Jane Eyre Feminist Analysis

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The Feminist and the Stereotype
Jane Eyre by Charlotte Bronte, published under her surname, Currer Bell, featured the character of Jane Eyre, an outspoken, independent, and unapologetic woman in a time where such a thing was mostly unheard of and socially unacceptable. In contrast, Heathcliff from Wuthering Heights by Emily Bronte falls into the trope of a socially ostracized and emotionally wounded male hero. When comparing the two, it becomes clear that Jane Eyre is the better protagonist. Firstly, Jane was revolutionary for her time, being an independent woman in the Victorian era, something which cannot be said for Heathcliff. Additionally, Jane undergoes character development and has a character arch which is not present in Heathcliff.
In doing so, she became one of the most prominent early feminist writers. Early on, Jane is characterized to be outspoken, this we can see in chapter four, when she confronts the aunt that has terrorized her by locking her up in the Red Room, “I am glad you are no relation of mine. I will never call you aunt again as long as I live. I will never come to visit you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty” (Bronte, 4. 40) This is the reader’s first real look at Jane’s character, initially showing how even as a little girl, she is unafraid to stand up to people when she knows they are in the wrong. For a woman to be this unapologetic and outspoken in the Victorian era would have been almost unheard of, making Jane Eyre a truly revolutionary character. Jane is also shown to be opinionated in chapter 12, “Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do … It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex” (12.129) and chapter 14, “I don't think, sir, you have a right to command me,
In the beginning of the novel, Jane is unhappy, unheard, and unappreciated. This can also be seen in the fact that she is reading a bird book in the first scene. Jane wishes to be like the birds in the book, so she can be free from her relatives who cause her immense emotional distress. When she finally has the opportunity to leave both Gateshead and Lowood, she begins to thrive and develop as a character. There is a strong correlation between the time she spends away from Gateshead and Lowood and her growth as a character. By the time her and Mr. Rochester begin interacting she is already a fairly confident young woman. This is shown when Jane makes it clear that she is primarily her own person before she is Rochester’s love interest. After she discovers he is already married to Bertha, she leaves to preserve her own character as opposed to degrading herself enough to become his mistress. Love him as she may, she loves herself more. This cannot be seen in Heathcliff, as he consistently sacrifices any opportunity to grow as a character for the opportunity to be with Catherine in any and every way. When Heathcliff returns to find Catherine has married Edgar, he is set on a path of vengeance, similar to that of a child in tantrum. While Heathcliff’s actions are understandable as a child who was abused and

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