Jean Luc-Godard, one of the pillars of the auteur theory itself, cements his claim to auteur fame, with his film, Vivre Sa Vie. As Andrew Sarris points out in “Notes on the Auteur Theory in 1962”, there are roughly three premises of the auteur theory on which to judge a director. These include the technical expertise of the director, the distinguishable style of the film that reflects the director, and lastly the relationship between the director and his art and the glory that that relationship produces (Mast & Sarris). Jean Luc-Godard is regarded as a director who consistently made films that are visual and intellectual landmarks in the world of cinema. Rob Nixon, a contributor of the Turner Classic Movies channel, explains the greatness of Luc-Godard, “Jean-Luc Godard was the most talked about and exciting filmmaker ...
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...unexpected fall into darkness and all of the elements of style that he employs reinforce that theme. Shane Carruth does much of the same with his fantastical Upstream Color that employs cutting edge techniques and an artistic style that very well maybe a new direction that film could be heading in. Both men, as previously stated, have a style distinctive to their filmmaking process and in viewing their bodies of work, one would be able to see that style shine through. That is what makes them great auteurs. Maybe in the future, the cinema world will experience many more auteurs that will invoke their own personal flair on the film industry, which inherently will make films more diverse. As displayed by these two men, taking on the role of an auteur has the potential to make landmark films that will stand the test of time, rather than just being seasonal blockbusters.
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