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123 essays on character analysis
123 essays on character analysis
123 essays on character analysis
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What is the difference between infatuation and love? This has been a topic of conversation for years, and yet we still have never figured out the exact answer to the question. By Webster’s Online Dictionary the definition of love is “affection based on admiration, benevolence, or common interests”(Webster’s). This is precisely how Edna Pontellier believes she feels about Robert Lebrun in “The Awakening” by Kate Chopin. Although on the contrary the definition of infatuation is “to cause to be foolish : deprive of sound judgment”(Webster’s), and this is more so the truth for Edna. Her need for freedom is so strong that she finds herself turning to other men just to satisfy that need. Her actions are completely opposing to her thought of actually being in love with Robert. In the novel “The Awakening” by Kate Chopin; Edna’s intense drive to be free, her relationship with Alcee Arobin, and the change in the way Edna and Robert act when they are together when he returns are all prime examples of why she was never in love with him, it was simply an infatuation that went too far.
Edna is trying so hard to branch out in this story that she is grabbing on to any hold that she can find. Her feelings for Robert do not start until after she begins her big awakening, which means she had spent roughly half the summer with him completely platonic. She wants so badly for her own freedom that she looks to other men that who are not her husband because she believes that is her ticket to freedom. Chopin, while writing this story was even “inwardly questioning the nature of love”(Toth), showing that she does not even know herself if Edna was ever in love with Robert. Her feelings for Robert directly correspond to her need for her own ind...
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...ple that have experienced the kind of love Edna is missing out on. She was infatuated, plain and simple, thus proving the long standing debate of what the difference between love and infatuation is.
Works Cited
Chopin, Kate. The Awakening. The Norton Anthology American Literature Volume C. 7th ed. W.W.
Norton & Company. New York: 2007. Pg 535-625 . Print.
“Infatuation.” Dictionary and Thesaurus- Merriam- Webster Online. 2011. Web. 6 Feb 2011
“Love.” Dictionary and Thesaurus- Merriam- Webster Online. 2011. Web. 6 Feb 2011
Mahon, Robert Lee. “Beyond the Love Triangle: Trios in the Awakening.” Midwest Quarterly
39.2(1998): 228-234 Literary Reference Center. EBSCO. Web. 6 Feb 2011
Toth, E. “Kate Chopin on divine love and suicide: Two rediscovered articles.” American
Literature 63.1(1991): 115. Literary Reference Center. EBSCO. Web. 6 Feb 2011
The relationship Edna has with Mademoiselle Reisz guides her transformation from a wife and mother to a single woman. Reisz acts as a role model for her, someone who does not conform to society’s expectations. Mademoiselle Reisz lives how she wants and accepts both positive and negative consequences of her lifestyle. From the first time Edna sees her play, she admires Mademoiselle Reisz. “The woman, by her divine art, seemed to reach Edna’s spirit and set it free” (623). The music she plays helps calm Edna’s spirit. Mademoiselle Reisz allows Edna to read the letters Robert wrote to her and she supports her in her decision to follow her heart and be with Robert. In doing so, she kindles the passionate flame Edna has for Robert. As Edna wishes t...
In Kate Chopin’s The Awakening, the romantic and lyrical nature of Frederick Chopin’s Impromptu, as well as its originality, are the vehicle by means of which Edna realizes her love for Robert and her desire to be free and self-determined.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
The irony in Robert’s desire to make Edna his wife is that Robert left to be way from Edna because she was married to Mr. Pontiellier, but now Robert is back with even deeper emotions for her. For example, Robert states, “There in Mexico I was thinking of you”, which leads to the conclusion that Robert does demonstrate deep feelings for Edna and her hand in marriage.
Her transformation and journey to self-discovery truly begins on the family’s annual summer stay at Grand Isle. “At a very early period she had apprehended instinctively the dual life- that outward existence which conforms, the inward life which questions. That summer at Grand Isle she began to loosen a little of the mantle of reserve that had always enveloped her” (Chopin 26). From that point onward, Edna gains a deeper sense of desire for self-awareness and the benefits that come from such an odyssey. She suddenly feels trapped in her marriage, without being in a passionately romantic relationship, but rather a contractual marriage. Edna questions her ongoing relationship with Leonce; she ponders what the underlying cause of her marriage was to begin with; a forbidden romance, an act of rebellion against her father, or a genuine attraction of love and not lust? While Edna internally questions, she begins to entertain thoughts of other men in her life, eventually leading to sensuous feelings and thoughts related to sexual fantasy imagined through a relationship with Robert Lebrun. Concurrently, Edna wavers the ideas so clearly expected by the society- she analyzes and examines; why must women assimilate to rigid societal standards while men have no such
She begins by becoming “passionately enamored of a dignified and sad-eyed cavalry officer;” then “her affections were deeply engaged by a young gentleman who visited a lady on a neighboring plantation;” and finally, “the face and figure of a great tragedian began to haunt her imagination and stir her senses” (39). All of these figures are unattainable and, therefore, leave her discontented, yet she feels desire for them and so she feels passion, which to her is better than numbness. Chopin indicates that she needs something exciting, something beyond the ordinary routine of life. Edna wants to be “passionately enamored,” and have her affections “deeply engaged.”
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
In the novel, during many instances, intricate intimacies are illustrated. “No multitude of words could have been more significant than those moments of silences, or more pregnant with the first-felt throbbings of desire.” (30) Robert, in pursuit of Edna unlocks her sexual awakening alongside his social awakening. Robert becomes aware that he must step out of the boundaries and evolve as a man. Yet Robert still stumbles in his path. He and Edna have a common bond. They both attempt to defy the norms of society. Robert respects Edna’s yearning for individualism and only seeks to accompany her on that journey by form of marriage. However, he struggles to fight what societal ordainment. He lacks the key to break societies chains. He can’t simply let go of the expectation of marriage within this era. On the contrary his relationship with Edna gives him an optimistic view on his love life. “His search has always hitherto been fruitless, and he has sunk back, disheartened, into the sea. But to-night he found Mrs. Pontelllier.” (29) His passion for Edna, conveys his innocent hope for repressive love between himself and Edna. He and Edna
In Kate Chopin’s, The Awakening, the reader immediately notices the sexual undertones of Mrs. Mallard and Robert’s relationship and the strained relationship between Mr. and Mrs. Mallard. There are always going to be women who do not want the routine “married with children” lifestyle, unfortunately in Edna’s time period that was the primary role of women. Had she been living in today perhaps she would have been without a husband and children, possibly totally devoted to a career in the arts and totally single. Back to her reality though: I believe she is unsure if she wants that one true love (supposedly Robert) or if she just wants anyone who will pay her a little attention and is fun (supposedly Alcee Arobin). Edna wants to be Wild and Free, not saying that there is anything wrong with that, but she needs to recognize it for what it is because she is really fooling herself.
Another aspects of the story is that once Edna’s awakening begins to take place, she is on a roller coaster of emotions, from the manic exuberance of listening to music and the sounds of the water, her connection to robert--it’s as though all her senses are opened up. Between times, however, she is really depressed, as though all the color that Chopin imparts so beautifully in the descriptions of the other scenes, has become dull and uninteresting. Then, she is flung into an emotional upheaval when she reads Robert’s letter to Mlle Reisz, as the latter plays Wagner. Clearly, these kinds of emotions cannot be borne by a woman whose cultural structure does not admit the building of her own that it might sustain the weight and number. She is overwhelmed. She must escape, and she does, for her situation now is powerfully reminiscent of the “joy that kills” in “Hour.”
As Edna's fortified ego emerges ashore, her attachment to Robert is strengthened. The intimate moment they share at the end of the chapter bespeaks an "acme of bliss," where "no multitude of words could have been more significant than those moments of silence, or more pregnant with the first-felt throbbings of desire" (Chopin 63, 77).
In the end, her internal conflict tears her apart and, to escape the feeling of entrapment, she drowns herself. Edna’s internal journey reflects the struggles of women during the Victorian era, as well as the meaning of the novella as a whole. Gender roles of the time confined women to living as married housewives with children. These limitations and expectations were a seemingly pressing issue for Chopin and other women of her time. Edna’s journey also highlights the importance of finding oneself apart from their duties.
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
Love and infatuation are both strong emotions that most will encounter within their lifetime. The two feelings are often misunderstood, but are differentiated through their outcomes and stability. True love does not only rely on physical attraction, but also on one’s personality. When one is truly in love, they accept their partner’s flaws and perfections. There is a connection between two people, in which they can make compromises and smart decisions. The love grows stronger with time and is not instant. On the other hand, infatuation occurs almost instantaneously and progresses quickly. Infatuation relies on lust and physical attraction. It can cause an individual to
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.