Essay on Analysis Of Agatha Christie 's The Murder Of Roger Ackroyd

Essay on Analysis Of Agatha Christie 's The Murder Of Roger Ackroyd

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Perception and Social Standing in Agatha Christie’s The Murder of Roger Ackroyd
The Murder of Roger Ackroyd was first published in 1926, and is one of many of Christie’s Hercule Poirot Mystery novels. In this novel, we obtain a deeper understanding of the impact social standings has and the influence it has on how people perceive you. The mystery takes place in an era where social class was extremely divided, and it is shown throughout the novel how a character’s social class can hinder or help. Even when the characters are faced with a crime, and the person who did it is unknown, social class still plays a magnificent role in unraveling the explanation of who would have committed something as dreadful as murdering a man. The Murder of Roger Ackroyd demonstrates that social class alters the individuals meaning of the novel by incriminating the lower social class, elaborating motives, and creating imperceptive alibis.
Christie uses the pronounce divide in social class, and the strict unspoken laws of social hierarchy to create incrimination upon the lower end of the social class spectrum. Although very miniscule, attempts are made to pin the murder of poor Roger Ackroyd on the servants of Fernly Park. This can especially be dissected through the analysis of Ursula Bourne and the abrupt dismissal of her position at Fernly Park, directly following the murder; “‘You may have not noticed it at the time, my good friend, but there is one person on this list whose alibi had no kind of confirmation. Ursula Bourne’”. (125) Ursula has no real alibi, but we are easily persuaded into thinking that she may be the guilty one. Social hierarchy is a leading factor in the amateur detective work done by the other characters. Ursula through her de...


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... doctor that is trying to solve the mystery. He is portrayed as good but, “‘Let us take a man-a very ordinary man. A man with no idea of murder in his heart. There is in him somewhere a strain of weakness deep down. It has never been called into play. Perhaps it never will be and if so he will go to his grave honoured and respected by everyone.’” (201) Dr. Sheppard was to be one never capable of murder, and through his social standing, and his actions throughout the novel such as, being right hand man to the very truthful main detective Poirot, he “‘played Watson to his Sherlock’” (155) he was portrayed as a good man. Through our judgements of social class, it was allowed that he was truthful, and he never was questioned. The undetectable and paper thin alibis developed throughout the text go unnoticed due to the diverting order of the characters within the novel.

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