Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The chronicles of narnia the lion the witch and the wardrobe analysis
A Literary Analysis of Chronicles of Narnia by C.S. Lewis
The chronicles of narnia the lion the witch analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe is a fascinating, adventurous journey about 4 siblings traveling through a magical wardrobe to a land called Narnia. As they explore the land, they learn of its destiny and free it from the evil white witch, with the help of a majestic lion.
According to Time Magazine, “There’s no fire, no passion and not much fun.” I have to disagree with this statement because I thought that movie was fun-filled and intriguing. As the movie was unraveling itself, it kept me on a rollercoaster with entertaining and emotional scenes; it kept me on the edge of my sear. I felt that the Chronicles of Narnia: The Lion, The Witch, and The Wardrobe was an awesome work of profound ambition.
To add, the actors and actresses in the movie did an awesome job with portraying their characters through expressing emotion and what they were feeling. They played with emphasis and placed themselves in the place of their character. My favorite character was the lion, Aslan. He was a well put together and solid character; he had an authentic presence that was well needed in the movie. Although the movie overall was epic, some of the movie scenes didn’t match the image that I thought it was going to be which made me sadly disappointed. For example, there was a scene in the movie where a war had took place and it wasn’t as electrifying as I thought it would be. Also, the portraying of the White Witch character through her appearance and manor didn’t meet my expectations.
C.S. Lewis, author and creator of The Chronicles of Narnia did a phenomenal job with the majestically theme of the book and moral of the movie, although he didn’t produce it. “No book is really worth reading at the age of ten ...
... middle of paper ...
... normally does with all of his fiction novels. He does this by using metaphors, symbolism, imagery, and more. Through the Chronicles of Narnia, I think that C.S. Lewis wanted to let his audience know that there is a higher power and that good can overpower evil.
In conclusion, one of C.S. Lewis famous quotes that I love states “I was with book, as a woman is with child.” This quote means that Lewis was with his book when he wrote it; he nurtured it and took care of it and he wanted anybody that laid hands on it to value it as much as he did as a woman does for her baby. C.S. Lewis did an outstanding job with the book and Andrew Adamson added even better charm when he directed the movie. This movie was great and its gets 5 stars from me! I would recommend this movie to anybody, young or old because it tells a story that only the imagination can comprehend.
Manlove, Colin. "The Lion, The Witch and the Wardrobe." "The Chronicles of Narnia": The Patterning of a Fantastic World. Twayne Publishers, 1993. 30-42. Rpt. in Novels for Students. Ed. Ira Mark Milne. Vol. 24. Detroit: Gale, 2007. Literature Resources from Gale. Web. 21 Jan. 2014.
Overall, the movie and book have many differences and similarities, some more important than others. The story still is clear without many scenes from the book, but the movie would have more thought in it.
The Chronicles of Narnia are enticing books, which offer a wonderful fictional plot line, but also a deeper philosophical importance if one analyzes the series. Many religious allusions can be found between characters in Narnia and biblical people. Deeper understanding can be found throughout the stories even in many overlooked aspects of everyday life. “The Chronicles of Narnia” is a piece of literature filled with religious symbols and allusions, such as the actions of Aslan and the personality of Peter, that enhance one’s perception and understanding of the books.
The Magician’s Nephew is the genesis of Narnia. It all starts with a curious but cowardly Professor and two kids who want to find out what the Professor is doing so secretly in his lab. When they get there, the Professor tells the kids that he has found a way to travel between worlds and tricks them into trying his invention. Catastrophes and wondrous adventures follow.
When the actual adventure began, one of the four children entered the wardrobe’s doors while playing hide and seek with her siblings, and entered the land of Narnia. The family eventually gets trapped in a mysterious winter wonderland filled with magic, fauns, and huge talking beasts. In chapter 14, there is a descriptive explanation of some of the creatures that existed in Narnia: “A great crown of people were standing all-round the Stone Table and though the moon was shining, many of them carried torches which burned with evil-looking red flames and black smoke” (Lewis 151).... ... middle of paper ...
The movie is, most likely, done well enough to intrigue its intended audience. It captured the theme and story line of the book. It falls short, though, when compared to the beautiful, sensitive and contemplative prose of Natalie Babbitt. One could only hope that a viewing of the film will lead the watcher to try the book and be delighted all the more.
.... While it was good for its era and considered a classic by many, this film has many flaws due to the technological constraints. The musical numbers aren’t catchy, the story felt lacking, the visuals are putrid at times, and I have no idea how it won the Oscar for special effects. The orphans seemed to show little importance to the story besides Paul. After Charlie displayed arrogance, he never did anything to sway away from that. Carrie had the smallest part of the film and it seemed almost non-existent. Paul was probably the only orphan required for the story to progress. I would only recommend this movie to those who are either a fan of classic Disney movies or to a parent that would like to show their children something different. Despite winning an Oscar for special effects and being deemed a classic, Disney’s Bedknob and Broomsticks is rather average.
Lewis did not intend for The Lion, The Witch and the Wardrobe to attempt to strike at moral standpoints. Lewis stated in an interview, “’I don’t like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question: ‘What do modern children need?’ will not lead you to a good moral”’ (Sadler). However, his use of the innocence of children evokes the essence of purity and good. This purity conflicts with the cruelty and scorn displayed through the White Witches actions, resulting in her becoming an evil figure. The archetype of good vs. evil that writers use throughout literature has proven to be a successful means of striking intrigue in an audience. This combined with the magical setting employed by the mysterious Narnia allows Lewis’ work to be so interesting to readers through decades and generations.
...c child who is an innocent and has no place in the world of the wicked. His troubled self’s resolution comes at the end after Edmund has spoken to Aslan, the true ruler and god of Narnia. Both Edmunds own initiative and, less directly, religion lead Edmund back to before he was spoiled by the school he went to and the enchantment of the witch’s candy. Lewis therefore is following the Romantic tradition of innocence as a part of childhood since it was not Edmund’s fault he performed the incorrect behavior and was drawn to the side of evil.
I was overall pleased with the movie, because it stayed fairly close to the book's descriptions and the storyline. The storyline didn’t change except for the Hound dieing. The book and movie had many more differences and a lot of similarities yet they had the same storyline.
The book and the movie were both very good. The book took time to explain things like setting, people’s emotions, people’s traits, and important background information. There was no time for these explanations the movie. The book, however, had parts in the beginning where some readers could become flustered.
Fiction has always been used as a way to relay different types of messages throughout time. In many cases authors use fiction to make political commentary, use stories to bring out the major flaws that society has, as well as a way to spread different types of beliefs or ideals. C.S. Lewis’s used his work, “The Chronicles of Narnia”, to reiterate the messages of the Bible to those who might have gotten lost during their lifetime. Though his whole series was full of connections the book that have the most prevalent connections are The Magician’s Nephew and The Lion, the Witch and the Wardrobe. In both there are places that are very similar to and very different books in the Bible. Taking into context when Lewis wrote this series is extremely important to see what some of his motivations might have been. These stories were started soon after World War II had ended. These stories were a way to teach the next generation some of the morals that the Bible was teaching. By creating these fantastical stories Lewis was able to make connections to help bridge the learning gap between the two generations. Also by using children as a target audience Lewis was able to remind adults as well, instead of being ignored because of the recent war. Lewis was able to address these lessons and morals in a way that both taught the children the way of the Bible, as well as to put a new spin on old tales so that adults were able to come back to religion, after losing some faith during the brutal war.
Within The Lion, the Witch, and the Wardrobe, C. S. Lewis creates a question in the reader's mind on whether or not the story was meant to symbolize a Christian allegory. Throughout the story, Lewis utilizes the use of symbolism through his characters, their actions, and the places they travel. All of the main characters in the novel symbolize something within the Holy Bible. The Pevensie children are evacuated from war-torn London and sent to live in the country with Professor Kirke, an eccentric old man. While playing hide and seek on a rainy day, Lucy, the youngest Pevensie, discovers a colossal wardrobe in an empty room. She decides to hide inside, but "she had, of course, left the door open, for she knew that it is a very silly thing to shut oneself into a wardrobe" (The Lion, the Witch, and the Wardrobe, Lewis, 7). She discovers that the wardrobe has no ending and it leads to a world full of snow and strange creatures. Lucy meets a faun, Mr. Tumnus, and she follows him back to his home. Mr. Tumnus confesses that he is a servant of the White Witch, Queen Jadis. He states, "I had orders from the White Witch that if I ever saw a Son of Adam or a Daughter of Eve in the wood, I was to catch them and hand them over to her" (Lewis, 21). This is when the reader sees the first sign of symbolism. Lucy is extremely trusting. She represents children and their absolute innocence. When she enters back into the real world, she starts yelling that she is back and she is alright. However, her siblings have no idea what she is talking about. After they hear her story, the three eldest Pevensie children f...
The Narnia Chronicles have already established themselves as timeless works of literature. They appeal to both the atheists and the God-fearing, to both the uneducated and to scholars; to children and adults. An understanding of the Biblical allegory in these books is not essential to their appreciation. A critical analysis of these works, however, does allow the reader to more fully appreciate Lewis' unique gift to simplify complex narratives and craft beautiful children's fantasies. This, in turn, allows the reader to gain both a deeper understanding of Lewis as a skilled creative writer, and a deeper satisfaction of his art. To be able to appreciate C.S. Lewis as such an artisan can only add to one's enjoyment of his works.
Lewis, was a book which changed children’s fantasy metaphorically and literally. In the book, Peter, Susan, Edmund, and Lucy Pevensie stumble upon Narnia, a frozen land under control of the White Witch, through a wardrobe inside the house. Levy and Mendelsohn describe how the fantastic is contained in the sense that “the true fantastic is found at the heart of the home” (41). This book follows that same idea that there is a separation between the real world and the alternative world Narnia. When Lucy finds Narnia and rushes back to tell the others about it, they do not believe her at first because it sounds made up. It is not until the others stumble upon the alternative world themselves that they are blown away by the fantastic elements and characters. In Narnia, there are many fantastic characters including the faun Mr. Tumnus, the White Witch, talking beavers, dwarves, centaurs, minotaurs, and Aslan the talking lion who represents a godly figure. These four siblings have to learn who to trust and who they cannot trust. Levy and Mendelsohn point out that “Lewis changed the mood and direction in ways that have endured, although other forms were to emerge in the 1970’s … understanding that much children’s fantasy would be otherworldly, either physically or spiritually” (106). In James E. Higgins, A Letter from C. S. Lewis, Lewis describes how "[t]he Narnian books are not as much allegory as