually, Victor realizes this self-destructive trait, but he is not able to save himself stating, "I have lost everything, and cannot begin life anew"(Shelley, 16). Although everything in his life that is dear has been lost, Victor is able to convince one in his same position--Robert Walton--to not "lead [his crew] unwillingly to danger"(Shelley, 151). While addressing the concept of characteristic and self-discovery, it is possible to realize that the monster also possesses the characteristics held by both Victor and Walton; except in his learning, the monster is driven to continue to cause destruction. Most important about the thirst for knowledge is that, as a form of human characteristic or downfall, it leads to large, critical pieces of self-discovery. In obtaining these critical pieces, Frankenstein finds satisfaction in j...
Shelley created the male characters in the novel with the intent of displaying their one sidedness, proving their lack of connection to domestic matters. She is also proving their extreme obsession when it comes to achieving goals, and the deep desire to become the hero. Among all of the male characters, Victor Frankenstein stands out as a strong representation of
In many works of literature we are faced with good characters and bad characters. Sometimes we are faced with morally ambiguous characters. As readers we can not decide whether or not to distinguish them as good characters or bad characters.These characters are significant to the piece of work. In the novel, Frankenstein, written by Mary Shelley, we are faced with the morally ambiguous character, Victor Frankenstein, his character trait is significant as a whole because of his feelings,and his actions.
The greater detail about the monster’s experiences provided by the book is the first thing that allows a reader to sympathize with the monster better than an audience member. When the Frankenstein monster is retelling the story of the hardships he has endured, he mentions events that were overlooked in the play. One example of this is when the monster saved a young girl’s life. An act such as this would be praised with the greatest heroism if it was done by a human, but as a reward he is shot, receiving only “the miserable pain of a wound which shattered the flesh and bone.” (Shelley 135) The book also examines the months of hard work the creature put into learning about human nature and language in order to be fully accepted when he chose to reveal himself. The monster hid by the cottage for around a year, never leaving during the day and working to help the cottager’s at night in order to learn from them. The monster went ...
Victor Frankenstein created the monster. Victor Frankenstein was the ambitious one who took his experiments too far. A monstrous version of Victor destroyed everything he loved. Elizabeth was sweet and mild. Elizabeth was the innocent who died because of Victor's work gone wrong. Frankenstein would have been a remarkable book if Elizabeth had taken on Victor's part, if Victor had taken on Elizabeth's part, and if the wretch had been female. Imagine Victor staying at home and being the best example of the sweetest nature anyone ever did see. Imagine Elizabeth storming acros the icy mountains after the wretch, and imagine the wretch demanding a husband to be a boon to her, sweet and supportive company when she became tired of the world.
... good, but can be turned to evil by society’s narrow-minded view of what is normal, and the corruption of the mind through knowledge and education. The repercussions of Victor’s and others alienation of the creature turned a caring individual to an evil one. Shelley succeeds in bringing Rousseau's theory to life, that one is born good, but he can be turned to evil through civilization and education. This story still has a great meaning for us today. Millions of people are outcast by society, not only because of physical appearance, but also because of sexual orientation, social status, and religion. Once people quit looking so narrow-mindedly at one another, the world will be a much better place, and Frankenstein's "monster" will rest in peace!
It is in the complex structure of the novel that Mary Shelley creates sympathy. We shift from Robert Walton to Victor Frankenstein to the monster and finally back to Walton. With each shift of perspective, the reader gains new information about both the facts of the story and the reliability of the narrator. Each perspective adds pieces of information that only they knows: Walton explains the circumstances of Victor’s last days, Victor explains his creation of the monster, the monster explains his turn to evil. This impact of the change of narration gives us a better understanding of each person, and we see that the monster is not such a monster at all.
Certainly the male characters in ‘Frankenstein’ are more developed that those of the females. Elizabeth Fay has suggested that the female characters are ‘idealised figures’ in much of Shelley’s work, particularly in the descriptions of Caroline and Elizabeth, the two mother figures in the novel.
In 1988 Gloria Naylor wrote the novel Mama Day in hopes to show the world that one can either accept the hand they are dealt and make it come out to the advantage of themselves and others, or one can hide from their pain and live a life scared of what may come in the future. Mama Day is set on an island off the coast of South Carolina and Georgia that is inhabited by the descendants of a slave population. The main characters in the novel; Ophelia, Abigail and Miranda, also called Mama Day, all experienced a lot of pain in their lives; it is how they chose to deal with their experiences that sets them apart from each other.
First, during the excerpt from Frankenstein we can relate to him as a character by understanding that the point of view is being expressed in the creature's view. Which shows his own perspective on the world, we know this when the creature states, “I would remain quite hovel, watching and endeavouring to discover the motives which influenced their
Shelley offers snapshots of the characters’ similarities to draw attention to the idea that the Monster is Frankenstein 's second self. The Creature is at first a kind, gentle being who was curious about life and its wonders. But this world did not welcome him and he found that his only source of power was when he inflicted pain on others. Without his plots of revenge, he had nothing. He had no one in which to confide, nor to relate to, so destruction was his only outlet for emotion. Similarly, Frankenstein began a peaceful life in the countryside of Switzerland and grew up with a fascination of alchemy. But an underlying sorrow caused by the death of his mother inclined Frankenstein to distance himself from his family more than he’d ever done
In the novel "Frankenstein", written by Mary Shelly, the "other" is clearly represented in the story through the actions of certain characters. More specifically, through Victor Frankenstein and his monster that he creates. Although several arguments can be composed that describe one of the characters alone to more accurately represent the "other", they work better together. First, Victor is depicted as "different" in the novel when it states that he steals body parts from the graveyard to create his own monster. "It was with these feelings that I began the creation of a human being." (Shelley 32). Even though the novel doesn't directly state theft of body parts from the graveyard in this chapter, it shows how Victor's feelings overcome his sense of reality
Frankenstein is among one of the most iconic novels written during the early 19th Century. This novel was written by a distinguished Mary Shelley and first published in the year 1818. Shelley’s story is considered to written before its time as it challenged many themes and ideas of humanism, natural science, ambition, abortion, etc. The novel itself sparked many controversies and debates as numerous different topics are challenged and discussed throughout the novel. Shelley flawlessly executes the story as she writes in a dramatic gothic drama tone and allows the reader to step into different views of the story by changing perspectives.