Free Jean-Luc Godard Essays and Papers

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  • Breathless, by Jean-Luc Godard

    2023 Words  | 9 Pages

    of 1960s Breathless, there came a film (for it’s time) that is new, aesthetically and ethically. In a clean, yet rebellious way, Godard makes the statement, ‘Anything is possible when it comes to cinema, that there is no limit to the possibilities of film form.’ Godard understood the rules and clichés of cinema and had the guts to fool around around with them. Godard split ways from classic cinema to make a film that was at the peak of cinematic innovation, while simultaneously paying homage to

  • Jean Luc-Godard And The Auteur Theory

    2046 Words  | 9 Pages

    repetitive in their films is what Francois Truffaut, the film critic who established the theory, would call an auteur (Boda &Pendleton-Thompson). Two such auteurs whose films were shown in class this semester include the legendary French director Jean-Luc Godard who directed Vivre Sa Vie (1962) and the American director of Upstream Color (2013), Shane Carruth. Though these directors are acclaimed as auteurs

  • Analysis Of Jean-Luc Godard Weekend

    1012 Words  | 5 Pages

    Jean-Luc Godard’s Weekend, released in 1967, embodies the entirety of the French New Wave cinema in its prime, as well as being a masterpiece and a hit worldwide. Strewn with different types of cuts and camera angles, as well as lots of bright colors, Godard creates a humorous, crash-filled piece with a dark underlying plot. The combination of these seemingly opposing factors only adds to the genius of Godard, who throughout the piece alludes to something deeper thematically- the human self-destruction

  • Tahking a Closer Look at Jean-Luc Godard

    2281 Words  | 10 Pages

    Jean-Luc Godard is one of the French filmmakers who worked from the end of 50s and during the 60s in the trend called as the “nouvelle vague” (new wave). He wrote film critics for the magazines such as cahiers du cinema and made 4 four short films before he made 1959 his first feature film A bout de Soufflé, which was famous first of all through its jump cut and was called the first nouvelle vague film. With this film, he became an iconoclast and artistic hero in the film history. His films are filled

  • Jean Luc Godard And The Film Influence In The History Of Modern Cinema

    1149 Words  | 5 Pages

    The French New Wave, particularly the works of Jean Luc Godard, has an important in the history of modern cinema. The new sense of realism that came out of his works would change film as an art form for the rest of time. A group of trailblazing directors who formed there own critical school called Cahiers du Cinema, set a new form of filmmaking in motion in the mid 1950’s. André Bazin is one of the most well known of these critics. The new style of the “Nouvelle Vague” rejected the linear tropes

  • Jean Luc Godard?s Weekend as Didactic Self-Reflexive Cinema

    1882 Words  | 8 Pages

    for accepting the necessity for violence. As seen throughout the film, Godard uses these titles as a device to: Introduce and set off a given scene from the surrounding context of the narrative, tell viewers what it is they are about to see, remind viewers of the filmmakers intrusion on the narrative, and emphasize the way the filmmaker has chosen to shape and organize the structure of the film. Filmmakers like Jean Luc Godard employ the devices of the self-reflexive mode of screen reality because

  • Sound and Editing Analysis

    1023 Words  | 5 Pages

    because of the fact that they have a universally understanding or interpretation. This is true for the French New Wave films; Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films; Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society using sound and editing. Godard creates a unique editing style in Contempt and Breathless through the combination of long takes and jump cuts. Godard’s use of these two editing techniques express

  • French New Wave and Poetic Realism

    1115 Words  | 5 Pages

    from the Lumière brothers and the fantastical shorts of Maries Georges Jean Méliès, cinema has continually fulfilled its fundamental purpose of artistic reflection on societal contexts throughout the evolution of film. Two French cinematic movements, Poetic Realism (1934-1940) and French New Wave (1950-1970), serve as historical bookends to World War II, one of the most traumatic events in world history. The Rules of the Game (Jean Renoir, 1939) is a classic example of French Poetic realism that depicts

  • Jean-Luc Godard´s Breathless

    1367 Words  | 6 Pages

    Breathless is in many ways the antithesis of the classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure. Breathless defies these elements of traditional filmmaking, instead defining what we know as French New Wave. From its opening scene Breathless breaks convention. Michel Poiccard, the main

  • Breathless Movie Analysis Essay

    779 Words  | 4 Pages

    Jean-Luc Godard’s film, Breathless (1960), is a conventional crime movie that is told using unconventional methods. The film tells a tale of a low-level gangster, Michel (Jean-Paul Belmondo), who aims to become Humphrey Bogart, a character in American crime films. He steals a car, in turn, shoots and kills a policeman. Michel escapes to Paris where he begins seducing a young, American, blonde named Patricia (Jean Seberg). Patricia does not know of his criminal activities. However, when the police