Throughout the ages, the story of the original sin is used to explain the struggles of women and why they are inferior to man. Eve “took of [the forbidden tree’s] fruit and ate” (Genesis 3:6), and as punishment, God made it so “[her husband] shall rule over her” (3:16). As an important text during the lifetime of the characters who tell the collection of stories that compose the Canterbury Tales, most of the pilgrims were familiar with this scripture and believed that the Bible’s word was law. For that reason, the popular belief of the time was that women were inferior to their male counterparts. However, a couple of characters in the tales challenge this viewpoint and show that women were also capable of making their own choices. As the pilgrims struggle with the issue of where women belong, their view of Eve in the story of original sin is altered as well. From mild indifference to intimate involvement, each pilgrim has a different attachment to the story of the Eve, and their views on women in society are reflected in their connection to the story.
The Monk tells the story of Adam and his fall from God’s grace in his series of tragedies, but Eve is noticeably absent compared to the references to her in the other tales. The monk describes Adam’s expulsion from the garden as “As Adam, til he for mysgovernaunce/ Was dryven out of hys hye prosperitee/ To labour, and to helle, and to meschaunce” (2012-2014). The Monk easily could have made Eve the reason for the original sin, but instead, he tells the tale with Adam as the subject of the tragedy. In doing so, the Monk is either making arguing that it was only when Adam ate the fruit that created the original sin and that the actions of Eve were inconsequential, or that too much bla...
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...tations of Eve vary. Eve’s story may be written very simply in the Bible, but the way that the pilgrims interact with scripture make the straightforward account take on more diverse interpretations.
Works Cited
Chaucer, Geoffrey. “The Wife of Bath’s Prologue.” The Canterbury Tales. Ed. Larry D. Benson. Boston: Wadsworth Cengage Learning, 2000. 87-98.
Dinshaw, Carolyn. Chaucer's Sexual Poetics. University of Wisconsin Press, 1989. Print.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Los Angelos, CA: University of California Press, 1992. Print.
The New Oxford Annotated Bible. Herbert G. May and Bruce M. Metzger, ed. New York: Oxford University Press, 1957.
Weisl, Angela Jane. ""Quiting" Eve: Violence Against Women in the Canterbury Tales." Violence Against Women in Medieval Texts. Ed. Anna Roberts. University of Florida Press, 1998. Print.
Cox, Catherine S. Gender and Language in Chaucer. Gainesville, Florida: U of Florida P, 1997.
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
Both texts concern temptation - of which in each instance is symbolised by fruit - and the moral `fall' of a female character. Yet the approach to this theme in each piece differs, being inherently influenced by the period and social contexts at the time of writing, as well as the personal values of the respective authors. In Paradise Lost the only two female characters, Sin and Eve, are portrayed in a poor light. Sin is immediately introduced as `fallen', being the daughter and lover of Satan. Initially beautiful, being ."..a goddess armed/Out of thy head I sprung..." (2:766-767), she is borne out of the head of Satan. Her enamouring beauty...
Chaucer, Geoffrey. “The Book of the Duchess.” In The Riverside Chaucer. Ed. Larry D. Benson. Boston: Houghton Mifflin Co., 1987.
Carruthers, Mary. "The Wife of Bath and the Painting of Lions" The Geoffrey Chaucer Page. 30 June 2000
During the medieval ages, women were described as evil creatures that would destroy anyone standing in their way to get what they want. People claimed that women's malicious intentions clouded their judgment from doing the right thing forcing them to be selfish. In Chaucer's The Canterbury Tales and Malory’s The Death of King Arthur, both focus on women’s behavioral impulses through their dishonesty, manipulation, and their promiscuity.
The Wife of Bath, with the energy of her vernacular and the voraciousness of her sexual appetite, is one of the most vividly developed characters of 'The Canterbury Tales'. At 856 lines her prologue, or 'preambulacioun' as the Summoner calls it, is the longest of any of the pilgrims, and matches the General Prologue but for a few lines. Evidently Chaucer is infatuated with Alisoun, as he plays satirically with both gender and class issues through the Wife's robust rhetoric. Scholars and students alike have continued this obsession with her, and as a consequence Chaucer's larger than life widow has been subject to centuries of scrutiny. Indeed, she is in the vast minority amongst the Canterbury bound pilgrims; apart from the in-vogue Prioress she is the only female - though she appears in no way daunted by the apparent inequality in numbers. It seems almost a crime to examine masculinity in her prologue and tale, but as I hope to show, there is much to learn both about the Wife and about Chaucer from this male presence.
Beidler, Peter G. "Chaucer's Tales" Chaucer Review Vol: 34, Issue: 4. April 01, 2000. 388-397
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
Hansen, Elaine Tuttle. (1992). Chaucer and the Fictions of Gender. University of California Press, Ltd: England. (pgs 188-208).
Geoffrey Chaucer used his characters in Canterbury Tales as a way to illustrate stereotype of medieval society. The Wife of Bath, one of the pilgrims in Canterbury Tales demonstrates an authoritative role in marriage The Wife of Bath’s unusual behavior and attitudes can be interpreted by two motives: feminist ideals or sexual indulgence. When considering feminist viewpoints, it can be concluded that the Wife of Bath’s behavior is motivated by sexual indulgence.
Eve’s language is drastically altered when she partakes of the forbidden fruit. It becomes permeated with blasphemy, self-praise and selfish words.
In Book IV, Eve recalls awakening to consciousness but she is uncertain of her identity and of her place in the Garden of Eden. Eve's first thoughts are of “where and what [she] was, whence thither brought, and how” (Paradise Lost, IV.451-52), and it is this curiosity about her identity that leads Eve to disobey God eventually. From the moment of her conception, Eve is already distant from God because she awakens in the shade and not in God’s light. Throughout Paradise Lost, Eve is identified with reflections, shadows, and dreams. Representing the “otherness” of Eden, Eve is an outcast and she seeks to find meaning in her life. At the moment of her awakening, Eve is engrossed by her reflection in the water, which she thinks is another being. This watery, wavering image of Eve extends throughout Milton’s poem, and this further puts Eve in a weak position, for Eve is merely a ref...