When Lorca wrote Blood Wedding he carefully thought about the dramatic techniques. Lorca uses off stage music, stage directions, verse, symbolism, scenes and acts and imagery to entertain the audience and to make his play feel poetry.
Lorca used music as a way of discouraging his audience from the expectations of realism. Lorca said, “The use of music allows me to make the scene less realistic, and do away with the audience’s impression that what is going on is ‘really happening,’ permitting me to raise things to the level of poetry” (Lorca, trans. 1993, p. xviii). An example of this technique is in the beginning of Act III, where the stage directions say, “A forest. Night. Great moist tree trunks. A murky atmosphere. Two violins are playing” (Lorca, trans. 1993, p.78). Lorca sets the tone and atmosphere of the scene very well. The audience expects something tragic to happen and the stage directions give off this dark mood. The use of just saying that the violins are playing and not saying what music there playing leaves this to the audience interpretation and so each person who reads the book might think of a different song the violins are playing. Blood Wedding as a whole could be though more as a musical and Lorca as its composer and conductor.
Lorca uses imagery and symbolism to a great extent through the characters, blood, flowers, wall and knives. An interesting factor in Blood Wedding is that the characters do not have names except Leonardo. Lorca purposely did those so that the characters could represent a stereotype of how people were during this time period. Leonardo being the only character with a name represents the individual versus society, which the other characters represent. The knife is symbolized as death, hatr...
... middle of paper ...
...e audience distinguish the classes between the characters.
Finally Lorca uses soliloquy through the moon and beggar woman speech in ACT III. “So that tonight I’ll have Sweet blood upon my cheeks” (Lorca, trans. 1993, p.83). The moon foreshadows that tonight blood will be shed and some characters will reach the end of their life. The beggar woman who represents death foreshadows that people will die right here in the forest.
In conclusion, Lorca uses dramatic techniques such as off-stage music, symbolism, imagery and stage directions to a great extent. Blood Wedding has many symbols such as flowers, knives, walls and blood that create much imagery and make the audience much more interested. His use of soliloquy by the moon and beggar women is used so that the audience can understand what is going on and foreshadows events to happen.
Works Cited
Lorca, trans.1993
In William Shakespeare’s Macbeth, the motif of blood plays an important factor in the framework of the theme. A motif is a methodical approach to uncover the true meaning of the play. Macbeth, the main character in the play, thinks he can unjustly advance to the title of king without any variation of his honest self. The blood on Macbeth’s hands illustrates the guilt he must carry after plotting against King Duncan and yearning for his crown.
...ition to costume, language and dialogue is what fixes the atmosphere and the action. In a manner very similar to Shakespeare, Calderón weaves description of the scene and of what is occurring into the main thrust of the play. In this sense, he is more than a poet, he is a dramatic craftsman who predominantly through his verse alone, creates a drama in its own right. All the clues to the plot and its themes lie in the text; the use of staging, costume, music and props can be used to enhance what lies in the script. What they give to the play is a fuller and more entertaining dramatic production. Thus, if used sensitively and intelligently by a director, these factors can increase the dramatic power of the work. The primary focus, however, remains the language, which relies on a high standard of acting in order to do justice to the subtleties of the play.
The musical score proficiently provides the viewers with a sense of what is happening in the scene which could not be communicated through text. Dramatic music is played for Creon’s entrance; this immediately communicates to us that he is a man of great importance and power. When Antigone enters after being arrested, the music is dynamic and tense. This conveys the seriousness and desperate atmosphere of the scene. The score is also a representation of the varying moods of the characters. An example of this is when Antigone is anxiously trying to appeal her sentence. The music makes the audience drawn is drawn to feel sympathy and pity her when she is preaching her views on death. For instance, a solemn melody is played when Haemon’s dead corpse is brought to King Creon. Creon grieves by himself as he is overcome with devastation caused by his foolish actions; his emotions are intensified by the sorrowful and sombre background music. The music is able to complement the play, while accentuating the more significant events.
The music and sound effects are in the same pont with what the author nedded to say in that play. In the smok and sword fight on the first act we thought will be a play where every body is confusing and fight each other. The phone ringing all the time and this help the actors to play around in the hury and action come up with rehearsal process. The purposes of the phone is any time we heart that something is going to happen, so we expectin to change the sequence in the play. Ringing the phone open a problem, hanging up the phone close the problem. Opening and shoutting the door of dressing room as a slamming it create for the audience understanding the flow of the show and leaves the flexibility as we see white and black to the performance. Crying with tears make the player dramatic, but afraid of discover which it trying to keep things together laughting and
Symbolism is an important aspect in stories, whether big or small. Symbolism makes the reader think. It is used to represent something but does not reveal itself right away. Symbolism adds creativity to an already creative piece. Throughout a novel a reader may spend his/her time trying to conclude what each object in a story represents. Though not all stories have symbolism, those that do possess more excitement than those that do not. In the novella Aura by Carlos Fuentes, there is an extensive use of symbolism. James Hall wrote the article “Why You Should Use Symbolism in Your Writing” on symbolism that helps to describe why Fuentes’ use of symbolism is important in Aura. Fuentes uses symbolism to hide the climax of the story and also to
The story uses many motifs, symbols and themes. First the motif is Antonio’s dreams. In the beginning of the book his dreams are about what he will become when he grows up; the choice between priest or a vaquero. Later on his dreams change to more important matters, such as family questions and his duty in life. The second motif regards Antonio’s family. He has many family members such
The presence of symbolism throughout the novel is undeniable. Each of the symbols in the work are representative of a certain aspect of the characters lives. Dreams showed readers the desire of characters to escape their realities. The twins that Senora Valencia gives birth to are clearly meant to represent the neighboring nations of Haiti and The Dominican Republic. Water is primarily symbolic of life and death, but in this case readers are expected to come to their own conclusions regarding the river. Using these symbols allows the author to make discrete yet important additions to her writing without disrupting the format of the novel. Aside from serving as a benefit to the authors writing style, they can also be seen as an artistic addition which brings the entire novel to a different level. The use of symbolism in The Farming of Bones is not only extraordinarily well written but also completely essential to the story as a whole.
Likewise in ‘Salome’ Duffy uses visual imagery such as ‘his head on a platter’ and also uses colour imagery ‘the reddish beard’ red is associated with blood.
The symbolic appearance of blood throughout the intermediate parts of the play maintains the depth of the Macbeth’s unforgiveable guilt. The use of blood as a symbol at the conclusion of the play asserts the perpetuity of the Macbeth’s guilt. Shakespeare’s inclusion of blood as a major symbol in Macbeth creates a compelling tragedy in which the audience is able to comprehend the magnitude of the Macbeth’s irreconcilable guilt.
The poem uses many literary devices to enhance the meaning the words provide. The poem starts at the beginning of the story as the moon comes to visit the forge. The moon is said to be wearing “her skirt of white, fragrant flowers” (Lorca 2) as its bright light penetrates the scene. The poem states “the young boy watches her, watches. / The young boy is watching her” (3-4). The repetition of the phrase emphasizes the young boy’s infatuation with the moon. The scene is set with intensity by the phrase “electrified air” (5) and a tense feeling is brought into the poem. As “the moon moves her arms” (6), she is given traits of being alive and having her own human qualities. Personification of the moon into a woman exemplifies the desire that the child would have for the woman, and creates a more appealing form for the moon to appear as. The child cries, “flee, moon, moon, moon” (9) with urgency, showing his concern for her. He warns her “they would make with your heart / white necklaces and rings” (11-12). This refers back to the metaphor that the moon is made of hard tin, but still personifies her by giving her a heart. The moon is additionally personified when she says “ young boy, leave me to dance”(13). She has now taken the form of a sensual and erotic gypsy dancer furthering the desire of the young boy. This brings Spanish culture to the poem because gypsies are known to travel throughout Spain. The mo...
Blood is a symbol of sacrifice by John Grady for everything that he loves and cares about. He pays for the horses when he gets shot while retrieving his horse from the captain, when he is in prison and gets in a fight with the assassin then gets stabbed, he pays for his own survival, and when he covers Alejandra’s mouth and she bites down on his hand he is paying for her love. “He looked down at his leg. His trousers were dark with blood and there was blood on the ground. He felt numb and strange but he felt no pain.
Blood is also used to display the guilt in Lady Macbeth near the end of the play. Throughout the play, Lady Macbeth is the one who tries to keep Macbeth sane and to keep from breaking.
When reading Macbeth, one might notice the repeated use of the word blood. While it might be thought that this is due to the violent nature of the play, it actually signifies a loss of innocence. This is demonstrated through the treacherous deeds of Macbeth and Lady Macbeth, and Shakespeare’s reoccurring theme of the corruptibility of the human mind. By examining these, it can be determined that Shakespeare’s use of blood represents a loss of innocence.
In conclusion, symbolism is used to emphasize a theme through repetition and imagery. It is used to emphasize the theme of the corruption of power due to Macbeth's actions. Blood representing guilt, blood murder, and pain, the contrast of light and dark representing good and evil and the archetypal pattern of purification by using water representing removal of guilt, cleansing and peace are the main symbols used repeatedly to emphasize this theme. These symbols portray the theme effectively to allow the audience to grasp and involve themselves into the play.
Like Zeffirelli, Luhrmann used many symbols to get across to the audience what his dialogue missed, and what he wanted to communicate to the audience about each character. For example Romeo’s costume may be the first thing the audience may notice; Romeo is wearing armour, symbolising him being the knight in shining armour. As for Juliet her costume is a white chast white gown from her earlier angel costume, signifying innocence and purity