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Themes and theory in jane Eyre
Jane eyre literary theory
Jane eyre literary theory
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Jane Eyre's Childhood as a Precedent for All the Trouble
Jane Eyre's literary success of the time has been cheaply commercialized. In other words, Bronte's novel never got the appreciation it deserved, in the areas it deserved. Many 19th century critics merely assigned literary themes to their reviews to "get it over with". Critics commended Jane Eyre for everything from its themes to its form. However, their surface examinations amount to nothing without careful consideration of the deeper underlying background in Jane's life where their hasty principles originate. The widely discussed free will of Jane's, her strong individuality, and independence are segments of a greater scheme, her life. For example: Jane's childhood serves as the most important precedent for all of the self-realism although this purpose is widely disregarded. Even though "many have celebrated Bronte's carefully wrought description of her protagonist's first eighteen years for its vivid pathos, no one has as yet accorded this childhood its deserved weight in the novels ultimate resolution." (Ashe 1) Jane Eyre's genius develops in a series of internal reactions to external circumstances rather than shallow judgments about those internal happenings.
The external circumstance is Jane's childhood while the internal happenings are Jane's emotional struggles. These emotions later become labeled as themes of "reason", "passion" or "maturation". However these emotions do not merely stand by themselves. Jane Eyre is about dealing and reacting to fate and her actions in the face of unchangeable circumstances. Jane's fate consisted of her disaster of a childhood. "From the vantage of modern child psychology Jane's background-ten years spent...
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To finalize my point about Charlotte Bronte's intent in describing Jane Eyre, the parallels between Bronte's life and her character Jane need to be examined. Bronte herself experienced "a period of depression and ill health" (Rollyson 5) Bronte was known to feel "keenly the solitude of her existence." (25) "The most basic facts of Bronte's life reveal a history of loss of guile similar to Jane's" (26) The name that Jane Eyre was originally published under was "An Autobiography". From this one can deduce that Bronte cared to make more than a surface feministic point in her book.
Jane Eyre, written by Charlotte Brontë, was published in 1847 by Smith, Elder & Company, in London. This year is exactly ten years into Queen Victoria’s sixty-four year reign of the British Empire. The Victorian Era was renowned for its patriarchal Society and definition by class. These two things provide vital background to the novel, as Jane suffers from both. Jane Eyre relates in some ways to Brontë’s own life, as its original title suggest, “Jane Eyre: An Autobiography”. Charlotte Brontë would have suffered from too, as a relatively poor woman. She would have been treated lowly within the community. In fact, the book itself was published under a pseudonym of Currer Bell, the initials taken from Brontë’s own name, due to the fact that a book published by a woman was seen as inferior, as they were deemed intellectually substandard to men. Emily Brontë, Charlotte’s sister, was also forced to publish her most famous novel, Wuthering Heights, under the nom de plume of Ellis Bell, again taking the initials of her name to form her own alias. The novel is a political touchstone to illustrate the period in which it was written, and also acts as a critique of the Victorian patriarchal society.
The red hue is conjointly used in The Book of Revelations as the color of the seven headed dragon. “Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems” (Revelation 12:3). This dragon represents evil and esoteric darkness. The tenebrous serpent is Jane’s burden due to her extreme passions and unpleasant aunt. While crimson is not traditionally associated with light-dark imagery, the red room was selected to illustrate both Jane’s passion as a child and as the color of war and bloodshed. At this moment in the novel Jane is bleeding from the violent head wound she received from John Reed, this physical blow only begins to scratch the surface of the horrible war Jane has been fighting. The psychological and even sometimes physical war is fought for Jane’s equality and the right to love and be loved. Brontë progresses to illustrate the vile sanguine room. “Out of these deep surroundings shades rose high, and glared white, the piled-up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned chair near the head of the bed, also white, and looking as I thought, like a pale throne” (Brontë 17). The white chair is symbolic of justice and the victory of incorruptibility. The allusion to the stark white demonstrates the innocence of Jane, against those charges vehemently thrust upon her by John Reed. This is further affirmed with the mention of the snowy throne. “And I saw a great white throne, and him that sat on it, from whose face the earth and the heaven fled away; and there was found no place for them. And I saw the dead, small and great, stand before God...And the sea...
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
Adolescence and its impact on a character is a common theme throughout literature. Adolescence describes the period after childhood and before adulthood in one’s life. Childhood can impact one’s future course in life, whilst adulthood will receive the lasting effects of adolescence. In Charlotte Bronte’s Jane Eyre it is possible to see Jane’s adolescence as shaped by her childhood and impacting her adulthood. Jane’s difficult childhood leaves her with warped ideas of love and power. Jane’s adolescence is the first time she receives any love and learns how to love. Lastly, Jane’s adulthood decisions are influenced by her ideas on love and power that have been shaped by her childhood and adolescence.
In his essay “Jane Eyre: The Quest for Optimism,” Frederick L. Ashe writes, “It is hard to imagine anyone learned enough to read Jane Eyre who would consider her first ten years emotionally healthful ones” (Ashe). Ashe, whose criticism appeared in Novels for Students, Volume 4, is correct in his opinion. Jane’s abuse first begins in her own home. Her life until age ten is filled with abuse from her cousin John Reed, the mockery of the household servants, and the physical and mental abuse of her Aunt Reed. John’s first abuse of Jane comes when he throws a heavy book at her head. Bronte writes in Jane’s voice, “I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp” (Bronte 13). John’s physical abuse of Jane is not the only abuse she receives, though. After Jane recovers from the abuse bestowed upon her by John, Miss Abbot, a servant, says of Jane, “If she were a nice, pretty child, one might compassionate her forlornness; but one really cannot care for such a little toad as that” (Bronte 28). Although this abuse pains Jane, it is the abuse of her Aunt Reed that hurts Jane the most. Aunt Reed’s first maltreatment of Jane is on the first page of the novel. Aunt Reed gathers her children around her for a happy family moment. Jane, however, is left alone. Jane says, “[Aunt Reed] regretted to be
Jane's 'physical' journeys contribute significantly to plot development and to the idea that the novel is a 'journey' through Jane's life. "Jane Eyre's" chronological structure...
In the novel Jane Eyre, Charlotte Bronte uses Jane Eyre as her base to find out how a character confronts the demands of a private passion that conflicts with her responsibilities. . Mistreated abused and deprived of a normal childhood, Jane Eyre creates an enemy early in her childhood with her Aunt Mrs. Reed. Just as Mrs. Reeds life is coming to an end, she writes to Jane asking her for forgiveness, and one last visit from her.
The novel, Jane Eyre, by Charlotte Bronte, has a plot that is filled with an extraordinary amount of problems. Or so it seems as you are reading it. However, it comes to your attention after you have finished it, that there is a common thread running throughout the book. There are many little difficulties that the main character, the indomitable Jane Eyre, must deal with, but once you reach the end of the book you begin to realize that all of Jane's problems are based around one thing. Jane searches throughout the book for love and acceptance, and is forced to endure many hardships before finding them. First, she must cope with the betrayal of the people who are supposed to be her family - her aunt, Mrs. Reed, and her children, Eliza, Georgiana, and John. Then there is the issue of Jane's time at Lowood School, and how Jane goes out on her own after her best friend leaves. She takes a position at Thornfield Hall as a tutor, and makes some new friendships and even a romance. Yet her newfound happiness is taken away from her and she once again must start over. Then finally, after enduring so much, during the course of the book, Jane finally finds a true family and love, in rather unexpected places.
In Jane Eyre, Charlotte Bronte uses various characters to represent aspects of reason and passion, thereby establishing a tension between the two. In fact, it could be argued that these various characters are really aspects of her central character, Jane. From this it could be argued that the tension between these two aspects really takes place only within her mind. Bronte is able to enact this tension through her characters and thus show dramatically the journey of a woman striving for balance within her character. As a prerequisite for marriage, Jane uses this determination in her relationships with Mr. Rochester and St. John.
When creating a literary work, authors often write what they know. It isn’t uncommon for an author to weave their own experiences, ideals, and opinions into their writing. Especially for a work of fiction, it is much easier for an author to create a believable and likeable story when they can extract details from the life they have already lived. Jane Eyre, by Charlotte Brontë, is no exception. The original novel, Jane Eyre: An Autobiography, published under Brontë’s pen name, Currer Bell, was titled as such because Brontë modeled Eyre after herself so much. In fact, in a conversation with her sisters, Brontë said she would show them “a heroine as plain and small as” herself (“Introduction”). It is for
In the novel Jane Eyre, Charlotte Bronte shows us that all people have a feeling inside of them to recognizing what their personal desires and what their duty to others is. In Jane Eyre, the endless theme of unforgettable war between a passion and responsibility always appears, with a strong set of principles Jane is able to decide what is right. Throw out the book Charlotte Bronte show us that Jane’s integrity to her self is more important than what anybody else thinks of her. Duty and desire plays a huge role in which Jane has to learn to control her desire of her anger outburst and her duty to herself.
The novel Jane Eyre, by Charlotte Bronte consists of continuous journey through Jane’s life towards her final happiness and freedom. Jane’s physical journeys contribute significantly to plot development and to the idea that the novel is a journey through Jane’s life. Each journey causes her to experience new emotions and an eventual change of some kind. These actual journeys help Jane on her four figurative journeys, as each one allows her to reflect and grow.
Jane Eyre from Charlotte Bronte’s novel Jane Eyre lived in the wrong time period. In the Victorian period, women were supposed to have femininity, be domestic, obedient, uneducated, and prepared for marriage. They were seen as clean and pure, dependent on men, and isolated from the outside world. Bronte wants the readers to think that Jane’s behavior is worthwhile due to how her life comes together. Jane goes against these Victorian roles most strongly by standing up against men.
Charlotte Bronte’s Jane Eyre represents the role of women in the Victorian era by giving the reader an insight into the lives of women from all social classes. Jane Eyre therefore represents figures of the Victorian time yet the character of Jane Eyre, herself, can be seen as very unconventional for the Victorian society.