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Essay historical of piano
Essay historical of piano
Summary on the origins of the piano
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Piano art is one of the most significant areas of classical musical culture. The history of solo piano keyboard culture has been more than five hundred years. Periodization of piano culture is divided into several periods: Baroque, Classical, Romantic and Twentieth Century. I have played piano for many years and have always been interested in the development of Western classical piano compositions and pieces from classical period to the present day so I decided to do my investigation on this topic because I always wondered how piano solos have developed.
The piano has developed at the 18 centuries by Bartolomeo Cristofori. It is used for composing, accompaniment and solo performances. The word “piano” from the Italian means “quiet” and “loud”. Originally the range of the piano was four octaves but later Mozart wrote music for piano with five octaves and then Beethoven made some changes which include the use of six octaves. Today the piano has seven full octaves and two incomplete. In addition pedals are very important in the piano.
There are three pedals. The right pedal immediately raises all dampers, so that when you release the keys corresponding to the strings continue to sound. In addition, other string instruments also begin to vibrate, becoming a secondary source of sound. The right pedal is used for two purposes: to make a recoverable sequence of sounds inextricable (play legato) and enrich the sound of new overtones.
The left pedal is used to attenuate sound. In grand pianos it achieved a shift to the right of the hammers, so that instead of three strings choir they hit only two (in the past sometimes only one). In piano hammers closer to the strings. This pedal is used much less frequently.
The middle pedal of th...
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...r learning the musical is playing piano. It is still used today in classical compositions and popular songs. This tool doesn’t lose its significance for the past free centuries. Each musician is a world in itself, it only, he shall not enter into the competitive relationship neither with the artists of that time, nor with the artists of the past, nor in some sense, we can speak about it with the artists in a future. Disputes about how to do this or other composer tense ever. Besides on facts that each artists brings something different, sometimes even not intentionally, but because individual features are more important realities of the time-the music is moving forward, offering a contemporary philosophy of styles, often in favor of the dominant fashion. Piano will always be a favorite instrument for performers and composers forever and in the rest of 21st century.
1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
Batrolomeo Cristofori brings the piano into the musical arena around 1709 in Florence, Italy. One of Cristoforis previous instruments, the harpsichord, actually brought about the idea of the piano. Cristofori wanted to develop a more dynamic instrument, because the harpsichord had such a small dynamic range. His answer to that problem was the ‘gravicembali col piano e forte,’ which meant harpsichord with soft and loud. This long name was shortened to pianoforte, and then eventually forte was dropped, and now these modern instruments are known as pianos. As the keeper of instruments in Prince Ferdinand’s court in Florence, Cristofori reinvented the harpsichord into the piano. The actual date that he created the piano is unknown, but
Since the first person heard the wind whistle through the trees or the sea in a seashell humans have been drawn to sound. Being the oppressive and ingenious species that we are we felt the need to capture these sounds and any others that we could to keep for our own. Eventually people like Pythagoras and gods such as Apollo found that by stretching materials and picking/plucking them that they would produce sounds and that the tighter you stretched these strings the higher the sound would go. These were the early beginnings of the pianoforte.
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
He “…cleverly exploited in passing under the other fingers, and he established the rule that the thumb of the right hand must fall immediately after the two semitones in the ascending scale, and before them in the descending scale.” This was also implemented in the left hand, only vice versa. These ‘rules’ are substantial and continue to be taught globally today, where the piano student passes their thumb under their fingers during scales, arpeggios and widespread repertoire. Bach also believed that the cantabile style was the foundation of playing well, and so overtime he developed a way of releasing notes to have this smooth and well-connected affect. He retracted his fingers inwardly as opposed to the previous established technique of lifting the fingers high. This permitted for a cantabile effect and guaranteed clean rapid passages. It is appropriate to mention that this ‘retracted motion’ is still influencing performers today. A majority of contemporary concert pianists are reverting back to his way of playing as it puts less tension on the hands, and reduces the risk of injury. Bach’s teaching practices and didactic works highly influenced his students and contempories, which overtime began a new standard and generation of
The drum kit does not have a definite inventor but, instead, has many pioneers and innovators in the field. As its name suggests, the drum kit is a collection of various drums and cymbals played by a single drummer using his/her hands and feet. The first recognizable ancestors of the modern drum kit were born in the Vaudeville era. Pecuniary and theatre space considerations demanded that fewer percussionists covered more percussion parts. Porter/Hullman/Hazel (1993). This was also seen in the early brass bands of North America; whenever the need arose for these bands to perform “indoors” they needed a way to save space and thus found it impractical to have more than one drummer and from then on resourceful innovations began to flourish. Two such examples are the creation of the snare drum stand and the bass drum pedal, where before, the snare would either be hung around the drummer’s neck or placed on a stool and the bass drum would be played with a stick. The very first bass drum pedal to be created was in 1909 by William F. Ludwig Sr., percussioni...
doubling the vocal line in harmony. The bottom, left corner of the piano was used as a bass
This piano concerto adheres to the tradition way of composing a piece in this genre as it consists of three movements:
From the Early Renaissance to the High Renaissance, there was a movement from vocal music to a combination of vocal and instrumental music (Brown, 1976). There are seven categories of instrumental music: 1) vocal music played by instruments, 2) settings of pre-existing melodies, 3) variation sets, 4) ricercars, fantasias, and canzonas, 5) preludes, preambles, and toccatas for solo instruments, 6) dance music, and 7) songs composed specifically for lute and solo voice (Brown, 1976). Italy dominated the stage for instrumental music at this time, and it was not until the last decades of the sixteenth century that English instrumental music became popular (Brow...
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
Bie, Oscar. A History of the Pianoforte and Pianoforte Players. trans. by E. E. Kellett
middle of paper ... ... Music was not taught in the high school I was in. To satisfy my interest in learning about music and how to play musical instruments, I had to find a source of education other than school; a great depiction in agreement with Graff’s claim that students are being limited by not considering their interests when creating curricula (Graff 197). In conclusion, education is broader than just falling into what the contemporary school system has to offer. Both Gatto and Graff proved this by explaining how conforming students to certain perspectives of education limits their potential in other educational branches that interest the students.
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
Introduction The world is changing and so is the style of music. Often people who do not have any musical background might think that classical music is boring and only for more mature audiences. In fact, the sales of traditional Western classical music albums are decreasing and many symphony orchestras and operas are struggling to find endowments and audiences. It is considered that classical music today occupies a position similar to that of religion, as a form of art rather than entertainment or just a background noise (Johnson, 2002). Unlike popular music, classical music may be more sophisticated and complex in its form.
Franz Liszt is said to be the most astounding piano virtuosos that existed during the Romantic era. This essay will discuss his achievements as a pianist as well as a composer. This essay will examine his life and will examine what influenced him at an early age. It will also look at his accomplishments as a pianist as well as a composer and examine how he became as well known as he is today. It will use his background to show what exactly influenced him to become a successful pianist and composer and it will discuss how essential he was during the Romantic era.