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Similarities between italian renaissance and northern renaissance
The Italian Renaissance and Northern Renaissance
The Italian Renaissance and Northern Renaissance
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When one thinks of the Renaissance, usually what comes to mind is the Italians or Italy, where artists like Leonardo da Vinci, Michelangelo Buonarroti, and Raffaello Sanzio trained, studied, and worked. These artists are based mainly in Southern Europe of course, but what about Northern European countries like Germany? What were the Germans up to and how did this new way of thinking as well as new use of techniques and tools spread up there, to Germany, and other countries? It is believed by many that Albrecht Durer was the main catalyst and one of the most important contributors for the Northern Renaissance. Many artists visited Italy at the time of the Italian Renassaince, but Durer seemed to be someone who completely embraced the ideas that were being introduced and instantly started incorporating techniques and ideas in to his work. His passion for the rebirth of the arts and his craft in general made him one of the greatest, most notable artists of his period.
Durer was a German artist with many talents including printmaking, painting, engraving, and goldsmithing. He was born in Germany on May 21st, 1471 to his father, who was a goldsmith. In turn, Durer was taught the ways of metal working as an early teenager. However, though his metal work was indeed good, he would later be known for his wood carving prints and paintings more so than his metal work. Around the age of fifteen, his father saw that Durer was particularly good at drawing compared to his metal work. Even though he would have rather seen his son continue working as a goldsmith, he let Durer fall into apprenticeship under Michael Wolgemut, a German painter and printmaker, to develop these skills he saw in his son. Soon after this apprenticeship, Dur...
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...ction." SUNY Oneonta | Home. Web. 29 Nov. 2011. .
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• MacPhail, Catherine. Nemesis: into the Shadows. London: Bloomsbury, 2006. Print.
• "Albrecht Dürer: Four Horsemen of the Apocalypse (19.73.209) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. Web. 29 Nov. 2011. .
• "Albrecht Dürer: Adam and Eve (19.73.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. Web. 29 Nov. 2011. .
• "Self Portrait, Albrecht Durer." Fine Art Prints on Canvas,Giclee Reproductions by Illusions Gallery. Web. 29 Nov. 2011. .
Albrecht Durer-Self Portrait at Age 28: This self-portrait was painted in 1500 shortly afore Durer’s 29th day of inchoation. In the painting Durer is visually perceived in a Christ like pose where he directly faces the viewer. Traditionally at the time this particular pose was reserved for portraits of Christ and typically artists would surmise a three quarters pose with the artist conventionally facing the right of the viewer. Durer’s visible hand is perhaps one of the most striking components of the painting, the placement can be thought of as pointing to the sacred heart of Christ. It should withal be noted that the placement of the fingers can be optically discerned as an “A” and a “D” betokening Albrecht Durer or Anno Domini. The set of Durer’s oc...
The Renaissance Period is widely known for the abundance of amazing portraiture that circulated around Europe. During the Renaissance, Albrecht Dürer, a German artist painted a self-portrait in 1500 that had qualities that differed from the usual style of artist in that time (Chauhan). Jean Clouet also painted a portrait for the King of France and became the official court painter. Both artists had a talent for portraiture, while their styles were quite different. King Francis I wanted to be seen as a powerful man, and appointed Clouet to paint him in a classically renaissance way that highlights his wealth and authority. Dürer, described as a cocky, self-centered man, painted himself in a light that is unique and puts him on a ‘holy’ pedestal (Stokstad 356). In this essay I will show how although both paintings have clear differences with their style, both men in the compositions are conveyed in a great and very powerful sense.
Durer based the figure of Adam from the Appolo Belvedere sculpture from the Classic Antiquity. Measurements were taken by Durer so, that he could create Adam to resemble the Appolo Belvedere.
Gerrit Dou was talented enough to get accepted into the apprenticeship of Rembrandt at an early age. After following in the footsteps of his master for six years,...
"Heilbrunn Timeline of Art History." John Frederick Kensett: Hudson River Scene (07.162). N.p., n.d. Web. 31 Mar. 2014.
Artist and Humanist, Albrecht Durer is one of the most significant figures in the history f European art outside Italy during the Renaissance (Gowing 195). Portraying the questioning spirit of the Renaissance, Durer's conviction that he must examine and explore his own situation through capturing the very essence of his role as artist and creator, is reflected in the Self-portrait in a Fur Collared Robe (Strieder 10).
Kvam, Kristen E., Linda S. Schearing, and Valarie H. Ziegler. Eve and Adam: Jewish, Christian,
The Renaissance was the rebirth of Europe and it all started in the city of Florence. Florence and everything that made a standard Renaissance city: painters, sculptors, writers, architects, and a vivid culture. Soon all of Europe would follow in Florence’s footsteps and “the setting is so rich, varied, rambunctious, and inventive as Italy in the Renaissance” (Cohen 1). The painters and sculptors defined Renaissance culture and could actually make a living because they were being sponsored.
The renaissance is one of the most culturally, religiously, and artistically inventive periods in the history of mankind. From giant sculptures carved to perfection to literary works of art that induced deep thinking, the renaissance demonstrated that man’s view of itself was expeditiously becoming refined. Many of the most influential people in history, Michelangelo, Da Vinci, Raphael, and Dante lived during the time of the great reinvention of Italian society. The renaissance altered the way education, art, and innovation were perceived and forever changed the thinking of the common man.
"Portrait of a Man (Self Portrait?)." Jan Van Eyck. N.p., n.d. Web. 20 Apr. 2014.
Krén, Emil. Web Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1000-1850). Emil Krén, Dec. 2011. Web. 7 Mar. 2012.
In Heilbrunn Timeline of Art History. New York: Metropolitan Museum of Art. 2004. The 'Standard' of the 'Standard' of the 'Standard' of the 'Standard' of the ' 8 March 2011. Web.
Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. 2004. Accessed October 27, 2011. http://www.metmuseum.org/toah/hd/duch/hd_duch.htm.
Rewald, Sabine. "Fauvism". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.
Through the transition from the Middle Ages to the Renaissance, as well as political literature and diplomatic advancements, the Renaissance significantly influenced modern politics. This has been proven through the conversion evidences of Charles VII and Louis XI, The Prince and Discourses on Livy by Machiavelli, and the diplomatic developments made by Machivelli and Henry VII. In the end, despite the era being only three hundred years and happening several centuries ago, the Renaissance was a key point in the modern world’s political history.