Lang condemns the negative implications for society and individuals which may arise from hierarchical structures and the polarisation of classes. He illustrates this in Metropolis, highlighting the inequitable social divide between the underclass workers and the upper class through satirical juxtaposition. The setting in “The Depths,” is dark and full of machines, contrasting to the city and the “Eternal Gardens,” which are full of pillars and expressive architecture. The “workers’ city” is significantly less stylised and simplistic with little aesthetic design, demonstrating the difference in class due to the Industrial Revolution. In wide camera shots, the workers are dwarfed or in the background signifying the idolisation of technology. Workers are positio...
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...ngth,” enforcing a contradictory belief on the population that restricts freedom of thought. Therefore, unlike Lang, Orwell goes further and creates a dystopia, condemning society.
Through the exploration of power and its consequences, differing perspectives are seen on extreme political ideologies. Both texts, Metropolis by Fritz Lang and 1984 by George Orwell are reflections of the contextual influences of the time, Lang’s main influence being Germany’s power struggles post World War One, and Orwell’s being Stalinism and communist regimes. Their difference in context portrays a change in the way this affected society and individuals, but overall exposes the negative consequences of a dystopian future. Through a comparative study of the texts and their contexts, it can be seen that although context may change, the intertextual perspectives on similar issues do not.
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