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The use of symbolism in the novel
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Updike’s "A & P" tells the story of a checkout boy, Sammy, who quits his job after his boss Mr. Lengel speaks disparagingly to three teenage girls who come into the grocery store on a summer afternoon. But on a deeper level, the story is a contrast of worldviews: the conservative, conventional, and stoic (represented by Mr. Lengel) against the free-spirited, individualistic, and non-conformist (represented by the teenage girls). Even though Lengel does not make his physical appearance until near the story’s end, his arrival has in a way been foreshadowed by a number of other characters who preceded him. For example, Updike notes that as soon as the three girls appear in the A & P, the "sheep" -- Sammy’s word for the run-of-the-mill customers who plod through the store, pushing their shopping carts, following their prescribed routes -- …show more content…
Sammy observes that the way Lengel insistently repeats this remark seems "as if it had occurred to him, and he had been thinking all these years the A & P was a big sand dune and he was the head lifeguard." Which, in a very profound way, he is: as not only the manager of the A & P but a Sunday School teacher, he feels he has the right to set the tone for what is considered acceptable in his arena. But his "sand dune" is the world of work, whereas the girls’ is the world of play. He therefore approaches the girls and scolds them, implying that their attire has violated and desecrated his space. Note that his obvious displeasure at the girls’ appearance does not stop him from telling Sammy to ring up their purchase and take their money so they can leave. But this is too much for Sammy. He mumbles under his breath that he quits, and when Mr. Lengel asks him to repeat his last remark, Sammy complies -- pulling off his apron and walking out. Mr. Lengel warns him that "You’ll feel this for the rest of your life," and Updike writes that Sammy "know[s] that’s
Lengel is a conformative type of person he makes up a rule just to make the girls leave the store. He says,"that's policy for you. Policy is what the kingpins want." The old woman is a conformative person for wanting Sammy to need the register up.
But life is not a fairytale. Standing there lonely, having no job is our Sammy. This is when Sam realizes his path, the true way to become mature. The moment when “Lengel sighs and begins to look very patient:” Sammy, you don’t want to do this to your mom and dad” (Updike) hold him back a little bit, we can feel the regret in his heart. But he cannot go back anymore, decision has been made. He gives up his last chance; from now on, he’s on his own. Sammy finally understands that it is responsible behavior but not playing “adult-like” game that will make him a true
Sammy tells us he is nineteen years old. He is a check-out clerk in the local A&P, where the boss, Lengel, is a friend of Sammy's parents. Sammy does not seem to like his job very much. He calls one of his customers a "witch" and says the other customers are "houseslaves" and "sheep." He himself comes from a middle-class family. When they have a party, he says, they serve "lemonade and if it's a real racy affair Schlitz in tall glasses with 'They'll Do It Every Time' cartoons stencilled on" (15). In addition, Sammy is sexist. He gives long, loving descriptions of the girls who cause all the trouble, and he thinks at first that girls may not even have minds, asking, "do you really think it's a mind in there or just a little buzz like a bee in a glass jar?" (13) However, he does change as the plot goes on.
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
Sammy’s point of view of conformity changes from passive to active which shows the growth of his character. Updike chooses a 19-year-old teenager as the first narrator. As a teenager, Sammy’s personal value is still developing and he is not fully shaped by the conformity, which suggests his quitting later in the story. Although Sammy’s perspective is unreliable since his thoughts are limited by his age, he gives readers a naiver perspective of the society. He simply considers the customers as “sheep” or followers when he works in A&P, such as: “The sheep pushing their carts down the aisle” (748). However, before he saw the girls, he was part of the conformity. He silently mocks the people being conservative, but does not show any rebuke against
Sammy observes their movements and gestures, up until the time of checkout. At which point, they are confronted by the store manager and chastised for their unacceptable appearance. He believes their attire is indecent. Sammy, feeling that the managerial display was unnecessary and unduly embarrassing for the girls, decides to quit his position as checker. Though he knows that his decision may be hasty, he knows that he has to follow through and he can never go back.
At first read, John Updike's 'A & P' contrasts old and new; the old manager in his settled life conflicting with the new age of girls wearing bathing suits in buildings. All the while, the narrator stuck in the middle, finally deciding to join the side of new, or youth. Instead of old vs. new, an observation closer to the heart of the story is conflict between the worlds of the rich and the middle class. ?A & P? is the setting for one man to decide in which way he will seek to follow his life, standing on his own two feet and treating everyone as equals, or bowing before the wealthy, and searching for his own riches above all else.
In many ways they show that they are trying to protect the girls and do something for them. As seen in this quote by Sammy in “A&P”. “The girls, and who’d blame them, are I a hurry to get out, so I say “I Quit” to Lengel quick enough for them to hear, hoping they’ll stop and watch me, their unsuspected hero. This quote showing how Sammy wants to be there for the girls, and be their savior. Until the end of each story they also both show or seem to be untouched by rejection until they actually know what it is like.
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
...s that Sammy is taking a stand and that Lengel cannot change his mind about quitting. When Sammy left the store, the girls where long gone. "His face was dark gray and his back stiff, as if he's just had an injection of iron, and my stomach kind of felt how hard the world was going to be to me hereafter." This quote illustrates that Sammy knows that his parents will not like the fact that he quit, but he realizes that he has to take charge with his life, and make his own chooses without being afraid of what his parents would think. He is very happy that he had taken a stand, and he let no one change it.
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
He even makes this comment about Stokesie: "I forgot to say he thinks he’s going to be manager some sunny day, maybe in 1990" (Updike 1027). His disenchantment with the job of manager only suggests Sammy’s ideas of real life existing outside of his work at A&P. The most obvious display of Sammy’s maturity is his sympathy for the girls after they are harshly reprimanded by Lengel. His established sympathy is shown in "the contrast between the girls and the typical cash register watcher" (Greiner 389).
...p and you are not happy with where you are in life, and truly want a change. With Sammy he always wanted to quit but never had the guts to stand-up and go through with it, mostly cause he did not have that free thinking mentality like the girls. Even though when he finally did walk out of the store and the girls were not there, he had no idea what was next in life, but he did know that he was free to make his own decisions. Sammy no longer had to take Mr. Lengel’s nonsense, or stick around and watch Stocksie become manger. This was his time to stop being a push over and pave the path to his own future. His parents may have been upset, but this gave him an opportunity to stand up for his own actions and be confident in his choices he had made, regardless if they were for the right or for the wrong. Sammy was able to press forward and start a new chapter in his life.
...up on Stokesie like sheep, Engel explains that policy insists that shoulders must be covered. Policy is what the kingpins want. What others want is juvenile delinquency. Like a champ Sammy throws in the towel. He watched as 3 girls bucked the norm and alternately was confident enough to quit altogether. They get away from him and his feet are carrying him to the place of his residence rather than a car, reserved for higher classes. He ends with the thought how hard the world was to be to me hereafter. Sammy?s variety of verbal simulations and creations for the reader reveal the social and economic classes of basic society. The adults like animals, the attractive women- analyzed on a pedestal in full description and personification, employees get harped on too. Stoksie was a little to ambitious for a bagger, and management was regarded like the rest of the animals.