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Essay on thematic analysis
Narrative Writing about roller coaster
Narrative Writing about roller coaster
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The three books I read were Who Am I Without Him, The Brides of Rollrock Island, and The Big Crunch. Each book had a similar theme that connected to each other, and that was love and relationships. In Who Am I Without Him it was a compilation of love stories and people in relationships. In The Brides of Rollrock Island, it was about relationships and in some cases the lack of love. The Big Crunch was all about one relationship and how these two kids worked on how they loved each other. Even though each of these books had a central theme to each other, they couldn’t have been more different. In The Brides of Rollrock Island, there was the use of magic, which would classify it as not only a romantic book but also fantasy. The short story novel …show more content…
For example, in the book the witch named Misskaella had a horrid origin, it shows a little innocent Misskaella, and it takes a dark turn when her dying relative comments on her “miscast” (pg. 14) appearance and Misskaella thinks “Her face was all dismay, looking at me. My hand came up to touch my nose and mouth, but they were only the same nose and mouth I had always had; there was nothing new or monstrous about them.”(pg.15). The author of The Brides of Rollrock Island, Margo Lanagan, uses sophisticated language and has an artistic use of emotion and atmosphere. Since the story is around seven narrators, it shifts perspective and time feel abrupt and incomplete but it all ties together, in the end, completing a full circle. In Who Am I Without Him there are twelve short stories with different protagonists. The themes vary from things that can be trivial like looks or to extreme circumstances like abject poverty and murder. The stories moved away from surface moralizing arguments to profound and engaging ideas. For example, In the short story “Jacob’s Rules”, a young man in a class called boy stuff and they discuss things like “sex, gangs, money, drugs, living, dying, and yeah, girls” (pg. 55). Another example of how serious the themes can be in this book is the first short story called “So I Ain’t No Good Girl,” it is about a toxic relationship with young women and her boyfriend. He slaps his girlfriend for talking back. She late goes through doubtful thoughts like “ain’t nor beauty prize” (pg. 9). She has a lack of respect for herself and is trapped in this unhealthy
When an author romanticizes a piece of literature, he or she has the power to convey any message he or she wishes to send to the reader. Authors can make even the most horrible actions, such as Dustan murdering ten savages in their sleep and justify it; somehow, from both the type of mood/tone set in this piece of literature, along with the powerful word choice he used, Whittier had the ability to actually turn the tables on to the victim (i.e. the ten “savages” who were murdered in their sleep). “A Mother’s Revenge” by John Greenleaf Whittier, is a prime example of how authors can romanticize any situation into how they want to convey their message.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
Literature of the Americas has many stories and they all have comparisons, but they also have many differences. “Day of the Butterfly” by Alice Monro and “Crossroads: A Sad Vaudeville” by Carlos Solórzano have characters that share some traits and ways, but like all characters they have things that are different. The old woman from “A Sad Vaudeville” is a dynamic protagonist who finds herself meeting the perfect man for her, but has a dilemma when he is in denial because she is not the ideal girl of his dreams; she’s old. Myra from “Day of the Butterfly” is a static antagonist who does not have the same care free attitude as most of the children her own age. She is rather shy and does not fit in or socialize much with people her own age. She does not derive from a very wealthy family. She is responsible for her brother Jimmy which holds her back from having more age appropriate experiences.
The central theme of Flannery O’Connor’s three short stories is irony. Her stories are parables, that is, short stories with a lesson to be learned.
“Short Stories." Short Story Criticism. Ed. Jelena Krstovic. Vol. 127. Detroit: Gale, Cengage Learning, 2010. 125-388. Literature Criticism Online. Gale. VALE - Mercer County Community College. 28 February 2014
Have you ever experienced a day where nothing goes right? The story “A&P” written by John Updike is one of a teenage boy named Sammy who quits his job in hope of impressing some girls --- only to find they neither cared nor listened. “Miss Brill” written by Katherine Mansfield is a story about an elderly woman named Miss Brill who goes to the park to observe people; her evening is ruined when some kids make fun of the way she 's dressed. Miss Brill and Sammy started their day motivated, as the stories went on their moods shifted because their actions were affected by other people 's opinions. But sad endings don 't always have to be sad, there 's a lot a reader can learn from them. Sad endings are more memorable than other endings because there is a feeling of uneasiness left for the reader. It is also more realistic that people don’t have a perfect day or the hero gets what they wanted. Updike and Mansfield use sad endings to further the theme of disappointment.
Romance narrative is a type of writing that usually features a hero and his journey or quest. The hero reaches a transcendent goal through tests or trials. The narrative is often represented as a circle because the story begins with the hero’s goal. It then continues with the hero’s journey through the difficulties that he must overcome to achieve that goal and finishes with the initial goal accomplished. It’s a popular format because it externalizes the internal struggles that people face in their own lives in overcoming problems and especially in defining themselves as they transform from childhood to adulthood. The narrative follows a pattern of initial innocence, acceptance of duties and trials, then failure and despair. The failure is
In many short stories, characters face binding situations in their lives that make them realize more about themselves when they finally overcome such factors. These lively binding factors can result based on the instructions imposed by culture, custom, or society. They are able to over come these situations be realizing a greater potential for themselves outside of the normality of their lives. Characters find such realizations through certain hardships such as tragedy and insanity.
Generally you would have stories that usually have a character, situation or symbol that appears so often in a work that has a deep universal meaning or a response; like how the color red represents passion or blood, three would represent trinity or mind, body, spirit; and wilderness is danger. This literary device is called an archetype. Numerous stories have the same archetype such as Trifles by Susan Glasspell and El Santo Americano by Edward Bok Lee. Both these two play writers use the victim archetype in these two works. The victim archetype is when a character is hurt by someone or lives in fear that someone will hurt him or her.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
It has been said of Anton Chekhov, the renown Russian short-story writer, that in all of his “work, there is never exactly a point. Rather we see into someone’s hear – in just a few pages, the curtain concealing these lives has been drawn back, revealing them in all their helplessness and rage and rancor.” Alice Munro, too, falls into this category. Many of her short-stories, such as “Royal Beatings” focus more on character revelation rather than plot.
Within every story or poem, there is always an interpretation made by the reader, whether right or wrong. In doing so, one must thoughtfully analyze all aspects of the story in order to make the most accurate assessment based on the literary elements the author has used. Compared and contrasted within the two short stories, “Girl” by Jamaica Kincaid, and John Updike’s “A&P,” the literary elements character and theme are made evident. These two elements are prominent in each of the differing stories yet similarities are found through each by studying the elements. The girls’ innocence and naivety as characters act as passages to show something superior, oppression in society shown towards women that is not equally shown towards men.
'Young Goodman Brown,' by Hawthorne, and 'The Tell Tale Heart,' by Poe, offer readers the chance to embark on figurative and literal journeys, through our minds and our hearts. Hawthorne is interested in developing a sense of guilt in his story, an allegory warning against losing one's faith. The point of view and the shift in point of view are symbolic of the darkening, increasingly isolated heart of the main character, Goodman Brown, an everyman figure in an everyman tale. Poe, however, is concerned with capturing a sense of dread in his work, taking a look at the motivations behind the perverseness of human nature. Identifying and understanding the point of view is essential, since it affects a reader's relationship to the protagonist, but also offers perspective in situations where characters are blinded and deceived by their own faults. The main character of Poe?s story embarks on an emotional roller coaster, experiencing everything from terror to triumph. Both authors offer an interpretation of humans as sinful, through the use of foreshadowing, repetition, symbolism and, most importantly, point of view. Hawthorne teaches the reader an explicit moral lesson through the third person omniscient point of view, whereas Poe sidesteps morality in favor of thoroughly developing his characters in the first person point of view.
Works like “Girl” by Jamaica Kincaid, “The Story of an Hour” by Kate Chopin, “I Want a Wife” by Judy Brady and “Ain’t I a Woman” by Sojourner Truth all have the elements of