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Biography of albrecht durer
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Albrecht Durer has been considered to be one of the greatest German Renaissance artists of all time. During his time, the Reformation was in full swing, and many today are not sure of which side Durer was on. The question most people ask when it comes to Albrecht Durer is whether or not he was Catholic or Lutheran, but it is not that simple. It must be remembered that even Martin Luther did not want to leave the Catholic Church; he merely wanted to improve it. Martin Luther and Albrecht Durer were very like-minded men and while both sides provide a good argument, there is convincing evidence that Albrecht Durer supported Martin Luther in his endeavors and at heart believed in the same ideas as Luther. This however, does not mean that he became a “Lutheran”.
Albrecht Durer was born on May 21, 1471 in Nurnberg, Germany. He was the second son of Albrecht Durer the Elder, a Hungarian goldsmith, and Barbara Holper. At a young age Durer began working in his father’s workshop as a draughtsman, and in 1486 became an apprentice to Michael Wohlgemuth. Durer apprenticed Wohlgemuth for three years and then left his workshop to travel. In his years of travel he most likely went to the Netherlands, Alsace, and Basel, Switzerland, where he completed his first woodcut (Albrecht Durer (German artist) -- Britannica Online Encyclopedia).
Durer completed this set of travels in 1494, and returned to Nurnberg, where he married Agnes Frey. That same year he took his first journey to Italy, which strongly influenced his humanist style. This time spent traveling also encouraged his painting of landscapes, which was new in art at this time (Albrecht Durer (German artist) -- Britannica Online Encyclopedia).
In 1512, Durer began working for ...
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...hout his life, Durer reflected this in his actions, words, and artwork.
Works Cited
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Art was viewed in a different sense in the fourteenth century. It had a more active role and was not just decoration, but a vital component of worship and pr...
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Johnson, Geraldine A. Renaissance Art, A Very Short Introduction. New York: Oxford University Press, 2005.
In this paper I'm focusing mainly on Renaissance art work, since that was the assignment, but I feel it's important to also mention the other important parts of the Renaissance, architecture, science, politics and religion.
The Four Horsemen of the Apocalypse has many renditions. Albrecht Durer is the artist of one of the renditions. Albrecht Durer was a German artist that lived from 1471 to 1528. Albrecht lived in Nuremburg but traveled throughout Europe. His early life consisted of him living in Nuremburg and being an apprentice. Durer trained to become a draftsman in his father’s workshop, Albrecht Durer the Elder. During his travels, Albrecht found inspiration for paintings such as his landscapes. Albrecht traveled to many of the countries in Europe but his two trips to Italy show much influence on his style as an artist. Prior to his first trip to Italy, Albrecht married Agnes Frey. Durer’s first trip to Italy happened in 1494 but only stayed in Italy until 1495. Albrecht went on his second trip to Italy in 1505 and stayed for a year longer than his previous trip. Durer departed from Italy in 1507 with influences from Venetian artists. Some of the stronger
...ything connected with his art- "how to collect knowledge and pass it on to others" (Streider 12). To further fulfill his spiritual role, Durer pledged to write one last instructional book entitled Food for Young Painters in which he would hand down all his knowledge and experience as his legacy to those "able young men who love art more than silver and gold" (Russell 161). His advice for the young painter was "that he be kept from women… and that he guard himself from all impurity, (for) nothing weakens the understanding more than impurity." He should be taught "how to read and write well," he should be taught to pray to God for "The grace of quick perception" (Hutchinson 111). But the book was never completed before he died suddenly on the sixth of April, 1528 (Hutchison 110).
In this research paper I will be looking at two different artworks by the same artist. The two I will be looking at are the Sistine Chapel Ceiling (1508-1512) and The Last Judgment (1534). Both of these painting are painted in the Sistine chapel which is located in the Vatican. I am going to attempt to evaluate these two pieces of art painted by Michelangelo and explain the cultural and religious aspects of them. I will also look to other scholars to get their perspective and their reactions to the paintings. The last step of my research will be to formulate a theory about the relationship between culture and religion and use my topic to help defend my theory.
Roper, H. R.. The crisis of the seventeenth century; religion, the Reformation, and social change. [1st U.S. ed. New York: Harper & Row, 19681967. Print.
Partridge, Loren. The Art of Renaissance Rome 1400-1600. New York, NY: Harry N. Abrams, Inc., 1996.
As the seventeenth century began the Catholic Church was having a hard time bringing back the people who were swept away by the protestant reformation. The conflict between the protestant had a big influence on art. (Baroque Art) The church decided to appeal to the human emotion and feeling. They did so by introducing a style called Baroque. Baroque was first developed in Rome and it was dedicated to furthering the aims of Counter Reformation. Baroque was first used in Italy than later spread to the north. In this paper I will argue that the Italian Baroque pieces were more detailed and captured the personality of the figure, in contrast and comparison to Northern Baroque pieces that aimed to produce a sense of excitement and to move viewers in an emotional sense leaving them in awe. I will prove this by talking about the different artwork and pieces of Italian Baroque art versus Northern Baroque Art.
The renaissance and the reformation were two of the most significant changes in history that has shaped our world today. Both of these great time periods are strikingly similar in some ways and totally different in others. This is because the renaissance was a change from religion to humanism whether it is in art or literature; it is where the individual began to matter. However, the reformation was,” in a nutshell,” a way to reform the church and even more so to form the way our society is today. The first half of this paper will view the drop in faith, the economic powers, and the artistic and literary changes during the renaissance, while the second half will view the progresses and changes the church makes during the reformation.
Leonardo grew up and set up his own studio in 1478, he was working on a lot of things but one that was not finished was “The Magi” altarpiece, this was due to the fact he had left Florence in 1482 because he had accepted the post of court artist to the Duke of Milan. Leonardo presented himself to the Duke of Milan as a skilled craftsman, but particularly told him about his military engineering.
The shift between the Middle Ages and Renaissance was documented in art for future generations. It is because of the changes in art during this time that art historians today understand the historical placement and the socio-economic, political, and religious changes of the time. Art is a visual interpretation of one’s beliefs and way of life; it is through the art from these periods that we today understand exactly what was taking place and why it was happening. These shifts did not happen overnight, but instead changed gradually though years and years of art, and it is through them that we have record of some of the most important changes of historic times.
Leonardo Da Vinci was born on 15 April 1452. He lived in Italy in the town of Vinci until as a teenager. He received a basic education in reading and writing as well as some training in mathematics and engineering. Although he was
Larmann, R., & Shields, M. (2011). Art of Renaissance and Baroque Europe (1400–1750). Gateways to Art (pp. 376-97). New York: W.W. Norton.