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Fire. Fire Raged. Fire Ravaged. The flames licked the shadows, battled back the black. The inferno rose, the darkness quelled. All was silent. For a while. - So upfront hadn’t actually worked out too well, or not at all, Amber mused as she stood in line waiting for her tea. Her eyes moved to the window seat in the corner of the cafe, as she hoped and prayed no one took it before she could seize it. There were two women and a child in front of her and judging by the child’s screaming, they would not be staying within the establishment, and there was a boy, somewhat older than her but still in his teens, standing awkwardly with an earbud in one ear and a backpack drooping from one shoulder - she guessed he’d be moving on too. Still, she inwardly chanted ‘to go’, ‘to go’. If there was any fairness in the world, they’d let her grab her seat in peace. She felt rotten and confused. There she’d been, sitting in the office of the BBA, all fired up to announce the doom of the world - or just a part of it - and Mr Dickinson had politely implied that she was a child playing imagination. Faeries indeed, who would ever believe in such a thing. You’re so melodramatic. Here’s an idea, find a new host. Impossible. I’m cursed with you. Amber rolled her eyes, fixing the earbuds in her own ears. No music played, but if anyone caught her mouthing to herself, she could pretend she was singing. Fact of the matter was, she was cursed; not the voice in her head. The two women with the screaming child moved to the waiting area and Amber breathed a sigh of relief when she saw two Styrofoam cups being set up for their order. A new table was opening up in the centre of the room, as an old coupl... ... middle of paper ... ...: why had she lied at the hotel? Why had she gone to see Mr Dickinson? What was going on? Was she an enemy? Was she a friend? And when Ian phrased his question like that, it all sounded so surreal and far fetched. ‘We could just be overreacting. I think we’re so suspicious because each year something terrible has happened -’ ‘Nothing bad is happening this year!’ Hilary spun to find Ming-Ming standing behind them with a fist on her hip, another finger pointed at them in warning. ‘Aren’t you supposed to be singing?’ ‘I’m just making sure that Mr Dickinson and his guests are settled. We have the Mayor of Belfast visiting as well as the Minister for Sport or something. As Ambassador, I need to see to their every needs and since this is my tournament, I’m warning you all now. Nothing,and I mean nothing is going to happen!’ - Chapter Seven
...d down so that no one would ever doubt the truth of her horror”. This is an example that she is examined as a freak and as evil for all the bad that she has done even though it is not serious.
For years Miss Emily was rarely seen out of her house. She did not linger around town or participate in any communal activities. She was the definition of a home-body. Her father was a huge part of her life. She had never...
Before 1925 recordings were made with an acoustical horn that would capture the sound of the musicians in front of it and transferred the vibration to a cutting stylus. No electricity was used. This process was called the acoustical process. In 1925, microphones were introduced to transfer the acoustical energy to an electric signal, which fed the cutting stylus. This electrical process ameliorated recordings sound.
“No thank you, sir,” Anne said, twisting out of his reach and hopping from the train. “There’s knack to holding it, if you don’t mind.” She glanced over the near empty platform. “It appears I’m to wait for my ride.” The thought wasn’t oppressive. Avonlea was a variable paradise. Gone were the wastelands of the outer provinces, replaced by lush grasses, strong and tall green trees, and a bright blue sky as far as the eye could see. Bees hummed and birds chirped amongst the treetops. Instead of recycled oxygen, here the air smelled of sunshine and warm apple pie. “Train’s early,” the stationmaster said. “Do you wish to go inside to the lady’s waiting room?” Hope lodged firmly in Anne’s heart. “I do believe I’ll wait outside. Right there on that bench.” She grinned. “So much more scope for the imagination, don’t you agree?” “I suppose…” the man muttered, but his doubt was lost on Anne, who’d already plunked down on the bench and was staring up into the heavens with unrestrained joy. She had done it. She’d left pain and terror behind and stepped into the light. Nothing would take this new world from her. No thing. And no one. A tremulous smile pulled at the corners of her mouth. Avonlea had a new protector. Lord save them
Waiting impatiently for the arrival of the Allegro Middleseton the Upper Chadwell Green Monitoring Unit counted every wheel-turn between start and finish of its journey, a journey that took the massive double engined, battery-powered shining blue train through the rain directly towards, and beyond the huge railway configuration situated between smokestacks 2 and 3. Upper Chadwell Green Monitoring Unit also checked on the whereabouts of Coal Train 6476.
...comfort he’s having with adapting to the idea of Alice being “old enough to go courting,” and contemplates life without belonging. “Then, clenched in the pain of loss, he lifted the bird on his wrist, and watched it soar,” reality seeps in as he realises that one day his granddaughter must leave it’s the nature of life. This parallels Emily Dickinson’s underlying ideal in The Saddest Noise, The Sweetest Noise as life must be endured without the ones we love.
In The Author to her Book, the author’s tone changes multiple times throughout the story making it quite clear where she stands and how she wants the reader to feel about each sentence she writes. By analyzing the words and images Anne Bradstreet uses and depicts, it clear she is frustrated and annoyed about what is happening based on what the speaker says in the poem.
She enjoyed it. Do you know how we can tell we put new technology into a small chip and we inserted that into her brain and now we know what she is saying in her head.
At this last piece of information, Freddie felt more than a little exercised. He would write to Iris by return of post. He wondered too if it would be too disloyal of him if he were to alert his mother to Iris’s plans. It was madness, why couldn’t she see that. Just how was she going to pay for this fanciful holiday, and her new clothes and the other things she’d mentioned? Hoping, it wasn’t too late, Freddie snatched up his biro, and on a large sheet of foolscap paper, he began to write. How could he dissuade her from taking what he believed to be, a very silly course of action, he firmly underlined these words.
Yaghjian deals in this chapter with how to write a theological reflection paper (TRP) well along with “rhetorics of process, problem solving and proclamation” (18). The beginning of this chapter memo is not simply an “academic exercise” but rather a good instruction to write TRP well. The author admits that there is no such model of writing Theological Reflection Paper, because different writers write a reflection paper depending on their specialization. To write a Theological Reflection Paper is to have a clear understanding of what does it mean to be “theological reflection” and the reason of writing their reflection in their particular context. Determining writing what type of paper also essential in writing reflection paper.
She walks up the stairs. The house is very noisy. The music is so loud that the floor vibrates. The smoke alarm is off and the little girl is coughing and sneezing. The living room looks cloudy. “What’s burning? What is up? Whose jacket is this?” Linette asks hanging her bag. “What has come over my son, God?” She asks rhetorically looking up the ceiling. “Didn’t we discuss this before I left for Dubai?” Linette asks Brian, her eldest son who is slowly becoming a drug addict. “What are you up to this time round? What are you smoking, my dear…pot?” Linette asks as she bends to pick pieces of what looks like packaging manila. “Oh my goodness!” She pauses. “Look at what you are doing to your sister. Can’t you spare her at least?” Linette wonders as she stretches her arms to pick up Kimberly, her youngest daughter. “Mom…” Kimberly utters. “I miss you!” Kimberly says as she reaches her mother’s ears. “I know ma’am! I am back and I missed you too. How are you?” Linette asks as she looks into her daughter’s eyes. “I am hungry. I ate lunch, though!” Kimberly
“Oh yeah, Stoney face is a product of this mess too, you know. He’s in it for something—and it’s more than being philanthropic with his lofty space. I say we hide out at my place. Hugh? My old lady, she’ll make it all golden.”
she was trying to piece together her memories but it was hard. It was like trying to solve a puzzle with half of the pieces missing impossible. She would get angry at herself and with that she gave up.
“Why did this have to happen to me?” Katrina asked in despair. Almost all hope had been lost for her. It had been two years since she was turned. “Ugh,” Katrina shuddered. She didn’t even like to think about it, it had ruined everything in her life. The praise she received, the glamor she felt, just everything! She hated that witch, and had been happy when she d...
She had brushed it off, saying that she was just puzzling over something and needed to go over the facts – but out loud. The young boy hadn’t looked like he’d believed her, as soon as she’d dismissed him he’d scurried out without a look back, he was so scared in fact that he’d dropped the paper the message had been written on before he’d had the chance to hand it to her probably.